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Supernatural
S11.E10
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IMDbPro

The Devil in the Details

  • Episode aired Jan 20, 2016
  • TV-14
  • 42m
IMDb RATING
9.1/10
4.4K
YOUR RATING
Mark Sheppard and Ruth Connell in Supernatural (2005)
DramaFantasyHorrorMysteryThriller

Now that he has Sam in the cage with him, Lucifer offers Sam a way out but it comes with a steep price. Dean and Castiel look into the angel smiting that might have killed Amara.Now that he has Sam in the cage with him, Lucifer offers Sam a way out but it comes with a steep price. Dean and Castiel look into the angel smiting that might have killed Amara.Now that he has Sam in the cage with him, Lucifer offers Sam a way out but it comes with a steep price. Dean and Castiel look into the angel smiting that might have killed Amara.

  • Director
    • Thomas J. Wright
  • Writers
    • Eric Kripke
    • Andrew Dabb
    • Jenny Klein
  • Stars
    • Jared Padalecki
    • Jensen Ackles
    • Misha Collins
  • See production info at IMDbPro
  • IMDb RATING
    9.1/10
    4.4K
    YOUR RATING
    • Director
      • Thomas J. Wright
    • Writers
      • Eric Kripke
      • Andrew Dabb
      • Jenny Klein
    • Stars
      • Jared Padalecki
      • Jensen Ackles
      • Misha Collins
    • 11User reviews
    • 4Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Photos15

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    Top cast12

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    Jared Padalecki
    Jared Padalecki
    • Sam Winchester
    Jensen Ackles
    Jensen Ackles
    • Dean Winchester
    Misha Collins
    Misha Collins
    • Castiel…
    Mark Sheppard
    Mark Sheppard
    • Crowley
    • (as Mark A. Sheppard)
    Ruth Connell
    Ruth Connell
    • Rowena MacLeod
    Emily Swallow
    Emily Swallow
    • Amara (Adult)
    Colin Ford
    Colin Ford
    • Young Sam Winchester
    Lisa Berry
    Lisa Berry
    • Billie
    Valerie Tian
    Valerie Tian
    • Ambriel
    Mark Pellegrino
    Mark Pellegrino
    • Lucifer
    Christopher Logan
    Christopher Logan
    • Demon
    Rachelle
    Rachelle
    • Sam's Girlfriend
    • (as Rachelle Gillis)
    • Director
      • Thomas J. Wright
    • Writers
      • Eric Kripke
      • Andrew Dabb
      • Jenny Klein
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews11

    9.14.4K
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    Featured reviews

    10lamhoangnb-0902

    Amazing episode of a great season so far

    First of all, I can't believe we can have such awesome plot in the eleventh season of a show! Great job, writers and directors.

    This episode has everything a SPN fan would expect: Solid plot development; humor factors even from the darkest time, social media referrals, hot chick, hot-nerdy chick, and most of all, the awesome acting, especially from Misha. I really look forward to seeing his performance in the future. Though it still seems a little pushed in the conversation between Sam and Lucifer, everyone was so convincing with their roles.

    There will be major changes in the following episodes and I think they're much needed to breathe new life into the show.

    All in all, this is a 10-star quality episode no doubt, worths every minute of waiting from the mid-season break.

    There is just 1 thing bugs me.I just hope the cast will stay the same because they're like family to us.
    8readonly-26204

    Just when you think Castiel can't get any more stupid...

    I am so frustrated and tired of Castiel making HUGE stupid mistakes over and over again. I started off liking Castiel when he was a badass but then each season he gets weaker and more clownish. This episode is a perfect example of it.
    7CubsandCulture

    Women characters deserve better than this.

    This episode along with the one prior to it re-introduce Lucifer as a element of the series. They eventually put that to get use but the actual plotting around the development feels forced, strained. It ends up feeling like fan service and the writers cheating; Cas' actions in this episode are puzzling in context. I did really like the trip down memory lane with Sam but all the steam has left the series.

    But by far my biggest problem in this episode is Rowena is once again a woman character that is reduced down to a mere plot device. She literally loses all of her agency in this episode and the way it happens is gross in context as Supernatural has struggled for a decade with women characters. The character deserved better than this.
    6shwetafabm

    Seriously

    How many times are we going to see the dumbest and most senseless decisions be made by this one person... Besides that too i found it a drag. I like Lucifer but i didn't care for this. And the sparing my lord, the senseless sparing by villains.
    8fernandoschiavi

    Sam into a psychological gauntlet as he faces Lucifer in the Cage, while Dean, Castiel, Crowley, and Rowena scramble to prevent Lucifer's escape and confront Amara

    "The Devil in the Details," the tenth episode of Supernatural's eleventh season, directed by Thomas J. Wright and written by Andrew Dabb, is a pivotal and thematically rich installment that masterfully blends psychological tension, dark humor, and mythological expansion. Picking up immediately after the midseason cliffhanger, the episode thrusts Sam Winchester into a psychological gauntlet as he faces Lucifer in the Cage, while Dean, Castiel, Crowley, and Rowena scramble to prevent Lucifer's escape and confront the escalating threat of Amara. The result is an episode that not only advances the season's narrative but also revisits the show's core themes of sacrifice, faith, and the enduring consequences of past choices.

    The episode opens with a surreal and darkly comic dream sequence: Rowena imagines Crowley as a petulant child in footie pajamas searching for Christmas presents, a vision that quickly turns menacing as Lucifer appears in her subconscious. This sets the tone for an hour that oscillates between horror and humor, with the script making room for both psychological gamesmanship and moments of levity. The narrative then shifts to Sam, trapped in the Cage, as Lucifer embarks on a "This Is Your Life" tour of Sam's memories. These flashbacks, featuring the return of Colin Ford as Young Sam, serve as both a nostalgic callback and a pointed deconstruction of the Winchester cycle of sacrifice. Lucifer taunts Sam about his willingness to do "the hard thing" for the greater good, suggesting that Sam has lost the edge that once made him a hero. This psychological warfare is brilliantly executed, with Mark Pellegrino's Lucifer mixing charm, menace, and biting insight in equal measure.

    Meanwhile, Dean sets out to investigate the aftermath of the angel smiting that targeted Amara, only to be sidelined by "smiting sickness," a plot device that conveniently keeps him from the action and allows Castiel to take the lead. Castiel's journey into the forest introduces Ambriel, an accountant-type angel who bluntly tells Castiel that he and she are expendable, reinforcing his ongoing existential crisis. The encounter with Amara is both visually striking and emotionally charged: Amara drains Ambriel's grace, mocks Castiel's self-loathing, and cryptically claims to have a job for him before sending him away. This encounter not only reinforces Amara's power but also plants the seeds for Castiel's later, fateful decision.

    Back in Hell, Dean teams up with Crowley to rescue Sam, enlisting Rowena's magical expertise by subduing her with a witchcatcher. The interplay between these characters is laced with the show's trademark wit-Crowley's exasperation, Rowena's reluctant compliance, and Dean's single-minded determination all play off each other to great effect. The plan hinges on Rowena completing a spell to return Lucifer to the Cage, but the tension ratchets up as Lucifer's psychological assault on Sam intensifies. The episode's editing is tight, seamlessly intercutting between the escalating chaos in Hell and the fallout from Amara's survival.

    The climactic confrontation in the Cage is a showcase for both physical and emotional stakes. Lucifer, growing impatient with Sam's refusal to consent to possession, resorts to violence, threatening Dean's life to force Sam's hand. The arrival of Dean and Castiel in the cell leads to a frenetic fight sequence, with Lucifer overpowering all three. In a desperate gambit, Rowena completes the spell, and Lucifer appears to be banished in a flash of white light. However, the final moments reveal a devastating twist: Castiel, shaken by Amara's taunts and seduced by Lucifer's promise that only he can defeat the Darkness, has consented to possession. The subtle change in Castiel's eyes signals the arrival of "Casifer," setting the stage for a new and unpredictable chapter in the season.

    One of the episode's greatest strengths is its ability to balance the show's mythology with character-driven storytelling. The flashbacks to Sam's childhood, the return of familiar faces, and the explicit references to past sacrifices all serve to remind viewers of the emotional cost of the Winchesters' journey. The script deftly interrogates the show's own formula, questioning whether the brothers' willingness to trade their lives for each other is a strength or a curse. This self-awareness, coupled with the episode's willingness to upend the status quo, gives "The Devil in the Details" a sense of urgency and relevance, even in the show's eleventh season.

    Performance-wise, the episode is a standout. Mark Pellegrino's Lucifer is magnetic, oscillating between playful and terrifying with ease. Jared Padalecki delivers a nuanced portrayal of Sam's vulnerability and resolve, while Misha Collins rises to the challenge of embodying both Castiel's despair and Lucifer's sly confidence. Ruth Connell's Rowena continues to be a scene-stealer, her blend of cunning and vulnerability adding depth to what could otherwise be a stock villain role. The supporting cast, including Mark Sheppard's Crowley and Emily Swallow's Amara, contribute to an ensemble that feels both familiar and reinvigorated.

    Visually, the episode is dynamic, with Thomas J. Wright's direction making effective use of confined spaces, surreal dreamscapes, and stark lighting to heighten tension. The Cage sequences are claustrophobic and disorienting, while the scenes in the forest and Hell are rendered with a moody, apocalyptic palette. The editing maintains a brisk pace, ensuring that the episode never lags despite its heavy reliance on dialogue and exposition. The use of humor-whether in voicemail gags, Crowley's pajamas, or Castiel's awkward bedside manner-provides necessary relief without undercutting the stakes.

    Critically, "The Devil in the Details" has been praised for its blend of nostalgia and innovation. Reviewers have noted the episode's deft callbacks to earlier seasons, its willingness to challenge the protagonists' motivations, and its bold narrative twists. Some have criticized the contrivance of "smiting sickness" and the occasional overreliance on exposition, but these are minor quibbles in an episode that otherwise delivers on both plot and character. The decision to make Castiel Lucifer's vessel is a game-changer, promising fresh conflicts and moral dilemmas as the season progresses.

    In conclusion, "The Devil in the Details" is a high-water mark for Supernatural's eleventh season, marrying psychological depth, mythological stakes, and dark humor in a way that reinvigorates the series' core dynamics. By forcing its characters to confront their own patterns of sacrifice and self-doubt, the episode both honors and interrogates the legacy of the Winchesters. As Castiel's eyes flash with Lucifer's presence and the world teeters on the brink of chaos, viewers are left with a renewed sense of anticipation and a reminder that, in Supernatural, the devil truly is in the details.

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    Thriller

    Storyline

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    Did you know

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    • Trivia
      Sam asks Lucifer, "Well, let's say you gank her. Then what?" Lucifer replies, "I dont know, move to LA and solve crimes?" This is a reference to the TV series called Lucifer, based on a character from Neil Gaiman's comic "The Sandman," in which Lucifer takes a vacation from hell and helps cops solve crimes. Billie is also reading a Neil Gaiman book. The series premiered on January 25, 2016, five days after this episode aired!
    • Goofs
      When Rowena is sipping her tea when Crowley walks in, visible red marks where the witch catcher may have been previously are already on her neck.
    • Quotes

      Lucifer: Ass-butt? I-I-I-I still don't get that.

    • Connections
      References A Clockwork Orange (1971)
    • Soundtracks
      Changing Tracks
      Written by Ben Granfelt and Andy Powell

      Performed by Wishbone Ash

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    Details

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    • Release date
      • January 20, 2016 (United States)
    • Language
      • English
    • Production companies
      • Wonderland Sound and Vision
      • Warner Bros. Television
    • See more company credits at IMDbPro

    Tech specs

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    • Runtime
      • 42m
    • Color
      • Color
    • Sound mix
      • Stereo
    • Aspect ratio
      • 16:9 HD

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