Little Birds

Most movies usually aren't realistic. They might be to a point but lots have a happy ending and everything is okay. Little Birds is not like this at all. It doesn't have the happy bright movie feeling. Little birds is realistic and every single event in it could easily happen. This movie also teaches a great lesson and has its shocking surprises. We learn in this movie sometimes trying new things is good, but going too far can end with terrible results. Little Birds isn't just an independent movie, it's the hard cold truth to life and proves bad things do actually happen. Always trying to impress people isn't going to get you anywhere in life except possibly leading up to terrible consequences.

Cool huh?! Lol, no but really this was a a neat lil' story, lil' means a lot packed into a lil' amount of time. I thought the relationship between the girls was nice and the dialogue betwixt the local L.A. hooligan rascal knaves was very witty and fun. I was on the edge my seat during this film. I thought the end came way way way too quick, but then I realized, the whole thing was an end , an end right from the start. In that nasty place, then in L.A. with those dead-beat hooligans and with those dead-beat pervs and with the dead-beat parents and on and on... this seemed to me like a story on trying to start your life when its already over before it began... very queer and odd situation, come and check it out it was really cool!

The good thing about this movie is Juno Temple. She is just incredible in her role. That being said her character is the bad thing about this movie. Your lead character should have something that despite his bad choices and behaviour makes him relateable and likeable. That is not the case here. She is angry at everything and the whole movie she either yelling at her supposedly best friend or insulting her or lauging when other people insult her. If they had a established why she feels so empty early in the movie we could be more on her site. Too bad.

Little Birds (2011)

A harrowing movie, a slice of very believable and scary life for two fifteen year olds looking to escape their awkward or dysfunctional families. What they get into, moving from the Salton Sea to L.A. in a stolen truck, is a nightmare for any parent. Yet for the girls there is a mixture of adventure and discomfort.

All of this depends a lot on a great ensemble cast, which is pretty much here. The two girls are terrific--I had just seen Juno Temple in another excellent indie and sought this out. The boys they run into and hook up with are a little wild at first (and then more wild later) and weave into the story with surprising ease.

This is a low budget movie but it makes the most of a series of scenes inside and out that keep it from feeling constrained. The Salton Sea parts are both beautiful an so impoverished they are sad. When the edge of L.A. comes in it's rougher and yet filled with energy. The girls are divided on how the city works on them. Temple's character is exudes confidence, and sometimes has it, too, and so she gets in deeper. The other girl, played by Kay Panabaker, is more morally solid and yet more scared, and she plays a perfect counterbalance to her friend.

Writer and director Elgin James is just starting out here (that's part of what Indie films are all about) and the movie might not soar or show particular originality, but it does hold up pretty well in normal dramatic terms. The sets are very real--gritty and rough, for sure--and the acting matches. It's quite well shot, too, if nothing special is going on--give the editors some of the credit for keeping it fluid.

You wonder by the end what the larger point might be, beyond a very distracting entertainment. There might be a little (a little) sense of "there's no place like home" at work. And there's a kind of buddy movie at work--the two girls being the pals on the road. Mostly it's about how tough some teens have it, and how they want to find ways to survive that surprise their parents (usually singular, parent). It's also a tale of how kids want a lot from everyone and everything--life seems so fertile and large--and how they know so little about how to get it.

So, with vulnerability on their sleeves, these girls are a little bit of all of us. No, we aren't all so fully stupid or careless, but maybe in small ways we are all the same.

(2012) Little Birds DRAMA

Another no plot movie, written and directed by Elgin James, starring Juno Temple as female teen, Lily Hobart living in a mobile home environment, with her best friend Alison (Kay Panabaker), who appear to be about the same age. This mobile resident is located near a supposedly an infected beach, which is why no one is playing around there. Defined as an acting device film, as Lily complains about her mother, Margaret Hobart (Leslie Mann) always trying to steal unsuspecting boyfriends money and so forth. She then strives to leave as soon as she's threatened by some of her former neighbors. And she does that by convincing her best friend to steal a respected man's truck, by the name of Hogan (Neal McDonough) to meet up with some skaters, but are really squatters who also rob and steal unsuspecting people as well, by means of online dating. Kate Bosworth also stars as Bonnie Muller, who's like another one of Lilly's aunts. Speaking as a realist and by looking at the big picture, I never got the sense that the characters are indeed real, since what Lilly and her best friend Alison do seems to be very routine, which it restricts viewers to whatever it gives us, instead of explaining to us about their studies. Or when Lilly first meets those boarders, which Jesse (Kyle Gallner) seemed to be her first boyfriend, and they just happened to meet by chance- and that Lily never found a steady boyfriend when she went to school, or other friends or enemies for that matter, which means that the schooling never even existed. Now, while I appreciate some of those subtle scenes such as babbling along the train tracks with a scene taken from "Stand By Me" I find that I'm unable to identify with any of the characters as a whole, or as being real as the movie raises more questions than it is giving us answers.