A thriller about the contemporary art scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.A thriller about the contemporary art scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.A thriller about the contemporary art scene of Los Angeles, where big money artists and mega-collectors pay a high price when art collides with commerce.
- Awards
- 1 win & 3 nominations total
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- Writer
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While the first third of this movie isn't a perfect movie (or a great one) it is a decent look at the modern high art world and the vapid people who inhabit them. The characters are underdeveloped and the script underwritten, but it is somewhat gripping and you are ready to invest in these vain monsters.
The first "scare" comes at the halfway mark, and this is where the movie really goes downhill. Although the art in question is admittedly gorgeous and the premise seems intriguing, it just doesn't work. It's tedious and boring, neither working as a modern trashy jump scare flick or a more thought provoking atmosphere piece, and you are left running down the clock on this clunker.
The music is invasive, often intruding and standing out too much. The cuts are strange, cutting too fast and consequently using way too many cuts. The dialogue is pretty unnatural & feels overly theatrical.
Missed as anything but a pointed take down of the art world, and even then it's not great. Some memorable "horror" visuals, art pieces & turns (such as John Malkovich expectedly playing John Malkovich) are certainly present, but getting there might be a doozy.
4.5
The first "scare" comes at the halfway mark, and this is where the movie really goes downhill. Although the art in question is admittedly gorgeous and the premise seems intriguing, it just doesn't work. It's tedious and boring, neither working as a modern trashy jump scare flick or a more thought provoking atmosphere piece, and you are left running down the clock on this clunker.
The music is invasive, often intruding and standing out too much. The cuts are strange, cutting too fast and consequently using way too many cuts. The dialogue is pretty unnatural & feels overly theatrical.
Missed as anything but a pointed take down of the art world, and even then it's not great. Some memorable "horror" visuals, art pieces & turns (such as John Malkovich expectedly playing John Malkovich) are certainly present, but getting there might be a doozy.
4.5
The styling of this film is interesting, offering a perspective on the shallow but at the same time ruthless and cut throat world of high end art. This is blended with what could be described as a horror morality tale, where greed is repaid with bloody interest.
Regrettably, this film is ultimately a buzz kill. Its story feels incomplete, like a half finished work of art. You can see the sketched outline of what its trying to achieve but its never completes the picture.
This is most notable in the story which seems to me at least to be truncated. Perhaps, the original idea would have taken too long? Its a shame the extra time was not taken, as this actually did look like it was going somewhere intriguing. As a result characters inexplicably go from one state of mind and action to another, without any real segue.
The result is a film I 'sort of" liked but at the same time felt dissatisfied with. It has its clever moments but another twenty or so minutes I feel would have made all the difference. 5/10 from me.
Regrettably, this film is ultimately a buzz kill. Its story feels incomplete, like a half finished work of art. You can see the sketched outline of what its trying to achieve but its never completes the picture.
This is most notable in the story which seems to me at least to be truncated. Perhaps, the original idea would have taken too long? Its a shame the extra time was not taken, as this actually did look like it was going somewhere intriguing. As a result characters inexplicably go from one state of mind and action to another, without any real segue.
The result is a film I 'sort of" liked but at the same time felt dissatisfied with. It has its clever moments but another twenty or so minutes I feel would have made all the difference. 5/10 from me.
The idea in the film is fantastic but didn't seem to dive deep enough into the story and lacks impact. With most of the characters being pretenious, I was overwhelmed with the use of metaphores and foreshadowing, it became expected throughout the film but doesn't hold enough significance. An origin film on Dease would seem more interesting to me after watching this film.
After Nightcrawler Dan Gilroy is a figure that I will permanently be interested in. Then came along Roman J Israel which was a frustrating experience. There was a lot of good in it but it seemed to relish being slow and unnecessarily wordy. Now we have Velvet Buzzsaw. A movie so plain, I had absolutely no response to. There is barely enough here to be upset about and nearly nothing to be wowed by. It's just so...bland. You'd think Jake gyllenhaal would be the main character but he isn't. In fact, no one is. It's Totally confused, strangely muddled, and tonally messy. It was almost as if the film was passing through my head as soon as it went in.
It's a bit ironic, this film that wants to explore the vapid shallowness of the fine art world in a stylish horror movie setting... ends up inviting the very same criticisms that the finely dressed tastemakers in the film fling about.
Ok. Buzzwords aside. I did enjoy this film more than I disliked it. But in all earnestnest, it was by a hair. Knowing this came from the same guy who made the excellent psochological thriller Nightcrawler. This is like asketchbook of ideas for a giallo-inspired slasher. Each individually awesome. But there's no real throughline to keep us going. People pop up until they die gruesome deaths. It feels kind of slapped together haphazardly.
I expected more from Gilroy
Ok. Buzzwords aside. I did enjoy this film more than I disliked it. But in all earnestnest, it was by a hair. Knowing this came from the same guy who made the excellent psochological thriller Nightcrawler. This is like asketchbook of ideas for a giallo-inspired slasher. Each individually awesome. But there's no real throughline to keep us going. People pop up until they die gruesome deaths. It feels kind of slapped together haphazardly.
I expected more from Gilroy
Did you know
- TriviaLoosely resembles the life of Henry Darger, who too was a recluse that created a prodigious volume of artistic work which was celebrated posthumously, and who also spent some time in an asylum. Darger is largely known as an outsider artist, much as Dease is in the film.
- GoofsWhen Morf just finishes hearing voices in the soundproof room the other gallery director informs him that the sound wasn't working, that it's not voices but whale sounds from 20,000 feet under the sea. The deepest known whale dive is less than half that depth.
- Quotes
Morf Vandewalt: Critique is so limiting and emotionally draining.
- Crazy creditsDuring the first part of the credits, Piers is creating art in the sand.
- ConnectionsFeatured in FoundFlix: Velvet Buzzshaw (2019) Ending Explained (2019)
- SoundtracksFloating Ships
Written by Marc Mifune and Alexandra Stewart
Performed by Les Gordon feat. Aces
Courtesy of Sony Music Entertainment France SAS
By arrangement with Sony Music Entertainment
- How long is Velvet Buzzsaw?Powered by Alexa
Details
- Runtime
- 1h 53m(113 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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