A male stripper teaches a younger performer how to party, pick up women, and make easy money.A male stripper teaches a younger performer how to party, pick up women, and make easy money.A male stripper teaches a younger performer how to party, pick up women, and make easy money.
- Awards
- 10 wins & 14 nominations total
- Girl in Line
- (as Avery Camp)
- George
- (as George Sack)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A male stripper teaches a newcomer how to handle the lifestyle, while a relationship develops between him and the newcomers sister.
Best Performance: Matthew McConaughey
First let's get the nude issue out of the way. There is only one full frontal in the movie--it's off to the side, is partially blocked and is probably faked. It's also very funny. There's mostly butt shots only but all are from Tatum, Pettyfer and Adam Rodriguez. This movie is NOT about the nudity. The movie moves slow (although I was never bored) and main events happen off screen OR are never explained! Still the movie works. For one thing all the acting is good. I was surprised at how good Tatum was. I never thought he could act till this. He captures his character perfectly. Pettyfer was equally good as Adam. Even Matthew McConaughey was good as the group's owner named Dallas. The strip acts themselves are incredible. All the guys are in good shape and Tatum shows some moves that are jaw-dropping! However they're not shot in an exploitive fashion. They're done in a matter of fact way that actually makes them seem quite funny. This movie (script wise) shows us nothing new but it was well-made and entertaining. This is not just for women and gay men--I think everyone would enjoy it. I give it a 7.
The dialog is lame and often delivered listlessly. Perhaps strippers and their friends are low-key characters and talk like Mike and his friends, but eyes glaze and brains go numb after nearly two hours spent in their company. A physically fit Matthew McConaughey looks almost cadaverous as Dallas, the strippers' tough manager. However, McConaughey is effective, and his scenes resuscitate the film when he is on screen, which is all too briefly. Despite his age, McConaughey has the vulgar moves, the erotic gyrations, and the sexual aura that the other supposed strippers lack.
"Magic Mike" drags on and seems longer than it is. Soderbergh inserts a few arty shots, but generally fails to even capture the excitement of a "Flashdance," a glossy construction-worker-cum-dancer feature-length music video that moved to a beat and never bored. The music herein is forgettable at best, and the dancing owes more to Las Vegas posturing than Broadway or discotheques. Perhaps Soderbergh was the wrong director for the project, which was an odd choice for the man who made "Traffic" and "Erin Brockovich." Magic Mike's story is unexpectedly downbeat, and the angst of a frustrated furniture designer is low on entertainment value. While the film will likely draw and disappoint gay and female audiences, perhaps men can relate most to Mike and his checkered career in pursuit of a dream However, few straight men will venture into a movie with the advertising and subject matter of "Magic Mike."
This film however doesn't capture the reality behind the stage, on-stage or even the crowd.
The reality is that the male dancers - or even female dancers aren't all friends...they are greedy, selfish ego tripping characters who look forward only to the dollars. They fight backstage, they get drunk back stage and they do serious amounts of coke back stage.
Most male dancers are also gay. I am not and for that reason, the few men that are not gay will be reading "picture books" behind the curtain to ensure that they are "up" to the challenge when they are on stage.
The gay men will be taking care of each other respectively before they go on stage.
Most female crowds are mostly fat, overweight women who are nearing 50 and are there to get totally drunk. Male dancers will go to the table for them and pull everything off, but will not take them on-stage and perform nasty acts - clothed or unclothed.
Also - we didn't have groups of 5 or 6 go up on-stage and perform a routine set. With people travelling all the time and new people coming in and out, we barely knew who each other was from a daily basis.
Nobody fraternized with the bar-staff after closing...everybody was tired, stressed or too stoned to do anything. The bar-staff closed up and everybody got kicked out.
If anybody tried to do a back-flip on-stage, they would have been fired or told not to do that again...because of liability and safety and insurance reasons.
We made our money doing lap dances...not having a hundred girls throw money in our underwear on-stage.
The back room dressing areas were always slightly better than a warehouse - filled with all sorts of bar crap...regardless of the bar or location.
Anybody under the legal limit would never be allowed on-stage. There was always vice to make sure.
There was always so much tension in the dressing room...because we were competing for the same money, that more than the mere basic communication between dancers never existed.
This is a film based on the male stripper occupation, but misses out on the reality of it.
It's also over drawn for plot. So much could be edited out and would not make a difference to the story.
I was looking forward to see this, and I finally did. Wow...too long to watch a movie to see next to nothing of interest.
Did you know
- TriviaThe film is loosely based on Channing Tatum's experiences as a male exotic dancer before hitting it big as a movie star.
- GoofsYou can clearly see Channing Tatum's wedding ring on when he crosses in front of the camera after getting out of his truck when arriving at the construction site.
- Quotes
[First lines]
Dallas: Let's fucking get it on right now. Let's go. Come on. Come on. Come on! Come on! Here. Here. Now, I want to go over a few rules with y'all tonight. That ain't that hard. Don't worry about it, all right. Rule no. 1, this is the "what can you touch and not touch" rules.
[puts his hands on his chest]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. Second touch.
[turns around and grabs his ass]
Dallas: Can you touch this? Can you touch this?
[moves his index finger]
Dallas: No, no, no, no, no, no, no. And finally... last one ladies,
[holds his crotch]
Dallas: can you touch this? Can you ever touch this? Well, that's who the law says that you cannot touch. But I think I see a lot of lawbreakers up in this house tonight. And I don't see a cop in sight.
- Crazy creditsThe Warner Bros. logo used at the opening of the film is a modified version of the Saul Bass designed logo from the 1970s.
- ConnectionsFeatured in The Tonight Show with Jay Leno: Episode #20.163 (2012)
- SoundtracksBreakdown
Written by Alex Cowan and Alice Russell
Performed by Alice Russell
By arrangement with Lip Sync Music, Inc.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Magic Mike: Vũ Điệu Trai Nhảy
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,000,000 (estimated)
- Gross US & Canada
- $113,781,613
- Opening weekend US & Canada
- $39,127,170
- Jul 1, 2012
- Gross worldwide
- $167,282,900
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1