The Runaway

But it quickly went downhill from there. I made it through all episodes, but the story failed to engage me. The main leads act well, but they just don't have a decent plot to work with, and some of the scenes are really poor. Apart from the young girl who plays Cathy's daughter, the other characters are unpleasant in varying degrees, and the violence is extreme. Filling up the time with repeated flashbacks looked really amateurish.

It's definitely got a bit of a psychodrama feel to it; with relationships revisited and mistakes repeated in a depressingly believable way. The two leads are extremely watchable although neither are native Londoners which is slightly apparent in their not always convincing accents (I speak as the daughter and granddaughter of actual cockneys - one of whom had had received pronunciation beaten into her and one of whom actually sounded like a cockney and neither accent is quite right.) I was totally fooled by Soho (where I spent a lot of my childhood and adolescence although in the 80s and 90s not 60s) - they totally got the feel right.

The supporting cast were fab as was the use of music All in all it was worth a brief trip to Britbox to watch - it was no GBH or Slow Horses but I found it very entertaining so would recommend you give it a look!

A must for fans of the work of author Martina Cole, and with plenty in the tank to entertain those who simply enjoy gritty crime drama, The Runaway is a story that pulls very few punches. Spread across six episodes, it's set in the late 1960s, and follows two youngsters, Cathy and Eamonn, as they're brought up in the East End of London.

As you might expect, things aren't easy for the characters in The Runaway. Cathy is the daughter of a prostitute, while Eamonn is lured into a life of crime. Yet what bonds them together is what they both have to do when the chips are down. And one event, as is often the way, has ramifications.

The Runaway is about as far away from a glossy television thriller as it's really possible to get. And there's little doubt that the programme earns that 18 certificate that adorns the box. Yet there's a strong, grown-up drama here, and it's livened by some terrific performances.

The two leads, for instance, are excellent. Jack O'Connell, best known from Skins, and Joanna Vanderham, who has a bright future ahead of her, take the main roles, and handle them well. Meanwhile, there's compelling work too from Keith Allen and Alan Cumming. Between them all, there's a constant compulsion to see what happens next.

The Runaway punches above what you might expect of television values,the downbeat world of the drama comes across strongly .

A gritty period drama, well made, and if you can stomach it, it's well worth your time.

What a great series. I wish we had this kind of great work on this side of the pond. I became a fan of Max Irons recently so I started watching his films. Being a young up and coming actor (son of Jeremy Irons and Sinead Cusack-double powerhouse genes there), I gave the series a go. From the first episode I was hooked. It has opened me up to another fast rising mega star in the making, Jack O'Connell. Runaway is a bit of everything, edgy writing, intrigue, romance, crime, drama, murder, gangsters, bombs and drag queens. Who can go wrong with that lineup. Leading the charge is the ever awesome, Mardi Gras and New Years wrapped into one actor Alan Cummings. LOVE HIM. This role was written just for him because no one could have done it justice. For only 6 episodes it keeps you hanging on to every luscious minute. It is well worth a weekend Binge watch.

I saw the same authors The Take and it was worth watching. But this really not very good. I recommend The Long Firm,He Kills Coppers or Our Friends In The North if you want to see a 1960 London set tv drama. The writer sells millions of books and good luck to her but the story is cliched and fairly predictable. It was filmed in South Africa and that explains the fake feeling of the whole thing. Cheaper to film in places like that but they just don't have the experience. I get no feeling that anybody involved has a feel for the period,unlike the series I already mention and the more recent Endeavour. Alan Cummings performance is the best thing in this,I say that as somebody who does not like him usually.