A crime novelist whose research on Victorian serial killers has turned him into a paranoid wreck must confront his worst fears when a film executive takes a sudden interest in his movie scri... Read allA crime novelist whose research on Victorian serial killers has turned him into a paranoid wreck must confront his worst fears when a film executive takes a sudden interest in his movie script.A crime novelist whose research on Victorian serial killers has turned him into a paranoid wreck must confront his worst fears when a film executive takes a sudden interest in his movie script.
- Awards
- 1 win & 4 nominations total
Elliot Greene
- Biggie
- (as Elliot Green)
Pamela Cundell
- Irene
- (as Pam Cundell)
- Directors
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I admit I like Simon Pegg, a lot, so I watched this movie just because of him. The first time I tried to watch the movie I turned it off just like after 15 minutes, today I tried again and I was very tempted to stop it at least a couple of times during the first half an hour, but in the end I sticked with it and I'm very happy of my decision. Yes, everybody knows this movies is not hilarious but that's not its goal, it's a movie about how Simon Pegg's character tries to overcome his fears. I found it funny from time to time but mostly I loved Pegg's acting and most of all I loved the direction. The animated part at the end of the movie is awesome, that alone makes the movie worth watching
I was feeling very down one evening and wanted to watch something that would distract me from my thoughts. I went through a couple of lists of so-called "feel-good movies" but after realising that I can't take advice from anyone that finds the Hangover funny (no offence, just different tastes), I decided to see what Simon Pegg has been up to, as Shaun of the Dead is one of my biggest favourites.
This isn't Shaun of the Dead, and if you watch it expecting it to be, you will be bitterly disappointed, as others have said. However, the movie still has a certain dark humour, which I greatly enjoyed, and it carries a story, which for me was very meaningful.
The first half of the movie might seem a bit dragged-out (I enjoyed it though, perhaps because I know all too well how easy it is to think yourself crazy, so I was able to relate to some of what was going on on the screen), but the second half is truly excellent The negative reviews were a bit too harsh in my opinion and that was what prompted me to write one of my own. I'm not going to say you are guaranteed to like it, all I want to do is suggest you give this movie a chance, you might be pleasantly surprised.
This isn't Shaun of the Dead, and if you watch it expecting it to be, you will be bitterly disappointed, as others have said. However, the movie still has a certain dark humour, which I greatly enjoyed, and it carries a story, which for me was very meaningful.
The first half of the movie might seem a bit dragged-out (I enjoyed it though, perhaps because I know all too well how easy it is to think yourself crazy, so I was able to relate to some of what was going on on the screen), but the second half is truly excellent The negative reviews were a bit too harsh in my opinion and that was what prompted me to write one of my own. I'm not going to say you are guaranteed to like it, all I want to do is suggest you give this movie a chance, you might be pleasantly surprised.
For any fans of Simon Pegg or independent cinema who may potentially be discouraged from viewing this film due to the low ratings, don't be fooled! "A Fantastic Fear of Everything" is an incredibly well-done film from start to finish. Pegg delivers a brilliant performance as an agoraphobic writer attempting to delve into the world of Victorian killers for a new book project. His paranoia forces him into a number of hilariously unfortunate and unexpected situations. This is not your typical middle school toilet humor nor does the film set up jokes you can see coming a mile away.
Overall, the film is humorous, entertaining, and incorporates a number of dark, unorthodox story-telling features (including bits of animation). Therefore, if you primarily enjoy big-budget blockbusters or expect that every film featuring Simon Pegg to be "Shaun of the Dead" that sadly, you will probably not enjoy this film. However, if you appreciate story-telling, exemplar acting, and something a little different than the norm, I would highly recommend this film.
Overall, the film is humorous, entertaining, and incorporates a number of dark, unorthodox story-telling features (including bits of animation). Therefore, if you primarily enjoy big-budget blockbusters or expect that every film featuring Simon Pegg to be "Shaun of the Dead" that sadly, you will probably not enjoy this film. However, if you appreciate story-telling, exemplar acting, and something a little different than the norm, I would highly recommend this film.
I bought tickets to this movie for its premier at the Toronto After Dark Film Festival based on the trailer alone and went in with some trepidation after checking its IMDb rating and reading some critic reviews on Rotten Tomatoes.
Having seen the movie tonight, I can honestly say I feel like I'm from another planet then those reviewers. I absolutely loved this film! It was hilarious, creepy, intelligent, and unique. I was roaring through the whole thing, and it wasn't just me! The entire theater was rolling in their seats! The directer, Chrispian Mills was there and I stayed afterwords to shake his hand and tell him I am now a fan. There was a line of people wanting do the same thing.
I made an IMDb account specifically to tell you to pay no attention to the negative critic ratings. If you've seen the trailer and you think it looks like something you'd enjoy, then for God sakes go see it!
Having seen the movie tonight, I can honestly say I feel like I'm from another planet then those reviewers. I absolutely loved this film! It was hilarious, creepy, intelligent, and unique. I was roaring through the whole thing, and it wasn't just me! The entire theater was rolling in their seats! The directer, Chrispian Mills was there and I stayed afterwords to shake his hand and tell him I am now a fan. There was a line of people wanting do the same thing.
I made an IMDb account specifically to tell you to pay no attention to the negative critic ratings. If you've seen the trailer and you think it looks like something you'd enjoy, then for God sakes go see it!
A Fantastic Fear of Everything is probably not what you're expecting from Simon Pegg. It's not horrifically funny like Sean of the Dead, as outright entertaining as Hot Fuzz and, mercifully, it's not as tepid as Run Fatboy Run or as stagnant as Paul or Burke and Hare. Actually, it's not very funny at all to start with.
So what is it? Well, it's a journey and if you decide to embark upon it you'll need to see it through to the end to decide if it was worthwhile. It begins with an engaging, gentle, animated title sequence before introducing us to Jack (Pegg) a flailing children's author engulfed by his research into Victorian murders for a prospective TV series that nobody wants. We quickly discover he has an all-consuming paranoia of being murdered. How do we know this? Because he tells us. And that's when it starts to go downhill.
It's a steep decline that director Crispian Mills (yes it is, but more about him in a minute) seems incapable of avoiding. He seems unaware of any filmic devices to portray the protagonist's thoughts and emotions without resorting to plodding, turgid exposition and painfully obvious statements. It's part way down this terrible slope that you'll feel the urge to pick up your coat, head for the exit and sneak into the screen next door even if it is only Top Cat: The Movie.
Don't! Stick with it. Somewhere around the halfway point the decline into cinema hell slows, stops and gradually heads up to a satisfying peak via some strange and thoroughly enjoyable scenery. For the patient and slightly off-kilter, it's a very satisfying escapade indeed.
At some point you'll discover that it's evolved into a most amusing and very dark trip through a world inhabited by the likes of Tim Burton (when on form), Wes Anderson, Dr. Seuss and Roald Dahl. It's a world I feel very comfortable in but doesn't suit every reader of my blog. There's murder in mind, paranoia at large and animation sequences akin to Fantastic Mr Fox and The Nightmare Before Christmas on LSD.
Cast-wise there's nothing remarkable on display; Pegg is good but ill served by the stodgy first act and Amara Karan as Sangeet occasionally forgets how to act but gives enough to be enjoyable if not memorable. The absolute star of A Fantastic Fear of Everything is Crispian Mills and it has nothing to do with him being son of Hayley, grandson of Sir John, nephew of Maxwell Caulfield or lead singer of Kula Shaker, although it's all interesting trivia.
No, he's a star because this is his directorial debut. And his first outing as producer. And the first screenplay he's written. As debuts go, it's not up there with Duncan Jones' Moon but it's one heck of a start and he's the star because he's dared to be both dark and different at a time when Hollywood is determined to be predictable and repetitively upbeat.
A Fantastic Fear of Everything is far from being a perfect movie but it's a solid, enthralling film that hints at the possibility of Crispian Mills becoming a very fine filmmaker indeed and a hero of the off-kilter cinephiles who are tired of Tim Burton's ever-downward spiral and in need of someone new to rely on for their fix of surrealism.
So what is it? Well, it's a journey and if you decide to embark upon it you'll need to see it through to the end to decide if it was worthwhile. It begins with an engaging, gentle, animated title sequence before introducing us to Jack (Pegg) a flailing children's author engulfed by his research into Victorian murders for a prospective TV series that nobody wants. We quickly discover he has an all-consuming paranoia of being murdered. How do we know this? Because he tells us. And that's when it starts to go downhill.
It's a steep decline that director Crispian Mills (yes it is, but more about him in a minute) seems incapable of avoiding. He seems unaware of any filmic devices to portray the protagonist's thoughts and emotions without resorting to plodding, turgid exposition and painfully obvious statements. It's part way down this terrible slope that you'll feel the urge to pick up your coat, head for the exit and sneak into the screen next door even if it is only Top Cat: The Movie.
Don't! Stick with it. Somewhere around the halfway point the decline into cinema hell slows, stops and gradually heads up to a satisfying peak via some strange and thoroughly enjoyable scenery. For the patient and slightly off-kilter, it's a very satisfying escapade indeed.
At some point you'll discover that it's evolved into a most amusing and very dark trip through a world inhabited by the likes of Tim Burton (when on form), Wes Anderson, Dr. Seuss and Roald Dahl. It's a world I feel very comfortable in but doesn't suit every reader of my blog. There's murder in mind, paranoia at large and animation sequences akin to Fantastic Mr Fox and The Nightmare Before Christmas on LSD.
Cast-wise there's nothing remarkable on display; Pegg is good but ill served by the stodgy first act and Amara Karan as Sangeet occasionally forgets how to act but gives enough to be enjoyable if not memorable. The absolute star of A Fantastic Fear of Everything is Crispian Mills and it has nothing to do with him being son of Hayley, grandson of Sir John, nephew of Maxwell Caulfield or lead singer of Kula Shaker, although it's all interesting trivia.
No, he's a star because this is his directorial debut. And his first outing as producer. And the first screenplay he's written. As debuts go, it's not up there with Duncan Jones' Moon but it's one heck of a start and he's the star because he's dared to be both dark and different at a time when Hollywood is determined to be predictable and repetitively upbeat.
A Fantastic Fear of Everything is far from being a perfect movie but it's a solid, enthralling film that hints at the possibility of Crispian Mills becoming a very fine filmmaker indeed and a hero of the off-kilter cinephiles who are tired of Tim Burton's ever-downward spiral and in need of someone new to rely on for their fix of surrealism.
Did you know
- TriviaThe first film backed by Pinewood Studios' initiative to support low-budget British filmmaking.
- GoofsDuring the restaurant scene, the black man sitting behind Jack disappears & reappears as the shot changes.
- ConnectionsFeatured in WatchMojo: Top 10 Paranoid Movie Characters (2015)
- SoundtracksI See You
Written by Phil May (as May), John Povey (as Povey), Dick Taylor (as Taylor' and Wally Waller (as Waller)
Performed by The Pretty Things
courtesy of De Wolfe Ltd.
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Ảo Giác Ma Quái
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,500,000 (estimated)
- Gross worldwide
- $96,948
- Runtime
- 1h 40m(100 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content