Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their o... Read allDepressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride. As police search town for the escaped convict, the mother and son gradually learn his true story as their options become increasingly limited.
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- 6 nominations total
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Featured reviews
This word say nothing. Because the beauty of this film is bitter and hard and melancholic and high delicate. The life of a single mother and her son is changed in profound sense by the presence of a stranger. A love story. And more. A story about chance and a sort of profound America, so familiar to not Americans, a sort of peach pie in the veil of cinnamon. And magnificent performances. Not surprising but a precious gift.
The story was good and I felt myself
like watching one of 80i movies, Kate Winslet performance was extraordinary you don't even feel she is acting she is living her role and being so nature in that.
If you're interested in a good adult romantic drama, look no further than the movie "Labor Day."
Superior acting by Kate Winslet, Josh Brolin and young Gattlin Griffith, this is a story with multi- layered depth and haunting flashbacks through dreams ... some viewers might become impatient as the various dream scenes flicker across the movie screen. Just wait, it's all done with amazing dramatic effect, and when the dream scape finally reveals itself, you'll be impressed with the final story.
More importantly, "Labor Day" displays the under utilized message of the impact of relationships, even though the positive results are revealed many years later.
The soundtrack is unusual and haunting, providing a surreal effect on the entire production.
Superior acting by Kate Winslet, Josh Brolin and young Gattlin Griffith, this is a story with multi- layered depth and haunting flashbacks through dreams ... some viewers might become impatient as the various dream scenes flicker across the movie screen. Just wait, it's all done with amazing dramatic effect, and when the dream scape finally reveals itself, you'll be impressed with the final story.
More importantly, "Labor Day" displays the under utilized message of the impact of relationships, even though the positive results are revealed many years later.
The soundtrack is unusual and haunting, providing a surreal effect on the entire production.
Today I gave my rating for this movie that I really liked. I did not want to write a review but I was a little disappointed by the summary for the movie written on IMDb. It says: "Depressed single mom Adele and her son Henry offer a wounded, fearsome man a ride." Adele and her son do not offer the man a ride which is very important for the story. Having said this, let me say a little about this movie. The movie plays very nicely with fear and tension. Any moment we expect something very terrible to happen. Murder, betrayal, rape, you name it. In contrast, an interesting and amicable relationship between the three main characters develops. The movie even has a happy end that is kind of unexpected. Seeing this movie I felt like being in an earthquake only to learn afterwards that no damage was done.
Labor Day is an unbelievably gorgeous mood piece, a finely-tuned film which is strongly driven by senses and emotions over plot or story. It's arguably one of the best films of 2013.
I haven't seen a Reitman film since Juno so I haven't caught up. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders. That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.
Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source. The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.
Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly (and unnecessarily) critical mind to it's 'unoriginal' or 'uneventful' plot.
I haven't seen a Reitman film since Juno so I haven't caught up. So I'm not sure where he matured from a 'good' director of a quirky script to an 'art' director who can carry an entire film on his shoulders. That's not to say everyone else in this film didn't do a great job. But the film works because of Reitman's meticulous vision.
Heavy use of cross-fades, editing driven by emotional undercurrent over logic, and some stream-of-consciousness flowing from a mysterious source. The music is avant-garde and beautiful, one moment eerie and unsettling, the next pleasant and lilting. Which reflects the way the film, like a piece of classical music, displays sudden shifts of mood or tonality, back and forth, requiring your utmost concentration and appreciation.
Writing too much else would spoil the fun. But the mindset you should bring this film, should you want to see it, is to give yourself over to the experience, rather than bringing an overly (and unnecessarily) critical mind to it's 'unoriginal' or 'uneventful' plot.
Did you know
- TriviaKate Winslet and Josh Brolin agreed to do the movie, but Jason Reitman and Brolin had to wait for Winslet for over a year to begin shooting.
- GoofsThe Panasonic VHS VCR on the top of the TV did not exist in 1987 - it has a center deck style that was common in the late 1990s (e.g. it looks similar to Panasonic's PV-V4020 model that was made in 1999). VCRs of the time had a deck on the left-hand side and display on the right.
- Crazy creditsThe copyright statement at the end of the credits reads, in all caps: "Frank's Pie Company Is The Author Of This Film (Motion Picture) For The Purpose Of Copyright And Other Laws."
- ConnectionsFeatured in Film '72: Episode dated 30 January 2014 (2014)
- SoundtracksI'm Going Home
Written by Arlo Guthrie
Performed by Arlo Guthrie
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Aires de esperanza
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $18,000,000 (estimated)
- Gross US & Canada
- $13,371,528
- Opening weekend US & Canada
- $5,175,282
- Feb 2, 2014
- Gross worldwide
- $20,275,812
- Runtime
- 1h 51m(111 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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