Snowpiercer

I agree with some reviewers that there are some (unnecessary) plot holes and illogical stuff going on (food supply just one of the main issues, as there are hundreds of people on board, and if you dare to count there are more people like guards, crazies and rich people than on our poor rebels side) but that left aside, Snowpiercer got a refreshing perspective on the postapocalyptic genre/tales and provides some unique ideas and combines them with some solid acting and a pro production.

Verdict: not brilliant and no masterpiece but a good and entertaining flick - if you like the genre and want some action on your screen.

I don't like movies as art. I like movies that have rules and internal logic, and the premise of this movie is idiotic from both a scientific and common sense angle. It really works though. Like it really works. If you can just suspend disbelief and accept that a train can run forever and sustain some sort of biodome indefinitely then this movie is a masterpiece.

I see reviews where people basically complain about how the premise impossible, or that the themes are cliche, and I'm totally with you guys there. Both of those things are true, so if you need realism then you probably won't like this movie. But if you can just accept the premise as it is then this movie is something really special. One of the better movies I've watched in a really long time

After graping the global movie universe's attention with "The host" (2006), Korean director Bong Joon-ho serves up his first offer in the English language with "Snowpiercer", a futuristic, sci-fi fable as well as a hybrid of art house and mainstream thriller.

The micro depiction of the macro human race is through the titular vehicle (literally meant) – a train that circles the post-apocalyptic world, a frozen hell resulted from the backfire of an over-executed maneuver in battling global warming. Secluded from the outer world, the survivors are stratified by social class, the highest at the front (a perpetual-motion engine) and the lowest at the back. The linear (in more ways than one) story is quite simple, the underprivileged bunch at the back fighting its way, car after car, all the way to the front to gain control of their own destiny. Through the allegory progression, the audience witnesses a rich pageantry of environments – rough workplace, lush greenhouse, giant aquarium, plush lounge, and more.

The impressive cast is well assembled. Chris Evans sheds his "All American" heartthrob image to play this perhaps his first heavy-weight role as an earthy leader of the revolution. John Hurt is the semi-disabled wise old man, a rich reservoir of knowledge. Other key members of the group include Jamie Bell as the young follower, Octavia Spencer as a mother searching for a missing child "drafted" by the ruling class for some obscure purpose, and Song Kang-ho as a Korean security expert. The show-stealing personas, however, are on the opposite side. Most delicious is Tilda Swinton, barely recognizable with ingenious makeup (essentially of a dental nature) playing the spokesperson for the dictator. Allison Pill (so impressive as Zelda Fitzgerald in "Midnight in Paris") is another manifestation of eccentricity, a pregnant kindergarten teacher, all sweetness until she produces a gun and starts shooting. The dictator is competently played by Ed Harris.

The movie is quite long (a little over 2 hours) and does not hurry itself as most blockbuster thrillers would do. Instead, it takes its time with careful, well-crafted character development. But it does hold the audience's attention with excellent acting and artsy photography.

This film reminded me of many lost occasions in cinema where script themes were extremely compelling but poorly executed (think about In Time). The smart idea behind the movie (which comes from the graphic novel La Transperceniege) representing capitalism as a self fuelling train riding across a desert world where no alternative could survive is mostly shadowed by bold action sequences and cliches. This trend reaches the climax in the last 30/40 minutes, as the ending shows us the trite scene of the "final encounter with the villain" along with very predictable events. The characters are hollow, rigid and stereotypical as their dialogues are. Differently from his masterpiece Parasite, neither personal nor societal introspection is here elaborated. Unfortunately, Mr Joon-Ho had a visionary novel that he decided to transpose in an average Hollywood style action movie.

The opening scene was psychedelic and the ending was insane. It was a great black humorous movie. The resonance of the kindergarten song burst into flames, satirizing the instant sensation. The rule of the old class needs the maintenance of cockroach protein. The change of the new class begins with the awakening of cannibals. If it were you, how would you choose?