Rewind This!

"Rewind This!" is a documentary about VCRs, VHS tapes and the people who collect them. The story begins with the war between the Betamax and VCR formats, which of course the latter won despite the fact that Betamax was a far superior technology – but it could only play tapes of an hour or less, so any movie would need to be on more than one tape, a design flaw that killed it fairly quickly. Once VCR had won, people started discovering the joys of being able to watch movies at home, at the time of one's choosing – or at least they did once the price of the machine and the tapes (originally priced at $99!) came down. The film interviews a plethora of modern-day fans of the format (my personal favourite was a woman who organizes her tapes by the dominant colour of the box) as they describe falling in love with video, making home movies themselves and searching for old tapes at flea markets and the like – some collectors have over 100,000 of the clunky boxes! And, of course, the film includes a variety of scenes from videotapes, especially that genre of straight-to-video creations, which are a hoot to see. Definitely made me want to hunt up our old VHS tapes that are slowly rotting somewhere in the basement!

REWIND THIS! takes us on a journey back to those days of yesteryear, when the video cassette was king. We join the experts as they relive the 1980's video rental craze. Interviews with luminaries like grindhouse Director Frank Henenlotter are intercut with VHS mega-collectors and their vast video tape and memorabilia collections.

The evolution of the video phenomenon is tracked from its humble origins to the first piano-sized VCRs, and "mom and pop" video rental stores.

This documentary also covers video trading, and the huge impact of the internet on physical video media. Thrill to interviews with Cassandra "Elvira" Peterson, Lloyd "Mr. Troma" Kaufman, Charles "Full Moon" Band, and others! Everything is chronicled, from horror to adult films, and beyond. Informative, nostalgic, and very entertaining...

I've always had a fondness for home media, the variety of formats that once existed, the obscure oddities one can find on VHS, and venturing through video stores and flea markets to make new discoveries. Because of this, I'm part of the obvious audience for Rewind This!, a delightful homage to the brilliant and once-ubiquitous home media that was VHS, and how its impact on the movie industry and the public is still prevalent today.

Here's a film that will leave the devoted fans of VHS (like me) just wanting more. For the reason that I'm a huge supporter of the VHS-resurgence movement and continue to buy and collect the media, I'm going to try to make this review not sound like simple- minded fandom constructed into an essay. The film makes a bold attempt at trying to tackle everything VHS, from its meteoric rise, its unfathomable effect on the film industry as a whole, its fan, and its differences from its contemporaries. The documentary allows several people to make statements, some directors, some preservationists, some distributors (including the late Mike Vraney of Something Weird Video) but many the fans and supporters of the medium who rekindle their love for its simplicity and its immensity.

VHS, to me, is such a unique way to watch film, mainly because of the primitiveness and sensitiveness of the device. With tape, there were many more issues that could arouse, with the worse case scenario it getting stuck in your player. But then there are the imperfections of the picture, such as the glitches, the occasional sloppiness of its appearance, the degradation of the tape when certain scenes are played too much, etc. Then there is the box art, which is a work of art in itself. A section of the film devotes itself to showing how unique and inventive the artwork to the VHS covers were, with them often being handpainted and meticulously put together rather than the depressing, effortless, digitized movie-covers/posters we're so used to today.

Furthermore, the film shows how daring and unique home video really was at the time of its inception. Had it not been for an optimistic soul like Andre Ray, who worked for a video engineering company in the seventies, perhaps home video wouldn't have come around so quickly. Ray, who helped manufacturer videotapes at the time, wondered if you could put a full length movie on a certain size tape. When he discovered it was possible, he contacted several movie studios, hoping to get them to buy into the idea of consumers having their films to cherish and watch at their leisure. Few bought in, but one of them happened to be Fox (pre-Star Wars fame), who allowed them to put several of their classic titles on tape at roughly $80 - $90 a pop.

Ray didn't even foresee the explosion of the rental industry, which simply came along because numerous people wanted a try-it-before-you-buy-it kind of system, simplifying the process of discovering a film for consumers even more. Oddly enough, that became the defining industry set forth by the home video boom. Nobody could foresee the industry taking off let the industry where people wander around a store swarmed with movies picking out whichever ones they wanted for a Friday night viewing.

The film does a good job at articulating a question I had for a while and that is why were so many film distribution companies around during the inception of VHS that have since went on to disappear or go defunct in recent times. This is because of experimentation. When rental stores started popping up, they needed films to line their shelves. And thus, numerous distributors began popping up, inquiring quirky, often weird, experimental slashers or just asinine little gems to produce and help keep stores lined with inventory. Eventually, the studios took over and it became the big five or six companies calling all the shots.

One subject that could've been explored much more in depth was the idea of cheap VHS bootlegging, which was done through magazine, handmade flyers, and communication via mail. People would make list of films they had that were either banned, rare, or out of print and would transfer them to blank tapes then smuggle them through the mail. However, due to some strict federal regulations, often times people would tape part of a TV show to play before the actual film to fool potential inspectors. Vraney talks about his experience as a bootlegger, as well as several others, but the revealing and now extinct process is a bit shortchanged and given maybe three to four minutes of attention.

Rewind This! beautifully articulates obsession, impact, and legacy, and never drags or becomes boring, mainly because its subjects have so much insight and observations to offer. It's a must see for the obvious fans of the medium, but due to its commentary on an industry most all of us indulge in, it should almost be mandatory viewing.

Directed by: Josh Johnson.

It's been a long time since I've been as mesmerized as I was while viewing the world premiere of Rewind This! at this years SXSW Film Festival. I was clinging to every word uttered from everyone interviewed in this, dare I say...instant cult documentary. As a consumer who was there at it's inception, I ate up all things VHS. To be able to record a show not only to watch at your convenience, but to keep as your own was the ultimate in entertainment fandom as far as I was concerned. To be able to buy or record a movie that you already saw in the theater was just how life was meant to be. I was the ideal consumer because I bought anything and everything it took to enjoy the VHS experience. This documentary delves into every aspect of that and so much more with the love and devotion you'd expect from such ardent fans as Josh Johnson, Carolee Mitchell, and Christopher Palmer...my friends. So do yourself and your well-being a favor and treat yourself to what is cinema gold...Rewind This!

A documentary about VHS tapes is a must. Our generation lived that moment, and we know what we are talking about. My dad had a two piece set VCR, and a fantastic remote controller...with a cable!! I still remember the tracking system and some other features from those happy days. It is a bad, fragile format but it had something, and in a way we miss it somehow. Relive the moment and learn a couple of things about the good old format we grew up with.

The testimony of some distributors, filmmakers and VHS freaks will bring us back to that universe, the format that ruled the last stage of 20th century. We will find out why VHS was the victor in that format battle against BETAMAX, what it meant to some filmmakers and much more.

I confess I expected a nostalgic journey alongside some VHS geeks, but it turned out to be more than that. VHS, just like vinyl in civilized countries (Spain not one of them) is still alive and kicking, and in these days of fleeting formats, is nice to remember how a format popped up, established itself in the market and became the standard for so long. So buckle up, enjoy the ride and recall those days of white noise, crappy image and b-movies. Call it nostalgia, vintage or whatever, but remember to be kind and rewind!