Ethel & Ernest

Having grown up, and loving to bits (still do), the stories and animations of 'Father Christmas', 'The Bear' and particularly 'The Snowman' and similarly being blown away by 'When the Wind Blows' (another seemingly personal work and I couldn't help being reminded by that when viewing 'Ethel & Ernest'), 'Ethel & Ernest' is yet another Raymond Briggs masterwork.

This 2016 animated adaptation couldn't have been more perfectly adapted and is simply sublime also on its own. Its story structure may be somewhat episodic, but actually in no way does that matter at all in this instance. This is due to how brilliantly made 'Ethel & Ernest' was and my vast emotional connection with it. Easily a highlight of my festive-period film/television watching.

Like with 'Father Christmas', 'The Bear', 'The Snowman' and 'When the Wind Blows', the animation from start to finish is stunning, from the level of detail to the meticulousness of the drawing. Not to mention the quaint and atmospheric colours and the gut-wrenching scenes depicting World War II and how people lived during it. The music is never intrusive yet always has a presence when needed. The use of music and songs from each stage of both characters' lives giving a sense of authenticity and effectively taking one back.

Furthermore, the script has a perfect balance of gentle yet hilarious humour (the funniest lines often coming from Ethel), genuine pathos such as the genuinely heart-rending ending beautifully done and fascinating history that is either educational, takes one back or both (it is somewhat fun to spot the historical figures and events). It also has darker moments (such as the carnage and terror WWII brought) that are quite harrowing and never trivialised and a beautifully pitched, never heavy-handed but admittedly at some time painful honestly. As can be seen, the range of emotions is very wide.

The story is easily the most personal of all Briggs stories and essentially a very affectionate yet compellingly real auto-biographical tribute to his real-life parents. It is a story and tribute that is throughout immensely charming, deeply touching, funny and very honest. It is gripping from start to finish, and with a lot going on but with a gentle pace that allows the events to breathe the hour and a half length feels justified and doesn't feel too long or the content over-stretched. Structurally it may seem episodic and slight, but the content is very much eventful.

Ethel and especially Ernest themselves are very likable protagonists in all their life stages, while their chemistry and love for one another is very affectionate but sometimes imperfect, a realistic depiction of marriage. Raymond is also charmingly portrayed. While all the vocal cast do a sterling job, Brenda Blethyn and Jim Broadbent are truly outstanding and give Ethel and Ernest remarkably vivid life, making them compellingly real characters and relatable rather than stock or caricatures.

All in all, nothing to fault here, another masterful Raymond Briggs adaptation. 10/10 Bethany Cox

I've just got around to watching this today. As a 50-year-old I could relate to so much of it and relate it to my grandparents and uncles and aunties who were around during this time. Frankly, I found the film utterly heartbreaking. I must have had tears in my eyes pretty solidly for the last 30 minutes of it. It was quite overwhelming in places especially when Raymond views a body in the morgue which was very reminiscent of something that happened to me recently. I was going to write that it was a perfect slice of life but that is not big enough as it really does pretty much cover two entire lives. My boys who are under ten it has to be said were not gripped by it and did fade in and out of watching it but for adults, I can't recommend it highly enough.

The notion of 'ordinary people' is perverse, like fingerprints, everyone is different, living in a celebrity culture where appearing on a television reality show can somehow make you special, someone to keep up with or be interested by, it was timely to receive this Christmas antidote to superficial stardom.

Raymond Briggs' endearing depiction of his parents through a tumultuous half of the 20th century was also an excellent history lesson, showing how major, earth-shattering events influenced supposedly ordinary people. Most of all, it showed how class, status, social mobility and home ownership influenced British social history. There are sadly few milkman around now, if there were, neither they nor contemporary equivalents, would be able to afford the spacious terrace house in Wimbledon!

Just as in Robert Tressell's landmark work 'The Ragged Trousered Philanthropists' Edwardian decorators did not think privilege was 'for the likes of us', former ladies maid Ethel, supported the status quo, voted Conservative, did not envisage storming the barricades anytime soon, whilst Ernest aspired to Labour's inspirational message after the travails of Workd War 2 and was an intrinsic part of the ideological spirit that brought the NHS, welfare state and a less class-ridden society.

Raymond is shown eschewing office work, despite having worked as a draughtsman during national service, for the seemingly risky and unstable world of art. How right he was, as we saw, to follow his talent and become one of the world's greatest illustrators. Although his parents were not famous, they showed the extraordinary stoicism that brought this country through. Sadly extreme voices, alienation and dissimilitude have turned true British grit, tolerance and decency upside down with the appalling, self-defeating referendum and disgraceful betrayal of 'Brexit means Brexit'. Whether part of a family (as here), community (partying on VE Day) or country (Ernest reading the paper daily and keeping up with news on the radio), we are part of one Europe and one world; fragmenting it will lead back to Morrison Shelters in the lounge - or worse.

The innate decency of Briggs and his parents, their acceptance of only being able to have one (super) child, Raymond's wife being schizophrenic and unable to have children, was a marker of this warm, life-affirming film which not only brought tears to our eyes, but should lead us to be better people and show a more caring attitude. We may not all be illustrators or artists, but we can all draw our conclusions....

Ethel & Ernest is a tribute by author Raymond Briggs to his working class parents. Both meet in 1928, Ethel who is older, is a maid to a wealthy family. Ernest, a milkman who is 5 years her junior waves at her every day and then one day brings her flowers and asks her out.

Ernest is a Labour supporter, Ethel believe that the toffs are born to rule and is a Conservative. They get married and Ernest saves enough money to put down a deposit for a house and get a mortgage. Eventually little Raymond arrives but they could not have anymore children. When war breaks out Raymond is sent to the country where he would be away from the bombing raids.

After the war, Ernest cheers on the creation of the welfare state but ongoing rationing places a strain. As Raymond gets older, he does his bit in National Service and later goes to art school and insists on having long hair.

The film becomes more episodic as we go through the swinging sixties and eventually to their old age. Ernest, ever the optimist, although it dawns on him that as a manual worker, he was always relatively low paid (he finds out that Raymond could earn just as much as him by working one day in art school) but he did manage to buy a house in London and eventually purchased a car.

A charming animated film of two people in love and coping with events but also a social history of the twentieth century. Lovely voice work from Brenda Blethyn and Jim Broadbent.

A utter delight from start to finish. Raymond Briggs ability to turn 'ordinary' people into extraordinary stories is incomparable. The story of his mum and dad living through incredible times, world war 2, particularly.

The voices of Broadbent and Blethyn are the highlight, there able to bring Ethel and Ernest to life as us the audience fall in love with these simple but very human characters. Visually as expected it's beautiful yet simplistic in its form and adult Raymond has a very poignant and educated voice which works beautifully alongside his less informed but traditional parents.

I could wax lyrically about this all night but do yourself a favor take 90 minutes out of your lives and laugh, cry and wonder how Briggs is once again able to make the simplistic fantastic!