4:44 Last Day on Earth

New York's bad boy Director is back with another artsy, avant-Garde, personal picture that is surely nothing if not a cranky creation aimed against the mainstream and the Hollywood system. An ultra-low budget display for all the film-school and frustrated filmmakers to show them how to get it done without corporate backing and studio sucking up.

In this film he takes on, no less, the end of the world with a nod to Al Gore, the Dalai Lama, and Buddhism, and other peace-nick people. A left wing shout out to sensitive souls who might just have seen it all coming.

The movie has some beautiful cinematography (not usually one of the Director's traits) and the small cast is on the mark and it makes for a meditation on the madness of our times. There are some indulgences that are unnecessary and distracting (long close ups of sex) that adds nothing and subtracts somewhat, although it fits the theme: loss of lovely things. But overall it is a thoughtful and timely thesis that is an understated, overwhelming passion play. The passion for what is about to be no more.

This is one of those movies that requires rapt attention to the screen and the ability to "just get into it" and accept it for what it is. After about 20 minutes it grew on me. You need to try to put yourself in their position, not just watch it as an observer.

Yes, it could have been done better or differently, and could have covered a lot more psychological ground, but it worked for me in its own context. The director had a consistent vision, even if some viewers will never get it.

The attitudes of some external characters seemed oddly upbeat and that wasn't explained, but maybe that's how it would be for some. The casters may have studied people in the real world who knew they were going to die, so the world essentially ends for them anyhow. That may be worse than knowing everyone else is coming with you. There are endless psychological angles to this plot.

The vague technical explanation for the world's condition reminded me of "The Road" but little else about it resembled that film. I thought the acting was plenty good and the sparseness of characters and dialog (except for numerous Skype scenes) fit the mood that was created.

Just give a try and don't watch it with shallow, loudmouth people interrupting (I can't see it doing well in a typical theater setting). You may find it quite compelling and it could make you appreciate life more. That's the main effect it had on me.

4:44 The Last Day on Earth is an existential film by director Abel Ferrara that made me wish he went back to making those video nasties that earned him notoriety in the first place.

The film focuses on a couple in love on the last day of earth just before the planet is about to be destroyed by cosmic radiation. Cisco (Willem Dafoe) is an actor, his wife Skye (Shanyn Leigh) is an artist. They are rather benign about the world coming to an end and accepted their fate which incidentally so has many other people in the planet hence the lack of worldwide panic.

Cisco and Skye make love, they argue, talk to other loved ones, she still paints and they are generally bewildered

Interspersed throughout the film are news clips of reporters, commentators and celebrities who contemplate what the end of the world will be like such as Al Gore and the Dalai Lama.

The film is tedious, grim and empty.

How would you spend your last days on Earth if you knew the world was going to be destroyed in the morning? That's the premise in Abel Ferrara's (King of New York, Bad Lieutenant) claustrophobic new movie, starring Willem Dafoe and newcomer Shanyn Leigh in where the two play a Manhattan couple coming to terms with their final moments of existence.

Ferrara's choice to shoot the majority of the film in one setting with a minimal amount of takes made me feel as if I were watching a play - not at all a bad thing, especially when the lead actor is Dafoe. This play setting, along with the 'the sky is falling' scenario practically begs for fueled performances to which both Dafoe and Leigh delivered. The actors made the most of their surroundings and turned their emoting skills on high, only occasionally finding themselves being caught in fits of overacting. This is where the movie falters, when the attention pays too much to the acting and not the scenario. Still, the little bursts of over-the- top moments weren't enough to detract me from the movie as a whole.

Fans of both doomsday scenario movies and movies that show close-ups of Willem Dafoe's pubic region should walk away eerily pleased from this one.

This is a film where the title sounds good, but the writing and execution suck. Supposedly something (humanity's destruction of the environment) is leading to rapid ozone depletion and it will disappear at 4:44. At this point the writer, having no idea what the ozone layer is and how it works, says the world will end (though how is never stated). Having totally misrepresented the science (since even with no Ozone layer, life would initially continue and man could adjust, though in 5-10 years the global effects would be bad), the rest of the script goes into a tailspin as well. For a planet where it's predicted everyone will die at some specific time within one-day ... life seems to be getting on pretty well (at least what we can see of it since the scenes all take place in the females apartment so, other than TV shots or the few rooftops shots near the end). I mean come on now, would someone be sitting on a TV show calmly discussing the end minutes before it comes? This movie seems to be more of something shoved together so the directors wife (the female star) could say she was in a movie. Not worth watching.