A spelling bee loser sets out to exact revenge by finding a loophole and attempting to win as an adult.A spelling bee loser sets out to exact revenge by finding a loophole and attempting to win as an adult.A spelling bee loser sets out to exact revenge by finding a loophole and attempting to win as an adult.
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I feel compelled to review this because I believe some took this movie too personally, and thus rated it poorly.
If you are easily offended, you might be shocked or uncomfortable on several occasions. If you understand this is an artistic work of fiction, or if you like dark, sinister comedy, you can laugh at how this movie relentlessly pummels you with awkward moments. My advice is to cast away your moral standings in reality, and try see this movie from another perspective.
To be vague, it turns out there's a method to the madness towards the end. And for me, the underlying message made it worthwhile. Jason Bateman was incredibly convincing in this role!
If you are easily offended, you might be shocked or uncomfortable on several occasions. If you understand this is an artistic work of fiction, or if you like dark, sinister comedy, you can laugh at how this movie relentlessly pummels you with awkward moments. My advice is to cast away your moral standings in reality, and try see this movie from another perspective.
To be vague, it turns out there's a method to the madness towards the end. And for me, the underlying message made it worthwhile. Jason Bateman was incredibly convincing in this role!
Debuting feature director Jason Bateman stars here as Guy Trilby, a 40 year old former proofreader for product guarantees. One day he gets the bright idea to enroll in a national Spelling Bee. He's found a loophole which he can exploit, so he's off and running, competing against kids a quarter of his age. These include the annoying but endearing Chaitanya Chopra (Rohan Chand), a boy with a demanding, somewhat distant father. Despite being a wise ass and a potty mouth (as well as a man on a mission), Guy finds himself befriending the boy.
"Bad Words" is a gem for this viewer. On the surface, it would seem to be a standard tale of an ageing loser, with much of the raunchiness and vulgarity expected from that sort of thing. Well, the movie doesn't disappoint in that regard, but it also turns out to have a fair bit of heart, without going overboard on sentiment. Guy is an enigma for a long time, confounding the reporter (the sexy Kathryn Hahn) with whom he frequently ends up having sex. (During which she apparently doesn't like being looked at.) And the friendship that develops between the smart alecky adult and the earnest kid was written in an entertaining and convincing way. Not surprisingly, Guy introduces Chaitanya to such grown up delights as ogling breasts, as well as teaching him the joys of practical jokes.
The language is often colourful enough to generate some laughs, although "Bad Words" never does wallow in complete raunchiness or unpleasantness. The words chosen for the spelling bee are pretty damn amusing at times.
Bateman does a creditable job as director, as well as delivering an engaging performance. Hahn, Allison Janney, Philip Baker Hall, Ben Falcone, Steve Witting, Beth Grant, Anjul Nigam, and Bob Stephenson are among a rock solid supporting cast. Young Chand is very likable.
Overall, a smart, funny tale recommended to comedy lovers tired of the predilection towards political correctness in current times.
Eight out of 10.
"Bad Words" is a gem for this viewer. On the surface, it would seem to be a standard tale of an ageing loser, with much of the raunchiness and vulgarity expected from that sort of thing. Well, the movie doesn't disappoint in that regard, but it also turns out to have a fair bit of heart, without going overboard on sentiment. Guy is an enigma for a long time, confounding the reporter (the sexy Kathryn Hahn) with whom he frequently ends up having sex. (During which she apparently doesn't like being looked at.) And the friendship that develops between the smart alecky adult and the earnest kid was written in an entertaining and convincing way. Not surprisingly, Guy introduces Chaitanya to such grown up delights as ogling breasts, as well as teaching him the joys of practical jokes.
The language is often colourful enough to generate some laughs, although "Bad Words" never does wallow in complete raunchiness or unpleasantness. The words chosen for the spelling bee are pretty damn amusing at times.
Bateman does a creditable job as director, as well as delivering an engaging performance. Hahn, Allison Janney, Philip Baker Hall, Ben Falcone, Steve Witting, Beth Grant, Anjul Nigam, and Bob Stephenson are among a rock solid supporting cast. Young Chand is very likable.
Overall, a smart, funny tale recommended to comedy lovers tired of the predilection towards political correctness in current times.
Eight out of 10.
I was blown away by the surprisingly low "6.7" current rating on IMDb. My theory: The easily offended were easily offended (perhaps the movie should have been called "Bad Words").
(Some of my favorite comedies: Dumb & Dumber, Super Troopers, and Tommy Boy).
Jason Bateman stared in, and directed, this "tightly" constructed DARK adult comedy. There was not a wasted second or single "slow" moment in the entire 89 minutes.
Everything was dead-on: The originality of the storyline, the casting, the acting, the timing, the tone, and THE KID!... I've never been a big fan of the "cute, heart-strings-pulling, kid" cliché, but you don't have to be to appreciate this kid - he takes NOTHING away from the dark humor, and only adds substantially to the film in every way. His authenticity and interaction with Bateman's character is as good as it gets (Roeper compared Bateman's spot-on apathy to Bill Murray's, and I couldn't agree more - you could just as easily picture Murray working his magic with the same degree of unflappability, esp. opposite such a contrastingly upbeat kid).
Bateman is an unassuming Rock Star that let's his talents do the talking, and I'm looking forward to the next film he directs and leads.
(Some of my favorite comedies: Dumb & Dumber, Super Troopers, and Tommy Boy).
Jason Bateman stared in, and directed, this "tightly" constructed DARK adult comedy. There was not a wasted second or single "slow" moment in the entire 89 minutes.
Everything was dead-on: The originality of the storyline, the casting, the acting, the timing, the tone, and THE KID!... I've never been a big fan of the "cute, heart-strings-pulling, kid" cliché, but you don't have to be to appreciate this kid - he takes NOTHING away from the dark humor, and only adds substantially to the film in every way. His authenticity and interaction with Bateman's character is as good as it gets (Roeper compared Bateman's spot-on apathy to Bill Murray's, and I couldn't agree more - you could just as easily picture Murray working his magic with the same degree of unflappability, esp. opposite such a contrastingly upbeat kid).
Bateman is an unassuming Rock Star that let's his talents do the talking, and I'm looking forward to the next film he directs and leads.
Its story can be a bit formulaic- but its charm unmeasurable- Bad Word is a hilarious and surprisingly entertaining little comedy that truly belongs in the hands of Bateman. Let me just start off by saying I absolutely loved Jason Bateman in this movie. He is so incredibly cruel and mean-spirited, and yet somehow manages to make his character so enjoyable to watch on screen- and I don't think a single other actor could have done that. Not to mention he also directed the film, which honestly, without his touch, could have been a lot more bland- and I love the way he balanced the script's themes throughout. Andrew Dodge wrote the script for this film and though its structurally a little bland- the dialogue is often genius and I loved every wisecracking minute it showed on screen. The cinematography is also quite unique as well, and the cast is all pretty solid. It may be obvious, but the film also does have a heart in the center of its hard core- and honestly surprised me by how much it was able to make me care for the characters at hand given the subject matter. It's a peculiar concept and a brilliant execution- Bateman makes this film what it is- and i'm so glad I finally gave it the chance it deserved.
My Rating: 9.3/10.
My Rating: 9.3/10.
This is indeed racist and it's also misogynistic. Does this mean that a movie with those qualities can't be funny? The movie knows it's racist and (wow this word is overused lately) misogynistic . It's also extremely funny. If you know you can't see past certain things like that then I suggest you don't watch this movie. It's mean and and very crude and hilarious.
I was actually ashamed that I laughed at some of the jokes as I consider myself to be a good person but they are so shamelessly delivered by Bateman I just couldn't help myself. Young Rohan Chand was very likable and held his own with Bateman who knows first hand about what it takes to be a child actor. Turn off your media forced judgment and just enjoy the movie. Even assholes can be funny.
I was actually ashamed that I laughed at some of the jokes as I consider myself to be a good person but they are so shamelessly delivered by Bateman I just couldn't help myself. Young Rohan Chand was very likable and held his own with Bateman who knows first hand about what it takes to be a child actor. Turn off your media forced judgment and just enjoy the movie. Even assholes can be funny.
Did you know
- TriviaDirectorial debut of Jason Bateman.
- GoofsThe definition for "Infinitesimally" is wrong. The word is an adverb; the definition given is for the adjective.
- Quotes
Guy Trilby: [to a mother who swore in the presence of Chai] Why don't you take your potty mouth, go locate your pre-teen cock-sucking son and stuff him back up that old blown-out sweat sock of a vagina and scoot off back to whatever shit-kicking town you came from!
- ConnectionsFeatured in Chelsea Lately: Episode #8.38 (2014)
- SoundtracksSymphony No. 1 in C Major, Op. 21, 1. Adagio Molto; Allegro Con Brio
Performed by Leonard Bernstein and the New York Philharmonic
Written by Ludwig van Beethoven
Courtesy of Sony Masterworks
By arrangement with Sony Music Licensing
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Box office
- Budget
- $10,000,000 (estimated)
- Gross US & Canada
- $7,779,614
- Opening weekend US & Canada
- $113,301
- Mar 16, 2014
- Gross worldwide
- $7,804,337
- Runtime
- 1h 29m(89 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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