Showing posts with label art studio. Show all posts
Showing posts with label art studio. Show all posts

Tuesday, June 22, 2021

100 Famous Painters and Their Studios

The other day I came across this video of Famous Painters of the 19th and 20th Centuries in their studios (or at least most of them are!) and really enjoyed viewing it.

I can't say I know every single one of the artists but I knew most of them - but I like art history, so maybe that makes a difference.

What was interesting is that I knew a lot of the names and the art without knowing what the artist looked like. 

I'd certainly seen very few images of their studios and how they like to work, so most of the content was new to me.

If you're a fan of art history do take a look - it's 12 minutes long and for many people it will be a video they bookmark to share with others.....

For the record, I've no idea who"LearnfromMasters" who created it is. he/she/it certainly take pains to hide their ID.

You can see more videos on their YouTube Channel

Wednesday, June 09, 2021

VIDEO: Visit David Curtis in his studio.

Visit the renowned painter David Curtis in his studio / man cave / comfort zone!

Courtesy of a video of David Curtis  set-up and shot presumably by a relative - who chose to do it in portrait format - in his studio in the village of Misson in the north of Nottinghamshire and just east of Doncaster where he was born. This was done as an added extra to the annual exhibition of the Royal Institute of Oil Painters in 2020. 

His compact studio is not very big and is based in an old barn which dates back to 1660 and used to be the village slaughterhouse  - and then the coffin-maker's shop!!

David paints in both oil and watercolour and likes to work plein air as well as in his studio. He David highlights in the video how he likes to have:

  • a specifc place in his studio for his watercolour painting where he still uses his 1960s drawing board
  • his corner for oils - including his palette (He lists all the paints he uses)

David Curtis's oil palette in his studio

  • the artwork around the studio
  • his writing section; and 
  • his computer section and bookcase
  • AND what he gets out of working in his studio

He's not averse to showing you the view and the painting alongside it on his website, Facebook Page and Instagram account. You can see pics of him at work on his website 

Some of the pics on his website
- but the main pics are on the Gallery Pages

I've seen and admired his paintings hung in very many exhibitions over the years at the Mall Galleries - and I really appreciate this opportunity to see inside his studio. In effect, it's a story of his life as an artist.  Maybe somebody else needs to come and paint David in his studio - rather in the way a number have sketched and painted him at work when painting plein air?

 

More about David Curtis

David Curtis VPROI, RSMA is a  

He has also written four highly regarded books about painting and been involved in a number of art instruction videos.  He's a very knowledgeable and thoughtful artist and instructor as well as an excellent artist whose paintings are much loved by very many people.

Tuesday, May 12, 2020

Grayson Perry's Studio

I noticed a query on my blog stats - "Where is Grayson Perry's Art Club filmed?"
It's filmed in his own studio - which has been the subject of very many previous videos and articles.

Inside Grayson's Studio in Islington - with his wife Phil

He worked for many years in Walthamstow but moved his home and studio to Islington five years ago.


Articles and videos about his Grayson Perry's Studio


In chronological order - meaning it starts in Walthamstow and moves to Islington!
  • Artist's studios: Grayson Perry | The Guardian | 20 September 2008
For me all studios hark back to my father's shed, where the workbench strewn with tools became the cockpit of a fantasy aircraft journeying to imagined lands. This is the cosy dream of my creative nest, the reality is a crumbling old printer's shop in east London's outer reaches.
This video was made by Tate Shots in his Walthamstow Studio in 2011.



Claire never goes to the studio. Making pottery is a dirty business. You don’t go to the studio in a nice dress. It’s where you get on with stuff and make a mess and collapse in an armchair and listen to The Archers”
Does the studio change fundamentally as a consequence of becoming public? do you feel differently about it because it’s been photographed and filmed?
So many people come to my studio and take photographs, I forget how many. About 50 TV crews have been to my studio. Whenever they come, I say, ‘Well, I’ve spent hours making this look like a studio for you!’ When I was at college, we all had our little chipboard cubicles that we worked in. Someone came up and went, ‘Oooh, you’ve got a meaty space!’ And I thought, yeah, I do like to have a busy space. I like the feeling that it’s got a density of creativity going on.
  • My studio life: Grayson Perry RA By Tom Jeffreys | RA website Published 16 October 2014 HIGHLY RECOMMENDED -  a totally fascinating article where he explains different aspects of his studio, tools he uses, books he references and important artifacts around the place
“I do feel slightly embarrassed here. It feels like one of those YBA studios: they always have perfect white industrial studios. I’m not complaining though. Moving here has been the biggest change in my life – my work rate has gone up hugely. In Walthamstow I had to go home by four as it was simply too cold. Even here though, I swear by cashmere socks from November all the way through to about April.” 
He also does trips to the studio for charity

Grayson Perry with his kilns inside his studio

But right now he is using his studio as a film studio for Grayson's Art Club which very many of are following faithfully and enjoying every Monday evening - or in some instances over breakfast on Tuesday!

The cross-dressing potter, tapestry-maker, writer and presenter starts every morning with a mug of coffee and Marmite on toast, then makes a sandwich before pedalling off to his studio five minutes down the road. 
Grayson Perry interview: ‘There’s no excuse now for not doing art’ (24.04.20)

For a TV veteran like Perry, filming from home has been a new experience. There’s a cameraman camped out in a tent in the garden (“he’s even got his own Portaloo!”) and the director shouts at him through the window while six cameras stand around the studio — “the kind they used to film 24 Hours in A&E”. He interviews guests over Zoom. 
Grayson Perry interview: ‘There’s no excuse now for not doing art’
By the way for fans of the kevster (instant fame after Episode 2 of Grayson's Art Club) I found this tweet to be very funny.....and you get to see more studio and studio cat.

Monday, March 04, 2019

Jeff George's new Pencil Storage

This is about a new pencil storage system for his art studio - devised by Jeff George CPSA, one of the the USA's leading coloured pencil artists.

Like others, he got inspiration for a new system when viewing what was on offer in IKEA.

If you're not a coloured pencil artist you need to understand that pencil artists have a habit of acquiring a huge number of pencils - plus back-ups for if they run out - but they present a real problem when it comes to storage.
I got inspired to revise my studio pencil storage system while recently walking through an Ikea store. Meet Skadis. My new pencil storage system with removable metal trays.Square metal cups and other attachable containers were also an option for this system, but I opted for the trays.
The trays hold the pencils and hook onto the peg board
I have labeled and lined each of the 20 trays, and will install small rubber picture frame bumpers (or felt) on the tray bottoms. (Note: I modified the welded hooks on two of the trays to be able to hang 7 trays to a panel instead of the normal 6.)
The trays shown contain the largest set of each brand listed. Luminance 76 set used 2 trays. Prismacolor 150 set used 4 trays etc. The brands I use the most are on the bottom half. (The Lightfast trays at the top are empty placeholders as I await Derwent's release of a larger set.)
Three Skadis peg boards and 20 Trays
The hundreds of extra replacement pencils which I have are organized and tucked away nearby, ready to quickly replace any of these pencils as they wear down. The goal is to always keep a full set available in the trays.
I'm happy with my solution. It was low cost, fits an out of view nook of my studio, and I can change out brands, and add more if I need to. Cheers.
However the system Jeff has come up with could actually be used for other art materials (tubes / jars of paint etc). What I like about it is that it both allows for simple and accessible storage - with everything sorted - and the storage doubles up as the container when the pencils are in use. They just unhook from the peg board.


About Skadis



I'm not sure of the dimensions of Jeff's system but took a look at the IKEA UK site - and there are lots of options for useful ways to store art media "stuff"

  • Skadis is pegboard by IKEA.  It costs £31.50 for a 76 x 56 cm (various sizes are available ) steel board with Epoxy/polyester powder coating
  • The trays cost £3 each. They're also made of steel with Epoxy/polyester powder coating and hook on to the peg board.
  • There are lots of options for various ways to store "stuff" on the peg board
PS. My new Raskog kitchen trolley  from IKEA is about to be made up for for storing my tubs of coloured pencils - so they can be wheeled around!


About Jeff George


Jeff studied at the Otis Art Institute and School of Design. He retired recently and moved from California to Las Vegas, Nevada. In 2002, he joined the Colored Pencil Society of America and since then he's been very busy winning prizes almost every year including the following top prizes
His work has also been featured in several art publications in the USA.

Friday, December 29, 2017

Francis Bacon - a documentary and resources about his life and work

Francis Bacon was on BBC4 last night (again). You may have missed him the first time - but you can catch up. I found it fascinating and it explained for me a number of the conundrums about him.

The links below provide access to the programme and an insight to both the programme, his website, his life and his studio.

Francis Bacon's studio at the City Gallery The Hugh Lane, Dublin, Ireland
plus see the links to the High Lane Gallery and Guardian article about it below
These are:
Francis Bacon was the loudest, rudest, drunkest, most sought-after British artist of the 20th century. Twenty-five years after his death, his canvases regularly exceed £40million at auction. Bacon's appeal is rooted in his notoriety - a candid image he presented of himself as Roaring Boy, Lord of Misrule and Conveyor of Artistic Violence. This was true enough, but only part of the truth. He carefully cultivated the facade, protecting the complex and haunted man behind the myth. In this unique, compelling film, those who knew him speak freely, some for the first time, to reveal the many mysteries of Francis Bacon.
“In the wilderness of postwar art he is the towering giant”
Brian Sewell
Image from the home page of the Francis Bacon website
Over seventy works on paper were found in Bacon's Reece Mews studio and these are now in the collection of the Hugh Lane Gallery. They are among the most important discoveries of the project. In all the interviews Bacon gave from around 1962 onwards, he denied that he made any preparatory drawings before he started to paint. Some of his close friends knew that he produced drawings and even owned some of these works, but they followed Bacon's wish to keep them out of the public domain.
On the eve of a major retrospective at Tate Britain, Aida Edemariam visits the artist's studio - painstakingly recreated in a Dublin gallery after his death. But what does this tiny, chaotic space really reveal about the birth of Bacon's art?

Saturday, August 20, 2016

Tips on Scanners, Printers and Copiers for Artists

An artist asked me to give her some tips on Scanners, Printers and Copiers for Artists.

What follows are some general principles, considerations and criteria to consider prior to making a purchase - as opposed to recommendations on specific technology.

At the end I ask you for your recommendations as to specific machines you use and are happy with.  You'll see what I use in this blog.

What do you need it for?


Sit down and write out a list of what you want your machine to do.

  • What are your priorities in terms of functions? Are all functions - scanning, printing copying of equal importance - or is one more important than another. For example I do very little copying but at times in the past I've used the scanner as much as I've printed
  • Is space an issue? Does it need to be an "all in one" scanner/printer/copier? Or do you have the space for separate devices?  There's no question that one device is easier to house - but this tends to come at the cost of performance which fall short of the best that is available in terms of the different functions
    • standalone scanners tend to deliver better performance than scanners bundled into printers
    • photo printers provide much better colour printing compared to 'normal' printers
    • all devices have become better designed and tend to occupy a smaller footprint over time.
  • What quality are you aiming for?  Is the printer for personal or professional use? (i.e. do you aim to sell anything using images printed from your machine?)
  • What quality does the black and white printing  need to deliver? A machine which is excellent at printing text is not the same as a printer which delivers good quality black and white photos. They are totally different outputs and need totally different printers with completely different printer inks
  • Does colour printing need to give you good quality photos?  Colour printing quality varies enormously - from photos to party invites. Some printers are designed to print photos - while others just print in colour - but not to the same standard as a photo printer. If you want photo quality colour printing you have to be buy a photo printer.
  • Is the cost of ink tolerable? The cost of ink is never reasonable - but you can decide whether or not ink costs are excessive.  Look at how much ink costs relative to the number of sheets it will print. I discovered when deciding what my next printer would be that very cheap printers are often associated with more expensive inks - so beware!
  • Consider the paper that a printer needs to use. Printers are very fussy about the different types of surfaces and weights (gsm) of paper stock that they will use. Many a person has totally screwed their printer by attempting to use the wrong type of paper stock which just gets stuck in the printer and refuses to come out!  So first define what sort of paper stock you want to print on. If you want to print on high quality fine art paper designed for inkjets then you need to check what weight they will take.
  • Are standalone scanners better than those bundled with printers. They generally are if they are a decent scanner - and very often have additional functionality (eg scan film). However you need to ask yourself whether you can justify the extra cost for the difference in functionality.  For example being able to upgrade from A4 to A3 size is a big thing for a lot of artists - however A3 printers in the past have either been expensive or not performed well. The first A3 printer which gets ace reviews from everyone will sell well!

After considering all the above, this is the machine I currently use which I got last year.

Tuesday, April 26, 2016

Artists and Repetitive Strain Injury (RSI)

Too many artists suffer from repetitive strain injuries (RSI). In addition, too many artists know too little about:
  • how to avoid RSI
  • how best to deal with RSI
Too often, health and safety issues for artists relate purely to hazards associated with art materials. In my opinion, there is far too little focus on the hazards that certain working practices can have on your anatomy.

This post looks at what is RSI, why artists gets it; how to make it worse and how to make life more tolerable if you get it - and hopefully recover from it.

At the end there are some references to other websites where artists talk about the impact of RSI.

What is RSI?


RSI stands for repetitive strain injury.

RSI is an umbrella term for a range of muscular skeletal disorders rather than a condition.  It's a general term used to describe a related set of problems associated with a variety of very specific injuries or disorders affecting muscles and/or tendons and/or other soft tissue which have very specific names.
  • Type 1 RSI relates to a specific disorder which a doctor can diagnose. These have recognised treatments.
  • Type 2 RSI is a more generalised disorder where diagnosis in terms of a specific condition is more difficult.

RSI for Artists generally afflicts some part of the arm - the fingers, wrist, forearm, elbow, shoulders - and can also affect the neck and/or upper back.

RSI Symptoms include:
  • intense pain
  • dull aching or tenderness
  • stiffness
  • throbbing
  • burning
  • tingling 
  • numbness
  • swelling
  • weakness / reduced dexterity
  • cramp
  • inability to grip or lift

Dealing with the intensity of the symptoms can make people very tired.

My particular version of RSI is called tenosynovitis - see NHS page on Tendonitis and other tendon injuries. It runs from the index finger of my right (drawing) hand across the back of my hand, across my wrist, around the back of my forearm into my elbow and then up my arm. I have a semi-permanent swelling on the back of my hand below the index finger knuckle which is where the injury is particularly bad.

The practical impact is:
  • I can't grip anything in my right hand either tightly or for too long. 
  • I can only draw using certain techniques eg hatching is very easy; drawing small changes in line very precisely is not
  • I can't use my right hand continuously for too long - I need to take lots of short breaks
  • I must use a soft keyboard. I'm completely unable to use a keyboard which has any vibration as I'm in agony very quickly if I do.
  • Sometimes I have to wear a brace which maintains my palm and wrist in one position - but allows me to flex my fingers
My new wrist splint - the last one was very well used!
On the whole I need this less now as I'm much better at protecting myself
(Note: I'm not going to try and describe all the conditions in this post - however I am going to link to decent websites which do provide more authoritative information)

Other common RSI or RSI related conditions


I've referenced the relevant NHS information site which provides an introduction and information about causes, symptoms and treatment
  • Bursitis / Tennis elbow: The sac of fluid around a joint is injured due to a spain or irritated due to overuse /repetitive strain. This leads to swelling. See NHS Choices - Bursitis
  • Carpal Tunnel Syndrome:  This is where the Median Nerve which passes through the wrist becomes irritated. Symptoms include tingling, numbness and pain of the thumb and/or index finger, middle finger or third finger. Dexterity becomes reduced. See NHS Choices: Carpal Tunnel Syndrome
  • Dupuytren's contracture: This condition causes the hand to close - with fingers being towards the palm of your hand See  NHS - Dupuytren's Contracture
  • Ganglion - a fluid-filled lump or nodule can be caused by repetitive strain. They often develop on the wrist. See NHS - Ganglion cyst
  • Epicondylitis – inflammation of the area where bone and tendon join, such as the elbow. It causes pain and tenderness on the outside of your elbow and pain when twisting or lifting or bending. See NHS - Tennis Elbow (lateral epicondylitis)
  • Shoulder Pain eg Rotator Cuff disorder (which I experienced recently) - Normal movement is reduced and painful. Inability to lift or twist the arm. See NHS - Shoulder pain
Other conditions which can also be related or affected include:
  • Osteoarthritis - the most common form of arthritis which often affects the small joints of the hand. Symptoms include joint pain or tenderness. There is no cure but you can reduce its impact and treat symptoms. See NHS - Osteoarthritis
  • Rheumatoid arthritis - an auto immune disease which damages tendons, cartilage and bone. Symptoms involve throbbing, stiffness and pain. See NHS Rheumatoid arthritis

How do artists get repetitive strain injury?


Artists get RSI for the same sorts of reasons that other people with vocational activities get RSI.

The most common reasons for RSI injuries are:
  • repetitive strain - overuse of the muscles / tendons in a way which is continued
  • poor posture and/or holding the same posture for too long without a break
  • working for too long without a break
  • poor and/or cold working working environment
  • use of tools which require force or can cause a strain
  • vibration of tools held or used
Basically if you exhibit bad posture and keep using the same muscle groups over and over again, day after day for long periods
  • sooner or later you will find that you start to get aches and pains; 
  • those aches and pains will in due course become more painful; 
  • if the tendons or tissue becomes inflamed and/or if the nerve(s) become involved you will experience intense pain;
  • if you continue and don't take appropriate action you may experience paralysis and/or a total inability to perform normal functions.
The other most common reason is that artists don't get enough education in why certain working practices make them a "sitting duck" for RSI.

You may also be predisposed (like me) to problems if you have a connective tissue disorder.

How do artists make RSI worse?


Wednesday, September 02, 2015

St Paul's Studios Update

An update on my post last week St. Paul's Studios on the Talgarth Road.

St Paul's Studios being sold 'off plan'
(right click and open in a new tab to see a larger image)
My post on Facebook drew this comment from Dennis Spicer - which answers some of the comments about noise.
I used to live very near these and got to know Alan Day when he came to my life drawing classes at Hammersmith Adult Education Centre. He was a designer and lived in the third one from the left in the photo. He had restored the front room as it would have been for a Victorian gentleman artist, including a bookshelf with a full set of The Yellow Book, the hallway was similarly restored and the other ground floor room was his bedroom,and the large studio room was his design studio. He had a modern steel and chrome style kitchen in the basement and the room next to it was his sister's bedroom. I remember the lack of noise in the house, due to a kind of Victorian double glazing system.During the summer break from the Adult Education classes he invited some of us to have a life drawing session in the studio, probably the last time the studio was used for its original purpose! He would often host visiting parties from both the Victorian and Edwardian Societies and the front room was used as a film set on several occasions, notably both Merchant/ Ivory films A Room With A View and Howard's End. He sadly died some years ago and the contents were put up for auction. Have found two sites showing pictures of the interior as I remember them.
The studio at #3 in use as a studio
These are:
The latter contains lots of information about the artists' studios in the area, specifically:
It has two spacious ground floor studios and an exceptionally large studio on the first floor – 10.5 metres by 22.5 metres (35ft x 75ft), comfortably long enough for a cricket pitch.
  • An Arts & Craft Epicentre which references other purpose artists' studios built in the area
  • A House Portrait which contains a rather nice drawing of one of the studios by a chap called Liam Wales who is an architectuiral illustrator
  • The Studios’ First Sales Particulars - interesting to see the original layout unchanged by the occupants - and that the whole of the First Floor was seen as a studio space
  • and finally, it's interesting to see that rather famous people have also lusted after these studios - see Sir Roy Strong’s Dream Home (Sir Roy Strong is a former Director of the National Portrait Gallery and then the Victoria and Albert Museum)
By the way - do have a look at the paintings on Dennis Spicer's website - they're delightful!

Friday, August 28, 2015

St. Paul's Studios on the Talgarth Road

Many artists living in London who have ever travelled west will have marvelled at the Artists Studio from the Arts and Crafts era - with the wonderful large north facing windows - on the A4 just before the start of the Hammersmith Flyover.

They're called St. Paul's Studios. I've always wanted to know more about them and the sale of one of them means this post includes information about:
  • one which is for sale and 
  • the history of the studios
  • other 19th century artists' studio buildings in London - in Pembroke Gardens, Kensington; Tite Street, Chelsea and Greville Road, St John's Wood.
I find it fascinating that most of the studios developed in west London in the 19th century and east London at the back end of the 20th century. Where I live (in the East End of London) has more artists per square mile than any other place in the UK!

St Paul's Studios on the Talgarth Road (courtesy of Google Streetview)

Artist's Arts and Crafts Studio for Sale.

You can read more about the house which is for sale on the following links.
Estate Agent: Featherstone Leigh listing
Address: 149 Talgarth Road, London, W14 9DA (Grade II Listed in 1970) - formerly known as #8 St Paul's Studios.
Built: 1891
Listed Status: Grade II listed - which means that the special features of the building cannot be altered without special permission of the relevant planning authority.
Asking Price £1.4 million | Offer made: £1.525 million
Previous occupants: Dame Margot Fonteyn who used the space as a dance studio
Layout:
Layout of St Paul's Studios,Talgarth Road, Barons Court, W14

Past sales

These studio houses do come on the market from to time - but not very often.
145 Talgarth Road
The downside to the houses are that they have the extremely noisy and dirty Talgarth Road to the front (studio window side) and the Piccadilly Line to the rear and only small gardens front and back.  Of course when they were built circumstances were very different

The History of St. Paul's Studios

Designed byFrederick Wheeler FRIBA (1853–1931)
Built: 1891
Purpose: Designed to house bachelor artists - on behalf of James Fairless a fine art publisher
Accommodation:
  • Ground Floor: 3 "living" rooms for the artist
  • First Floor: The "work space / studio" - 30 feet long and 22 ft wide (9.1 m × 6.7 m) with a 20-foot-high (6.1 m) ceiling
  • Basement: Housekeeper's Flat
Address: Originally number #1 to #8 St Paul's Studios, Red Cow Lane (and subsequently Colet Gardens); the numbers converted to #135 to  #149 (odd numbers only) Talgarth Road at a later date.

Articles about the studios:



Other historical artists' studios in London

This article by The Independent discusses St Paul's Studios and other historic studios in London.  I was surprised to find that some of them were let to artists by the Prudential insurance company who aimed to let studio spaces to artists.

Pembroke Studios, Kensington (map)- 11 studios, each with a skylight and a floor- to-ceiling, north-facing window.

Pembroke Studios, site plan, and typical studio plan and elevation. C. F. Kearley, builder, 1890–1
British History Online

Tite Street, Chelsea


Tite Street was home to a number of artists and there's a few houses with very large windows. This is 31-33 Tite Street which used to be the home and studio of John Singer Sargent. Whistler also used #33 as his studio. The odd thing about the properties in Tite Street is that none of them have the much desired north facing window.



Greville Road Studios, St John's Wood


This is an article about the planned refurbishment of a listed artists studio - with images - in Greville Road, St John's Wood



I've always thought it would be fun to create a gazette of the locations of all the artists studios in London!

If anybody else has links to interesting art studios in London I'll add them into this post.

Saturday, May 24, 2014

Major fire at Rennie Mackintosh's Glasgow School of Art

It was absolutely awful yesterday to see the pictures and videos of the fire raging through the iconic Grade A Listed Mackintosh building of the Glasgow School of Art (@GSofA)- designed by Charles Rennie Mackintosh.
"The most important work by Charles Rennie Mackintosh, an architect of international significance, Glasgow School of Art is held in the highest regard by architects and the public alike - it was rightly judged to be the best building of the past 175 years in a nationwide [RIBA] poll."
[UPDATE: I've subsequently learned that the windows of the room on fire in the image above are the shallow bay windows of the iconic Macintosh Library which was constructed of wood and contained wooden furniture designed by Mackintosh. This article in the Telegraph confirms the damage and something of what happens next - Glasgow School of Art fire: 'Iconic' Mackintosh library destroyed]




Image from BBC Scotland Video of the fire
Glasgow School of Art: Fire crews battle to save building
The fire broke out at midday yesterday - just as the final year students were erecting their degree shows within the building.
Eyewitnesses said the fire appeared to have started when a projector exploded in the basement of the building on Renfrew Street in the city centre.
BBC News
Reports indicated the fire started in the basement and spread up through the west wing of the building to the roof - which as you can see from the screendump from a BBC video has been very severely damaged.
Eye witnesses feared that the whole west wing of the old building has been lost, including the irreplaceable Mackintosh library and the Hen Run, a famous corridor running along the roof which linked the west and east wing.
First building 1899, second Building 1909 
Architect: Charles Rennie Mackintosh
The good news is that everybody was got out safely and there have been no casualties.

Plus the fire service has subsequently announced what has been saved.
"With the incident under control indications are the firefighters' efforts have ensured more than 90% of the structure is viable and protected up to 70% of the contents - including many students' work."
What I do know from fires is that what isn't destroyed by fire can easily be damaged beyond repair by the amounts of water required to put out a very fierce fire as this one obviously was.

It remains to be seen what has survived and what will need reinstatement. Surely there can't be any question but that this Grade A Listed building must be reinstated?

This is the page providing updates for the students and staff - which I am sure will also be of interest to all Glasgow Art School Alumni and those who were fans of the building

Besides being a wonderful building, this is also an excellent School of Art. Three of the current four nominees for the Turner Prize 2014 are graduates of the Glasgow School of Art as have been many in the past - see Graduates of Glasgow School of Art dominate Turner Prize nominees

Initially there were fears that all the work for final year degree shows - and assessment for their degrees - had been lost but the situation is now unclear. However a very reassuring message was sent to students
Students should not concern themselves about finishing work at this stage. Further information on assessment, degree show and graduation will be issued as soon as possible.
To see something of what may have been lost or damaged I looked through the internet.

Let's hope as much of this as possible has been saved or can be reinstated


The Glasgow School of Art: Studio from The Glasgow School of Art on Vimeo.

Another fire as degree shows assembled


The fire had strong echoes of the fire at the Pratt Institute in New York - again as graduates were assembling their final degree shows. This is what I wrote on this blog back in 2011.
The Pratt Institute in New York had a major fire in February 2011 in its main building which took nearly 170 firefighters to extinguish. It destroyed the studios of the Fine Art Seniors and their artwork for their senior projects which many will have spent months on. You can see pictures of the blaze on their Facebook page. Lots of people have rallied to the support of the students who lost their art supplies as well as their artwork.
Art supplies including brushes, canvases and other tools have been donated by a range of art supply stores, including Utrecht and Daler-Rowney, Pratt spokeswoman Jolene Travis said. More than 3,000 brushes have come in. The selection also includes personal contributions from faculty, Travis said, including some “used, very well-cared for and loved brushes tied in ribbons.”
Hopefully, the art materials and art supplies people in the UK will ask the Glasgow School of Art what they can do to help replenish any losses of art supplied by the students.

Why not keep an eye on the information for students page, and if it appears they have sustained losses of kit and materials, why not leave a message on the Glasgow School of Art Facebook Page or send them a tweet if you'd like to send them supplies for the students?

Plus why not give them a 'like' or a 'follow' by way of support?

Thursday, January 30, 2014

How can an artist find out who bought their painting?

This is a response to a letter I received recently.  It concerns how an artist can find out the names of the people who bought a painting sold in an exhibition at an art gallery.

The post covers
  • what is normal practice in terms of sharing the name of buyers
  • commentary on the perspectives of art gallery, art competition and artist
  • alternatives which mean you always know the name of the people who collect your art.
The people and organisations involved have been anonymised for the purposes of this post and consequently the letter has been edited to keep the focus on the topic and not this specific example.

Letter from an artist who sold a painting

Hello Katherine

Having enjoyed your writing for some time now, my guess is that you might be able to throw some light on a question I've got. I suspect both the question and your answer may interest many other artists who read your blog. 

Last year I was lucky enough to not only get a painting into the [art competition] exhibition at [name of gallery] but a red dot appeared within minutes of the start of the preview. 

I'd love to know who bought the painting. A few emails have passed between [the competition/exhibition organisers] and myself in an attempt to find out the name of the buyer. 

My last email to them was fairly specific:

Wednesday, January 29, 2014

What can artists claim as business expenses - for tax purposes?

Here's a list of business expenses which can normally be claimed for tax purposes by an artist who is making a serious effort to sell art and make money. 

Image courtesy of Stuart Miles / FreeDigitalPhotos.net
To be able to claim expenses and a self-employed status you must be conducting your business in a professional way and with the intention of making a profit.

In other words you must be able to show it's not just a hobby. The tax authorities will not allow you to make endless losses which fund your hobby as an amateur artist.

Also - you do need to have

  • registered as self-employed to claim expenses 
  • produced accounts.


Allowable Business Expenses for Artists

General principles

The general principal which applies to artists is you can claim items which you need to make and sell art - for a profit.

Thus you can claim for items which are:

  • directly and wholly related to making art 
  • generally accepted as normal and used by many artists when making art
  • not unduly excessive or extravagant.
Below I've included notes about normal business expenses

Do please comment and suggest anything else you think should be included.  I'll update this post with good suggestions - and give credit and a link to your blog.

Tuesday, December 31, 2013

The Home Front - Making A Mark Art Blog Awards 2013

This is the last but one category in the 8th Making A Mark Awards - just the Best Picture of the Year to go!

The Home Front concerns matters relating to the practical aspects of our artistic art and/or how to make life at home with the artist that bit better. There are three awards:
  • The Most Gorgeous Mouthwatering (MGM) Studio of the Year
  • The Art Innovation of the Year Award
  • “The Moose” - the award for the best animal in an illustrated blog

The Most Gorgeous Mouthwatering (MGM) Studio of the Year

The Most Gorgeous Mouthwatering (MGM) Studio of the Year is for the Most Improved Studio of the Year and reflects the continuous efforts of many artists to improve our studio and working environments

Previous winners are
The results of a poll in 2012 (What's the best place to sell art? ) identified "Direct from the studio" as the best place to sell art by nearly a quarter of artists. Overall it ranked #1 for both revenue and profit.

Saturday, December 21, 2013

The Home Front 2013 - Making A Mark Art Blog Award Nominations

YOU are invited to nominate art blogs for one or more of three awards in the FINAL category of the Making A Mark Awards - "The Home Front":
  • The Art Innovation of the Year Award
  • The Most Gorgeous Mouthwatering (MGM) Studio of the Year
  • “The Moose” - the award for the best animal in an illustrated blog.
Below are the past winners - to give you an idea of the nature of the individual wards and the type of nomination I'm looking for. 

Remember those who have won in the last three years are not eligible to win the same award again but can be nominated for any other award.

Nominations for this category are NOT limited to artists but they must write about art or artists and they must have a blog. They can be
  • artists with an art blog
  • non-artists writing about art, artists and/or the art business - with a blog
  • anybody who has not won the award in the last three years (ie you can nominate somebody for a different award in this category but not for the same award if won in the last 3 years)
Detailed instructions on how to nominate for these and other awards are set out at the end of this post. 

To nominate, leave a comment on this post 

with your nomination of a person and blog for a specific award 
plus the reasons why.


Details at the end for how to nominate - in summary, you leave a comment on this blog with the name of the blog, the award and the reason for the nomination.

All nominees and nominators are linked to both from this blog and my main website page where all the past awards and nominees are listed

The Most Gorgeous Mouthwatering (MGM) Studio of the Year

The Most Gorgeous Mouthwatering (MGM) Studio of the Year is for the Most Improved Studio of the Year and reflects the continuous efforts of many artists to improve our studio and working environments
  • 2012 Jana Bouc (JanasJournal.com) moved her entire studio into her garage! See My New Remodeled Art Studio Tour (at last!). The before and after photos are quite something - and she deserves an award for discovering a new floor suitable for studios! Jana also clearly demonstrates how it is possible to recycle a lot of domestic goods and equipment acquired cheaply into really useful studio equipment.