Hagazussa

We live in an extremely fast paced world....overfloaded by stimuli that are all around us. Used be able to get from A to B in no time....and most movies of our time adapt this pace.

But this one is different. It is not only set in very different time, it IS this different time. This movie lets you feel the slower pacing of old times. What some critics consider painstakingly boring, is just the clash between live has been paced a long time ago and how it is now. It is menacing - and I think it is supposed to be.

There is a nearly absolut absence of dialog. There are only a few sentences spoken in the entire movie. That is another clash between days past and our time. We talk all the time, chatter about just anything. But not in this movie. There is no need to talk. Just feel it.

And this movie is a lot about FEELING it. The main character does not elaborate or think about things - she just feels...like an animal. Just be and feel.

This movie doesn´t make sense. There is no plot that has to make sense. This is just being. It is what it is.

I have to watch it again to decide if I give it an even higher rating.

The slowest of slow burns that surely has no trouble whatsoever in setting up an atmosphere that reeks of dread & terror yet doesn't really know what to do with it, Lukas Feigelfeld's directorial debut landed on my radar due to its comparisons to The VVitch and though the two films are stylistically similar, everything about Hagazussa is vastly inferior to Robert Eggers' diabolical masterpiece.

Despite a foreboding aura pervading the frames at all times and additional boost provided by its remote setting, cold palette, methodical camerawork & menacing soundtrack, this is horror on a standstill, for the plot goes nowhere nor does it do something productive with the impressive set up, and features the same episodes repeated throughout its runtime which become frustrating after a while.

Its 102 minutes runtime is paced so glacially that the film feels twice as long. It's too slow, too silent & too obtuse for its own good. The suspense it creates is nail-biting but it's got nothing to follow it up with and ratchet things up even further. Aleksandra Kwen aptly renders her character's struggle to preserve her sanity but her contribution doesn't amount for much in the end, just like its tense ambience.

Slower than your usual slow-burn narratives and never for once taking advantage of its ominous vibe, Hagazussa is a splendidly photographed & finely acted horror that keeps hinting at a nightmare that's waiting to unfold but never actually does. A dull, dreary & dreadful cinema that doesn't hold a candle to the perfection that is The VVitch, this German folktale is one of the most boring & unrewarding films of the year.

Before watching a film like this, it's important to know what you're getting into in terms of tone .This film is heavily atmospheric and slow-paced .Like recent examples The Witch and Hereditary I am very happy to see more excellent films breaking the mold of Hollywood formulaic paced fanfare for ADD viewer consumption. This film features masterfully slow burn storytelling with a sense of history, mystery and mythic dread. It is also very artfully shot with a perfectly matched deep bass soundtrack from MMMD and an outstanding often intense performance by lead actress Aleksandra Cwen. Looking forward to more from first time director Lukas Feigelfeld who nailed this one. Its up on Prime video free if your a member.

"HAGAZUSSA" For the most part is a very dark and grim atmospheric film that's beautifully shot and well performed by the actors. It had great potential to go beyond the depth of "The Witch" but doesn't scratch the surface enough for you to feel enlightened or better informed by what you just witnessed for an hour & 45 minutes. The lack luster ending that everyone falsely raves about is pathetic and that's a gross understatement. Did the film have it's moments yes but none of them were slam dunks and every one of those scenes left points on the board because it never followed through. Whether lying in bed with her mother or watching from behind her in the lake from 50 yards away, That's not enough when you compare it to films like "MIDSOMER" or "HEREDITARY". Definitely had potential but nothing here is a must see or disturbing enough to make it memorable 6 months from now. And that's truly disappointing to waste such a good effort.

Hagazussa is a film rightly compared to its contemporary in "The Witch" and it undoubtedly suffers for it.

Where The Witch laid out a basic narrative structure and sowed the seeds of malevolence in far more obvious terms, it did not lose its impact or atmosphere during the slower burning scenes. In fact, they served to highlight the ever growing sense of dread - allowing the mind to wander into dark possibilities without ever losing sense of itself.

Hagazussa approaches a similar theme - superstitions, isolation and how misconceptions about the natural world played into daily life during the 16th century, but delivers far less in terms of narrative.

This is more a trip through the life of an outcast Mother & Daughter and we the audience are left to piece together the elements one by one as events unfold.

For me the main question posed by the movie was whether Albrun was indeed going mad or whether she was a witch.

While there is a glaring lack of dialogue that would help to flesh out some of the themes pushed forward (the interactions with Nature, impacts of disease etc) there are enough clues in the imagery to understand that Albrun is undergoing a transformation of some kind, whether it be the loss of her own sanity or something more supernatural.

The presence of the plague and its impact on both Albrun and the local villagers are a catalyst for the films major plot points, as is the intense isolation and persecution of Albrun and its influence over her mental state.

Due to the space in between each element coming together, it is difficult to maintain focus as a viewer and I found myself distracted by my own mind wandering...asking myself if there was something I was missing.

There is a movie worth watching somewhere in here, but it is buried so deep under a pile of long takes and ambiguity, that many will simply look for answers in a different film altogether.