A human rights lawyer known for defending lost causes, sets out to prove the innocence of a man who was convicted of murder of 14 years earlier.A human rights lawyer known for defending lost causes, sets out to prove the innocence of a man who was convicted of murder of 14 years earlier.A human rights lawyer known for defending lost causes, sets out to prove the innocence of a man who was convicted of murder of 14 years earlier.
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Nice work and waiting for the next episodes...
I just saw only two episodes of it and i already started liking it. It started slowly with simple plot and makes you watch without a gap waiting for the next episode to air. It reminds me of True Detective but i sense more depth in it. I hope this continues in the next episodes without dragging too much. Script & screenplay is excellent.
Above average political thriller
Once you got past the awful title sequence and the usual, dull latter-day accompanying title song, this six-part contemporary political thriller made for entertaining watching.
Centring on lost-cause defence solicitor Helen McCrory's Jane Banfield's penchant for taking on tough cases for what might seem on the face of it unsympathetic defendants, she apparently quite happily lets the client and indeed the family of her clients stay over at her place.
The main story here concerns the unsafe conviction of a young father for the murder 14 years ago of a 15 year old girl, mainly down to a confession forced out of him by an over-keen female police detective played by Wunmi Mosaku, who becomes one of the focal points for Banfield's later campaign for the man's release. There's a connected sub-plot too involving a young Syrian mother who is staying at Banfield's pending immigration clearance and whose absent husband is suspected of terrorist sympathies.
The stories take many a twist and turn as you'd imagine over six episodes, involving a female mysterious American "fixer" with her own reasons for keeping the convicted "murderer" in jail, a senior British Whitehall mandarin in on the cover-up and in particular a new, young rising-star Labour politician who they seem to be helping to the top of the so-called political greasy pole, for their own ends. The fixer will stop at nothing to cover her tracks, including blackmail and attempted murder as she reports back to her ruthless U.S. Intelligence bosses and seems to keep one step of Banfield and her investigation until the latter's persistence pays off and the whole house of cards falls down in a dramatic conclusion outside the by-now new Labour leader's house.
While much of the story seemed to credit Banfield with detective instincts of which Sherlock Holmes would be proud, as well as the usual unbelievable coincidences and fantastic high-level connections, the action was fast-moving and carried forward by a fluid production acted out well by a mostly quality cast with Michael Gambon in particularly fine form as the oily, senior British link in the American chain of deception although quite what comedian John Bishop was doing as Banfield's "bit-of-rough" current boyfriend, I'm not quite sure but it didn't have much to do with acting skills.
It didn't look like there were markers laid down for future series featuring the Banfield character which would be a shame as her character is a strong one and one can easily imagine her returning a la "Prime Suspect's" Helen Mirren or "Happy Valley's" Sarah Lancashire, but be that as it may, this was superior small-screen drama well worth viewing.
Centring on lost-cause defence solicitor Helen McCrory's Jane Banfield's penchant for taking on tough cases for what might seem on the face of it unsympathetic defendants, she apparently quite happily lets the client and indeed the family of her clients stay over at her place.
The main story here concerns the unsafe conviction of a young father for the murder 14 years ago of a 15 year old girl, mainly down to a confession forced out of him by an over-keen female police detective played by Wunmi Mosaku, who becomes one of the focal points for Banfield's later campaign for the man's release. There's a connected sub-plot too involving a young Syrian mother who is staying at Banfield's pending immigration clearance and whose absent husband is suspected of terrorist sympathies.
The stories take many a twist and turn as you'd imagine over six episodes, involving a female mysterious American "fixer" with her own reasons for keeping the convicted "murderer" in jail, a senior British Whitehall mandarin in on the cover-up and in particular a new, young rising-star Labour politician who they seem to be helping to the top of the so-called political greasy pole, for their own ends. The fixer will stop at nothing to cover her tracks, including blackmail and attempted murder as she reports back to her ruthless U.S. Intelligence bosses and seems to keep one step of Banfield and her investigation until the latter's persistence pays off and the whole house of cards falls down in a dramatic conclusion outside the by-now new Labour leader's house.
While much of the story seemed to credit Banfield with detective instincts of which Sherlock Holmes would be proud, as well as the usual unbelievable coincidences and fantastic high-level connections, the action was fast-moving and carried forward by a fluid production acted out well by a mostly quality cast with Michael Gambon in particularly fine form as the oily, senior British link in the American chain of deception although quite what comedian John Bishop was doing as Banfield's "bit-of-rough" current boyfriend, I'm not quite sure but it didn't have much to do with acting skills.
It didn't look like there were markers laid down for future series featuring the Banfield character which would be a shame as her character is a strong one and one can easily imagine her returning a la "Prime Suspect's" Helen Mirren or "Happy Valley's" Sarah Lancashire, but be that as it may, this was superior small-screen drama well worth viewing.
Helen McCrory tour de force
As much as I am enjoying Fearless make no mistake this is Helen McCrory's show and boy is she good as the maverick lawyer, trying to free the wrongly convicted and bring down major political figures and government 's in the pursuit of justice. Fearless is bit of a slow burner the first two shows concentrating on the wrongfull conviction for the murder of a young girl 15 years previously at an American airforce base. From the third show onwards Fearless really hits its straps taking us into new territory with several plot twists along the way. Well written, well acted Fearless ticks all the boxes. And watch out Olivia Coleman, Helen McCrory may soon take over your crown as the darling of UK TV and film,
The Helen McCrory show.
Fearless is a quality British mini-series, six episodes long that you will probably binge watch once you started. As a mystery/crime it works very well. Each episode ends with a cliffhanger so you can't wait to watch the next episode. It's the Helen McCrory show to be honest. She's the star of the show and her performance is phenomenal. It was nice to watch the late Helen McCrory again, an actress that will be missed and that deserved a higher recognition. The rest of the cast was good as well but it's Helen McCrory that steals the show. Always very elegant to watch and convincing in her acting. Glad I stumbled onto this mini-series.
Excellent drama!
This series was impossible for me to stop watching on Amazon Prime. It grabbed me from episode 1 and I binge watched the entire season. It was impossible to predict what was going to happen next, and that's unusual for me. I'm American, but I'm really beginning to appreciate British and Australian programs. This program is superb.
Did you know
- TriviaThis show was included in a list of ITV shows, published in the broadcaster's annual report, that had not performed as well as hoped and would therefore not return in 2018.
- SoundtracksBack From the Fire
Performed by Gold Brother
- How many seasons does Fearless have?Powered by Alexa
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