After the downfall of Cardinal Wolsey, his secretary, Thomas Cromwell, finds himself amongst the treachery and intrigue of King Henry VIII's court and soon becomes a close advisor to the Kin... Read allAfter the downfall of Cardinal Wolsey, his secretary, Thomas Cromwell, finds himself amongst the treachery and intrigue of King Henry VIII's court and soon becomes a close advisor to the King, a role fraught with danger.After the downfall of Cardinal Wolsey, his secretary, Thomas Cromwell, finds himself amongst the treachery and intrigue of King Henry VIII's court and soon becomes a close advisor to the King, a role fraught with danger.
- Nominated for 9 Primetime Emmys
- 15 wins & 61 nominations total
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Having only seen this really from Thomas More's perspective in 'A Man for all Seasons' (a brilliant film) I was intrigued to see it from the 'villain's' point of view which is what Cromwell was in the film. This has been quite an eye opener for me and I am absolutely hooked on the BBC series right now. It got off to a fairly slow start in episode 1 in setting the background for the story but it has just got better and better, the acting from Rylance and Lewis etc is superb and Mark Rylance is not too dissimilar in appearance from Cromwell's actual appearance. Another superb costume drama from the BBC and long may it continue if this is the standard we can expect for future productions.
Hilary Mantel must be very impressed with the way BBC2 captured the spirit and tone of the turbulent Tudor era from the rise of Cromwell to the death of Anne Boleyn in Wolf Hall. The screenwriter condensed Bring Up the Bodies into just two episodes, but the storyline was easy to follow and did not feel rushed. All in all, I loved the series, both for the acting and the beautiful settings. Of course, Master Cromwell dominated by saying very little and conveying much with his masterful presence and quietly sympathetic character. At the same time, you had to admire the ambition and intellect he displayed in giving the king the wealth and freedom he needed to propel England into becoming a major state in Europe. Of course we know Henry's private life was marred by his obsessive need for a son, a desire fuelled by the tenuous nature of the Tudor's claim to the crown and the proliferation of Plantagenets that still existed at that time. Damian Lewis made an impressive Henry, still dashing and not yet quite a complete monster, although petulant and demanding. Mark Rylance's quiet almost withdrawn portrayal was so watchful, so intelligent, you feel this might well become his signature role. And Claire Foy made an intelligent and scheming Anne, who surely would have made a marvellous queen should she have managed to produce the sons Henry desired. All I want now is for Ms Mantel to finish the story of Cromwell's remarkable life, even though we all know it ends in tragedy.
Peter Straughan condenses Hilary Mantel's award winning historical fiction novels for television. Peter Kominsky gets all the candles he needs for gloomily lit interiors but more importantly gets out great performances from his actors and a wonderful paced drama. There is little here that is stuffy or po faced.
Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'
Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.
The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.
Damian Lewis is a thinner, youthful and more athletic Henry VIII here. Claire Foy (Ann Boleyn) is the chancer who uses her body to enchant Henry when almost everyone is against her. Thomas More is portrayed as a religious zealot here happy to torture and kill in the name of Rome, far removed from 'A man of all seasons.'
Holding everything together is an understated but riveting performance by Mark Rylance as Thomas Cromwell. A social climber, a fixer, the son of a Putney blacksmith adept in the shadowy world of political intrigue and planning. Cromwell literally lurks in the shadows helped with all that candlelight. Cromwell is loyal too as he is with Cardinal Wolsey even after his fall from grace.
The kernel of the story is familiar although it is easy to forget that this is an adaptation of historical fiction. In short it is not all true.
Hilary Mantel's superb novels 'Wolf Hall' and "Bringing Out of the Bodies' manage to execute an extraordinary balance. On one hand, they rehabilitate the reputation of Thomas Cromwell, one of Henry VIII's advisors, who received wisdom portrays as a man of viciousness and ambition; according to Mantel, this picture dates only from Victorian times, and Mantel rehabilitates Cromwell as a surprisingly humanistic working class hero. But as the same time, she never strays into the territory of ascribing modern motives to the characters she wishes she have our sympathy, and "primitive" attitudes to the ones we're supposed to hate. Instead, she brings us inside the morality of the times: the fact that it doesn't map cleanly onto our own is precisely what makes the books interesting. This BBC television adaption can't quite replicate the stream-of-consciousness from inside Cromwell's head provided by the novels, and almost inevitably it's a bit more Tudors-by-numbers. But it doesn't do a bad job either, avoiding the obvious clichés and giving us a convincing realisation of Mantel's work that captures most, if not quite all, of its inherent subtlety. Mark Rylance is simply superb as Cromwell, and most of the other actors offer a convincing interpretation of their roles, especially Claire Foy as Anne Boleyn, the minor noblewoman who punches above her weight all the way to the chopping block. What's still to come is the third (as yet unwritten) book of the trilogy, and the fall that follows Cromwell's rise. I look forward to it as novel and television alike.
The two seasons of this series are very well made and well acted. This show should be great for fans of the Tudor period but if that doesn't interest you, or you've seen too much on that narrow topic, then maybe not.
Just one thing bothered me. They really need to stop casting black actors in historical dramas where no black people would have appeared. Okay, maybe darker skinned members of the Spanish legation but not members of Henry's court. I don't think they realize that it gives the appearance of grating racism when they cast black people in minor roles but of course never in a major role.
In Shakespeare, okay. But this is hardly Shakespeare. Bridgerton is okay too. That's a fantasy. If you are going for historical realism and not one of those fantasy shows aimed at teenagers who hate history, then stick with history.
Why put all that effort into getting the costumes right if you're going to get the actors wrong? I usually don't complain about DEI like you-know-who but this is a case where I have to object.
If the BBC needs to meet some quota for non-white actors, then choose stories that naturally lend themselves to non-white characters. If it has to be some aspect of British history, then the colonial period is a possibility.
Maybe the BBC doesn't have the budget for overseas location shooting anymore? I've heard they had budget problems for the second season of this show. Maybe that explains why there was so many padding scenes of people walking through courtyards and gardens.
In summary, it's worth watching but I think I've met my lifetime quota for Tudors now. Move on to something else.
Just one thing bothered me. They really need to stop casting black actors in historical dramas where no black people would have appeared. Okay, maybe darker skinned members of the Spanish legation but not members of Henry's court. I don't think they realize that it gives the appearance of grating racism when they cast black people in minor roles but of course never in a major role.
In Shakespeare, okay. But this is hardly Shakespeare. Bridgerton is okay too. That's a fantasy. If you are going for historical realism and not one of those fantasy shows aimed at teenagers who hate history, then stick with history.
Why put all that effort into getting the costumes right if you're going to get the actors wrong? I usually don't complain about DEI like you-know-who but this is a case where I have to object.
If the BBC needs to meet some quota for non-white actors, then choose stories that naturally lend themselves to non-white characters. If it has to be some aspect of British history, then the colonial period is a possibility.
Maybe the BBC doesn't have the budget for overseas location shooting anymore? I've heard they had budget problems for the second season of this show. Maybe that explains why there was so many padding scenes of people walking through courtyards and gardens.
In summary, it's worth watching but I think I've met my lifetime quota for Tudors now. Move on to something else.
Did you know
- TriviaThe weaving technique that Elizabeth Cromwell is shown doing with her hands is called Fingerloop Braiding, a popular technique used during the period to make cords, purse strings and laces for clothing.
- GoofsClaire Foy who plays Anne Boleyn has blue eyes. In real life Anne Boleyn had dark eyes.
- ConnectionsFeatured in The Wright Stuff: Episode #20.10 (2015)
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Wolf Hall: The Mirror and the Light
- Filming locations
- Wells Cathedral, Wells, Somerset, England, UK(interior, Gray's Inn)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h(60 min)
- Color
- Sound mix
- Aspect ratio
- 16:9 HD
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