Lafangey Parindey

"Lafangey Parindey" is a delight to watch. No because of its two bold and beautiful lead, but because it tells a very good story of faith,survival,struggle and love in a very simple and elegant manner.

Cast wise,I can't expect more.Special mention for Deepika Padukone.This gorgeous gal is just perfect for the role of Pinky Palkar,a blind girl with big dreams,but demoralized by the unfortunate turn of events in her life. Neil Nitin Mukesh plays One Shot Nandu and does it good. Maybe his stylish clothes, neat and clean accent and fairer than fair complexion makes us question his selection for a Street Fighter role,but One Shot Nandu's inner conflict with his biggest regrets and fight to achieve redemption is beautifully portrayed by Neil. And Piyush Mishra is exceptional as always.

What separates "Lafangey Parindey" from rest is the narrative raw material has been primed to yield loads of drama, some dirty dancing and a bit of daredevilry.Pradeep Sarkar pans his camera on these gritty streets and gullies of Mumbai and tells a simple tale of two free-spirited youngsters who believe nothing is impossible.He does not get preachy or patronizing in his storytelling in spite of his story being predictable.High on emotions, the film is more of a drama but comedy and romance too have their prominence in the script.

Overall,"Lafangey Parindey" is a human tale of risk and loss, and emotional victories. It is a tribute to the indomitable spirit of Mumbai. Watch it for its earnest performances, real characters and sheer simplicity.

My Verdict: 8/10

Lafangey Parindey,directed by Pradeep Sarkar is boring.

The storyline is predictable.

Even otherwise the movie has nothing new to offer.

The climax is good.

Pradeep Sarkar is a letdown.

The music is good.

Performance wise-Neil Nitin Mukesh is good.Deepika Padukone is very good.Piyush Mishra is first rate.Manish Chaudhary is good.Kay Kay Menon appears in a special appearance.

Overall Lafangey Parindey,is a letdown.

The album 'Lafangey Pariendey' has seven songs written by Swanand Kirkire and composed by R.Anandh, the famous ad jingle composer.

The album opens with the song 'Lafangey Parindey' by Ronit Sarkar. The songs starts with an Arabian music and then the fast beat starts. It plays its role right as the title song. Then comes 'Man Lafanga' by Mohit Chouhan which has a soft track and is easy on ears. Mohit does his job very well. Next comes 'Dhatad Tatad' by Shail Hada and Anushka Manchanda. It is a dance music and the audience can not but stop tapping their foot with this cheerful song. After that there is a soft song 'Nain Parindey' by Shilpa Rao. Audience will feel calm hearing this song and probably it is the best song in the album. Shilpa's voice seems to have turned magical in this song. Then 'Rang Daalein' comes next by Suuraj Jagan. It is another song with hard music and the song is very youthful. Suraj does his job quite well. After that comes 'Born to fly' which is an instrumental and it is ideal for ballad dance. It has two parts. The first part has a slow, dreamy beat and the second part is a mixture of the beats of the other hard music of this album. The last song of the album is the club mix of 'Man lafanga' by Joshiley . It's first beat pleases the audience. The album will surely pass with the letter marks from the audience.

The movie is good, something you could watch it with the entire family and get complete dose of entertainment. Sadly the title plays the spoilt-sport (wonder why the production house did not raise an objection). Niel's character has various shades to it and he attempts hard to bring out the guilt and redemption to the best of his abilities. He is good in his own right as an actor (ref. Johnny Gaddar) but here we wanted Shahid Kapoor who can elevate the character to a different level.

Deepika gives her best shot to the character. Had the movie worked it would have done what "Black" did for Rani. However the portrayal of her disability lacks screen time owing to which it the character fails to evoke compassion from the audience. Deepika's performance covers up the short-coming of her male counterpart. And the friends provide good relief moments with their authentic one-liners and goofs. More screen time was warranted from Kay Kay. Piyush Mishra has a strong screen presence. Kishor Ballal's role I guess got chopped on the editing table.

Songs hardly make any impact. The cinematography is good. Fight sequences are well shot and so are the skating sequences.

Not a bad watch when aired on telly, but certainly not a product you would expect from Yash Raj & Parineeta director.

You can surely tell 'Lafangey Parindey' has been passed through Sanjib Datta's editing bay one too many times. Style over substance is the norm as the whole film looks like what someone might vomit up after partially digesting Natarajan Subramanian's digitized footage. Eldridge Rodrigues' insistently fussy and grandiose production design mistakes extra-crisp textures, brilliant colors and high contrast backdrops for story atmosphere and style. Yes it's flashy as hell, but amphetamine-fueled methods do not compensate for distinct lack of substance. Sham Kaushal's action all but forces its bulky, twitching mass down your throat until you realize you haven't been entertained but assaulted.

'Lafangey Parindey' is certainly a front runner for one of the worst mainstream Bollywood releases of the year. It will try your patience and give you a throbbing headache - about all it does with any success.