A Study in Pink

A contemporary adaptation of the Sherlock Holmes novel 'A Study In Scarlet'.

This is an excellent feature length television episode with a good use of the source material, solid production values and great performances.

The plot loosely follows the concept of the original story but provides enough original material to make it fresh and interesting. Particularly towards the end it gets very compelling, although it's not hugely suspenseful because you know Holmes' life would not really be in danger. You do, as much as Holmes, want to know how the antagonist can do what he claims to do.

What makes it work so well is the star power and charisma of the lead characters. These are two great actors playing two great characters and they constantly entertain thanks in part to the dialogue.

Visually it is excellent, with strong cinematography, editing and art design. I was not completely sold on the amount of title sequences used to help viewers keep up with Holmes' observations, particularly when he explains it a few minutes later, but this is a matter of taste.

Generally, the use of modern technology in place of the traditional devices with the same principle in the books is another strength of the production.

I have avoided this for over 10 years for being yet another Holmes adaptation, but have to admit it surpassed my expectation.

The show is very good and well-made. Every detail is thought through, and it is very interesting to follow the mind of Sherlock through every moment of the series. Even if you don't like the plot or the acting, then the beautiful scenes of London by day, evening and night will create a atmosphere, you might never forget. In Sherlock you will find something for everyone - whether its the plot, the actors or just the classic story of a detective and his helper. Benedict Cumberbatch is a great choice of actor, and with Martin Freeman on the side they create a powerful match. The long, slim silhouette that is Sherlock next to the small and grey Dr. Watson is a vision you will always remember.

A sharp, witty modernization of the Holmes mythos, the first in this ongoing series of feature-length chapters almost perfectly strikes the difficult balance between respect for the source material and fresh, original elaborations. Benedict Cumberbatch and Martin Freeman are equally prickly, sardonic and brilliant as Holmes and Watson, respectively, both to the common folks they're tripping over at every turn and to each other while they hash out the boundaries of their burgeoning friendship. Smart, fresh editing techniques give the audience an abundance of visual hints to Sherlock's methods at a crime scene, and also give the transitions between each scene a sleek, artsy edge that helps to convince this is more than a made-for-TV movie. Though it does occasionally leave Holmes himself in the dark just a bit too long in hopes that viewers at home will figure things out first, that's a very minor gripe and one I'm not entirely sure is actually a negative in this era of the deus ex machina. A bold, rewarding first step that sets the ball into motion for any number of future developments.

John Watson (played by Martin Freeman), an army doctor, is wounded in Afghanistan and invalided out of the Army. Back in London his search for a place to stay leads him to share a flat with Sherlock Holmes (Benedict Cumberbatch), a brilliant but eccentric private detective. He has hardly met Holmes when Holmes gets called in by Detective Inspector Lestrade to help on a case. People have been committing suicide in identical fashion - by a poisoned pill. The police are calling it "serial suicide" but it is clearly the work of a serial killer.

A great start to the series. Intriguing, engaging and sets the tone and background for the series. We are introduced to Holmes' methods and genius, see how Watson and Holmes met and see what Watson brings to the partnership.

Case itself is quite fascinating and a good test of Holmes' intellect.

Just watched it on Swedish Television (in Norway), this genial piece of modernized, classical institutionalized British fiction. It's fun and full of suspense. Freeman is perfect as Watson with his neurotic energy. Just as he is in the Office. Cumberbatch is good as the modern Holmes, much like Suchet in the role of Hercule Poirot the last 20 years. The first episode is exciting and fast pacing; reminds of the Dark Night (Batman). Sharp analysis and blending remarks of cosmic intelligence, replacing each continuously. The humor is dry and funny. Holmes'analysis of the initial dead people are clever and modern; you hold your breath while smiling.... Great photography too, dark and earthly colors... I love this episode and series, assuming that the rest is just as good. Holmes is living well in the present moment, his superior deductions are not possible for a conventional thinker, but still possible to relate to. Besides the unnecessary snide remarks about Watsons intelligence, he is as close to Buddhism as it is possible to get, west of Bhutan.