Strippers vs Werewolves

Well, the title of this film might lead you to think that this is either really cool in a postmodern ironic sort of way or truly dire. It's worth watching just so you can make your mind up.

For me, it almost worked. Although some of the acting is poor, there are some good performances in here: Martin Compston (Red Road, Sweet 16, True North) is particularly good. Ali Bastian (Hollyoaks), Sarah Douglas (Superman), Charlie Bond (GBH) and Steven Berkoff (Clockwork Orange and about 100 things since) are all worth watching.

The soundtrack is spectacular: 20 original tracks with an 80s vibe from Sodajerker. That's not a Swedish band, it's a pair of guys from Liverpool whose work deserves to be in something more mainstream that this.

The plot actually makes sense, if you can follow it. A stripper manages to kill a werewolf with a silver fountain pen. His mates want revenge. Her colleagues put up a fight. Obviously there's a bit more to it than that.

The technical side is quite good, even though the pacing is all wrong. There's blood, nudity, some good lines. Above all it's very British. Reminded me of Shaun of the Dead. Not quite as good overall. But if it had been produced properly it would not have been far off.

And that title is brilliant.

More like a London gangster film than a horror movie. 'Underworld' gave us Dominatrixes vs. Werewolves presented rather solemnly. Here we get dirtier talk (naturally), brighter colours, frenetic pacing (including lot of flashy burst-wipes), sixties-style split screen, and a sense of fun.

It does rather go on, and strippers dressed as schoolgirls are a poor substitute for Kate Beckinsale in PVC. But the cast is game and for those of us with fond memories of Sarah Douglas as the evil Ursa in 'Superman III' it's good to see her back playing the film's resident Queen Bee.

The versus movies in general got quite a high (though still no Gremlins versus Critters movie - or the other way around alphabetically or maybe even liking like) - and there are also a lot of movies with Strippers fighting of evil creatures too. Or bite back? Well I reckon you can make a lot of jokes and most of them are probably better than the ones in the movie.

Still there is fun to be had (and nudity and blood if you don't count them as fun in general) and this does not try to fool you into thinking it being something different than it actually is

A very British, ultra low budget film with a sprinkling of famous faces - albeit most are from UK soap operas. Directed by Jonathan Glendening and written by Pat Higgins and Phillip Baron, this 2012 film is rated 15 and has a runtime of 93 minutes. It is rated as Action, Comedy and Crime but also borders on supernatural horror too.

The plot is simple but conceivable, in a weird kind of way anyway; a stripper accidently kills a werewolf with a silver fountain pen. His friends, the rest of the pack, want their revenge. It is up to colleagues, friends, and clientele of the stripper to fight off the bloodthirsty werewolves.

I am not going to mess around and try and jazz this film up, I knew what I was getting myself into with this film, and the title of the film also set my expectations too, but this film, well - it was just bad. I usually like bad b-movies, but even by that standard this is really really bad. The acting is terrible; the script and dialogue is cringy; the make-up, effects and prosthetics are cheap; the soundtrack was awful; it wasn't funny (and it was supposed to be); the pacing was terrible... wait, I've used that descriptive word before... let's go with the pace was on par with a bumpy, pot hole covered road that was only partially built and required detours for no reason. What I am ultimately getting at, in case it was not obvious, is that this is a poor film.

With how bad the film was I was surprised at some of the faces that are in it, some from UK soap opera, some from the world of film. Ali Bastian, Adele Silva, Martin Compston, and Billy Murray all have experience in various soap operas. Martin Kemp, Alan Ford, Steven Berkoff, Lysette Anthony, and Robert Englund all have big film experience. With a cast this rich I was really expecting to see something a lot better than I got to experience. This felt like a cheap rip-off of 2008's "Zombie Strippers", which is pity because Britain is usually a strong player in the comedy-horror market with some really great tongue in cheek blood splatter films. This, unfortunately, had very few redeeming qualities and I can see this being quickly forgotten by audiences and probably the cast themselves too. I am not basing my review on a single viewing; I watched this in 2012 when it came out, and I have re-watched it in 2020 when I wrote this review. The film stunk almost ten years ago, and its fragrance has not improved since then.

I am a big fan of independent cinema and bought this film straight away. I was impressed by similar style films such as the Robert Englund staring Zombie Strippers but this film lacks in every way. The scene at the start of the film showing a night club has some of the worst cgi lighting effects ever put on film. The cinematography is appalling the film looks like it was shot on camcorders in a drama room of a college. In the modern day and age of dslr cameras and colour treating software this is inexcusable. The editing makes the established actors look like they are reading from scripts. The named stars of the film are in it for a few Min's probably collecting a pay cheque whilst attending a film convention. The makeup effects are cheap looking. The girl who is in shock at the killing of Martin Kemps character possibly gives the worst performance ever recorded in film. The pacing of the film is all over the place. it drags and attempts to be funny but fails miserably. So what is good about the film? The opening credits. they look great. If you want to see how a good British film in the same style is done watch Doghouse or Severance or even Lesbian Vampire Killers. Black and Blue films could be the saviour of British horror but if the upcoming films are as bad as this they will become Britain's answer to Full Moon.