Taekwondo

This movie is a great depiction of the division between a heterosexual and homosexual day-to-day living. Compared to a heterosexual lifestyle, the gay male gaze in this movie hits right in spot as the process of looking, directly or indirectly, is most of the time will be the only thing you get to fulfil your wishes.

In the movie, the male nudity, being so close to it but you cannot touch it, you can only desire it. The raw instincts between the heterosexual and homosexual male are the same but while one is simply open to it and accessible (like how easily the male and female couples get it on in the movie), the other one requires the right conditions, right place, a lot of judgement and thinking.

In liberated communities, a woman and a man intercourse or flirting can easily be enacted but a homosexual relationship still involves too much at stake.

This movie is all about these and it beautifully depicts unfulfilled desires of this community.

From the first scene I knew I would enjoy this movie. I loved Call Me By Your Name for how intimate and real the setting felt, which is certainly present in Taekwondo too. The long shots of different details of the house that the movie spends all its time in; the zoom ins on the little, habitual actions the characters take; the non-existent censorship that doesn't necessarily make certain scenes or shots crude, they are purely shown for what they are - they made it feel like I was there. The lack of structure in the storyline and the mundaneness of the characters' conversations and activities added to that feeling too.

However, it felt like this aspect of Taekwondo took over the majority of the movie, so much so that the actual genre that it's supposed to be was barely present. While Taekwondo is supposed to be a gay romance, there is no actual romance until the last minutes or so. What we do get feels like a blink in comparison to the entirety of the movie. I understand that the non-sexual intimacy between Fernando and Germán, the two main love interests, that we see right from the beginning is part of their romance, but it's just too little. Especially considering the fact that many people would come into this movie with the expectation of a gay love story.

I think the movie as it was was lovely and atmospheric, and I don't necessarily think there needed to be more romance, although it would have been nice. But perhaps the producers could have altered how Taekwondo was marketed, so that it didn't appear as a romance movie as much. That said I don't know the details of how marketing went about for Taekwondo because I found out about this movie on someone's watch list.

All in all though, if you like watching men without the toxic masculinity present and in all their glory, and if you simply want a movie to escape into, I'd recommend this. I would suggest to look for other movies however if you're particularly looking for gay romance.

The movie was a bit too is low for my f Taste but it is a good movie and also it is good for the eye candy.

That could have been made in a 30 minute short movie but the story can be very compelling.

In 2014 I thought and wrote of Berger's Hawaii... Berger's use of eroticism is a bit obvious in this. Perhaps because I've seen his moves before, they stand out as a bit contrived.

It seems for Taekwondo the only effort to stretch and evolve has been to up the ante of sexual tension with more men and more (much more) nudity. Again Berger shows us that eroticism is introduced by so much more than sex. Its still an animal notion of combined human attraction, contact and bond. The movie clings to his oft used narrative "will they or wont they" but here it felt reduced to teen angst. I recognized some effort to add questions of machismo, sexuality (as usual) and questions of the bonds of friendship. If you've seen Berger's wonderful "Plan B" or "Sexual Tension" "Absent" or "Hawaii" you've see most of the tricks and many of the shots also used in this movie as well as pacing, shot composition, and narrative exploration before, but in a better movie than this one.

It was the film "The Blonde One" that led me to "Taekwondo." I was so taken by that film by Marco Berger, that I was eager to see another. Maybe I should have quite while I was ahead.

The Blonde One is a beautifully crafted film, with a strong plot, and superb acting - coupled with excellent direction and camera work.

Taekwondo didn't live up to my expectations at all. The movie is an hour and 48 minutes - but it easily felt like 3 hours. While there is certainly the eye-candy aspect to this film, with some great shots of some great looking guys, the movie seems s-l-o-w and nearly plotless.

Taekwondo is more like looking in on an adolescent vacation. Guys being guys without parental oversight.

There is some sexual ambiguity and tension between what I would call the two main characters - the owner of the house and his friend from Taekwondo. One might (or at least I did) expect that sooner or later SOMEthing will happen between them. But nothing does. Some interested glances here and there. Some almost-touching closeness. But it's always diffused, interrupted by someone walking in, or by a game that suddenly breaks out among the guys.

We watch the guys shower, swim, play tennis or kick a soccer ball around the tennis court. And the guys seem to sleep a lot. Maybe even they are bored by the lack of plot. They play hide-and-seek. And talk about their sexual conquests with the girls, or ruminate over fidelity, still unsure what their relationships with girls are supposed to look like. And now and again they conjecture on whether this or that one is gay.

The director keeps the film somewhat interesting with nice camera perspectives that often focus on a body part - like a crotch or butt. There are glimpses of bare butts and sometimes guys bare it all. But there's not enough story line to string it together, and the movie is ultimately pretty boring.