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In this Issue

Table of Contents

  1. Introduction: Practice, Performance, and Emotions in Medieval and Early Modern Heritage
  2. Alicia Marchant, Jane-Héloïse Nancarrow
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/pgn.2019.0052
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  1. Between Realism and Re-enactment: Navigating Dramatic and Musical 'Problems' in Voyage to the Moon
  2. Joseph Browning, Jane W. Davidson
  3. pp. 17-38
  4. DOI: https://doi.org/10.1353/pgn.2019.0053
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  1. After Lives: Considering Disembodied Costume via Medieval Copes and Nick Cave's Soundsuits
  2. Janet Lee, Jo Merrey
  3. pp. 39-61
  4. DOI: https://doi.org/10.1353/pgn.2019.0054
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  1. Hidden Heritage: Concealment, Reuse, and Affective Performance in Historic Buildings and Digital Heritage
  2. Jane-Héloïse Nancarrow
  3. pp. 63-89
  4. DOI: https://doi.org/10.1353/pgn.2019.0055
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  1. Myth, Reality and Revelation: The Performance of Divine Power on Dartmoor
  2. David C. Harvey, Joanne Parker
  3. pp. 91-113
  4. DOI: https://doi.org/10.1353/pgn.2019.0056
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  1. Hearing Early Modern Battles: Soundscape Audio as a Way of Recreating the Past
  2. Dolly MacKinnon
  3. pp. 115-140
  4. DOI: https://doi.org/10.1353/pgn.2019.0057
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  1. 'Three cheers to the old apple tree!': Wassailing and the Affective Performances of Heritage
  2. Alicia Marchant
  3. pp. 141-162
  4. DOI: https://doi.org/10.1353/pgn.2019.0058
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  1. Future/s Medieval: Perspectives from the ANZAMEMS Community
  2. p. 163
  3. DOI: https://doi.org/10.1353/pgn.2019.0059
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  1. Medieval Studies in Australia: Some Thoughts on 'Relevance'
  2. Andrew Lynch
  3. pp. 165-168
  4. DOI: https://doi.org/10.1353/pgn.2019.0060
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  1. Notre Dame is Burning: Medieval Futures
  2. Clare Monagle, Amanda Power
  3. pp. 169-172
  4. DOI: https://doi.org/10.1353/pgn.2019.0061
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  1. What Future Can the Middle Ages Have? Choices and Connections
  2. Helen Young
  3. pp. 173-178
  4. DOI: https://doi.org/10.1353/pgn.2019.0062
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  1. Medievalism: From Nationalist and Colonial Past to Global Future
  2. Louise D'Arcens
  3. pp. 179-182
  4. DOI: https://doi.org/10.1353/pgn.2019.0063
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  1. Crusading in the Media: Reflections on a Medievalist's Role in Public Debate
  2. Lindsay Diggelmann
  3. pp. 183-186
  4. DOI: https://doi.org/10.1353/pgn.2019.0064
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  1. Opinion, Informed Opinion, and Public Perception in the Wiki-age
  2. Chris Jones
  3. pp. 187-191
  4. DOI: https://doi.org/10.1353/pgn.2019.0065
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  1. Giannozzo Manetti, Against the Jews and the Gentiles, Books I–IV ed. by Stefano U. Baldassarri and Daniela Pagliara (review)
  2. Andrea Rizzi
  3. pp. 193-194
  4. DOI: https://doi.org/10.1353/pgn.2019.0066
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  1. Approaches to Teaching the Middle English by Jane Beal, and Mark Bradshaw Busbee (review)
  2. Robert Cutrer
  3. pp. 196-197
  4. DOI: https://doi.org/10.1353/pgn.2019.0068
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  1. Nuns' Literacies in Medieval Europe: The Antwerp Dialogue by Virginia Blanton, Veronica O'Mara, and Patricia Stoop (review)
  2. Alexandra Barratt
  3. pp. 197-198
  4. DOI: https://doi.org/10.1353/pgn.2019.0069
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  1. The Unspeakable, Gender and Sexuality in Medieval Literature, 1000–1400 by Victoria Blud (review)
  2. Amy Brown
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/pgn.2019.0070
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  1. Pious Postmortems: Anatomy, Sanctity and the Catholic Church in Early Modern Europe by Bradford A. Bouley (review)
  2. Paige Donaghy
  3. pp. 200-202
  4. DOI: https://doi.org/10.1353/pgn.2019.0071
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  1. Medievalism in A Song of Ice & Fire & Game of Thrones by Shiloh Carroll (review)
  2. Marina Gerzić
  3. pp. 204-205
  4. DOI: https://doi.org/10.1353/pgn.2019.0073
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  1. Performance and Theatricality in the Middle Ages and the Renaissance ed. by Mark Cruse (review)
  2. Eleanor Bloomfield
  3. pp. 205-207
  4. DOI: https://doi.org/10.1353/pgn.2019.0074
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  1. Feeling Things: Objects and Emotions through History ed. by Stephanie Downes, Sally Holloway, and Sarah Randles (review)
  2. Katie Barclay
  3. pp. 207-208
  4. DOI: https://doi.org/10.1353/pgn.2019.0075
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  1. Rethinking Gaspara Stampa in the Canon of Renaissance Poetry ed. by Unn Falkeid, and Aileen A. Feng (review)
  2. Julie Robarts
  3. pp. 209-210
  4. DOI: https://doi.org/10.1353/pgn.2019.0076
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  1. Landscape and History on the Medieval Irish Frontier: The King's Cantreds in the Thirteenth Century by Thomas Finan (review)
  2. Dianne Hall
  3. pp. 210-212
  4. DOI: https://doi.org/10.1353/pgn.2019.0077
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  1. Studies in Medievalism XXVII: Authenticity, Medievalism, Music ed. by Karl Fugelso (review)
  2. Roderick McDonald
  3. pp. 212-214
  4. DOI: https://doi.org/10.1353/pgn.2019.0078
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  1. RE:writing: Medial Perspectives on Textual Culture in the Icelandic Middle Ages ed. by Kate Heslop, and Jürg Glauser (review)
  2. Roderick McDonald
  3. pp. 216-217
  4. DOI: https://doi.org/10.1353/pgn.2019.0080
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  1. Political Appetites: Food in Medieval English Romance by Aaron Hostetter (review)
  2. Melissa Raine
  3. pp. 218-219
  4. DOI: https://doi.org/10.1353/pgn.2019.0081
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  1. Compassion's Edge: Fellow-Feeling and Its Limits in Early Modern France by Katherine Ibbett (review)
  2. Katie Barclay
  3. pp. 219-221
  4. DOI: https://doi.org/10.1353/pgn.2019.0082
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  1. Temporality and Mediality in Late Medieval and Early Modern Culture ed. by Christian Kiening, and Martina Stercken (review)
  2. Frank Swannack
  3. pp. 221-222
  4. DOI: https://doi.org/10.1353/pgn.2019.0083
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  1. Contested Reformations in the University of Cambridge, 1535–1584 by Ceri Law (review)
  2. Thomas A. Fudge
  3. pp. 223-224
  4. DOI: https://doi.org/10.1353/pgn.2019.0084
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  1. Addiction and Devotion in Early Modern England by Rebecca Lemon (review)
  2. Patrick Ball
  3. pp. 224-226
  4. DOI: https://doi.org/10.1353/pgn.2019.0085
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  1. Ecclesiastical Lordship, Seigneurial Power and the Commercialization of Milling in Medieval England by Adam Lucas (review)
  2. Karine van der Beek
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/pgn.2019.0087
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  1. Performing Emotions in Early Europe ed. by Philippa Maddern, Joanne McEwan, and Anne M. Scott (review)
  2. Amy Brown
  3. pp. 229-231
  4. DOI: https://doi.org/10.1353/pgn.2019.0088
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  1. Milton's Italy: Anglo-Italian Literature, Travel, and Connections in Seventeenth-Century England by Catherine Gimelli Martin (review)
  2. Scott Williams
  3. pp. 231-232
  4. DOI: https://doi.org/10.1353/pgn.2019.0089
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  1. Witchcraft, the Devil, and Emotions in Early Modern England by Charlotte-Rose Millar (review)
  2. Claire Hansen
  3. pp. 233-234
  4. DOI: https://doi.org/10.1353/pgn.2019.0090
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  1. Moral Combat: Women, Gender, and War in Italian Renaissance Literature by Gerry Milligan (review)
  2. Elizabeth Reid
  3. pp. 234-236
  4. DOI: https://doi.org/10.1353/pgn.2019.0091
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  1. The Birgittines of Syon Abbey: Preaching and Print by Susan Powell (review)
  2. Stephanie Thomson
  3. pp. 236-237
  4. DOI: https://doi.org/10.1353/pgn.2019.0092
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  1. The Medieval Military Engineer: From the Roman Empire to the Sixteenth Century by Peter Purton (review)
  2. Susan Broomhall
  3. pp. 238-239
  4. DOI: https://doi.org/10.1353/pgn.2019.0093
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  1. Mother and Sons, Inc.: Martha de Cabanis in Medieval Montpellier by Kathryn L. Reyerson (review)
  2. Jennifer Lord
  3. pp. 239-241
  4. DOI: https://doi.org/10.1353/pgn.2019.0094
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  1. Nature Speaks: Medieval Literature and Aristotelian Philosophy by Kellie Robertson (review)
  2. Carles Gutiérrez-Sanfeliu
  3. pp. 241-242
  4. DOI: https://doi.org/10.1353/pgn.2019.0095
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  1. New Medieval Literatures 17 ed. by Wendy Scase, Laura Ashe, and David Lawton (review)
  2. Mary-Rose McLaren
  3. pp. 242-244
  4. DOI: https://doi.org/10.1353/pgn.2019.0096
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  1. Shakespeare, Catholicism, and the Middle Ages: Maimed Rights by Alfred Thomas (review)
  2. Cheryl Taylor
  3. pp. 245-247
  4. DOI: https://doi.org/10.1353/pgn.2019.0098
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  1. The Fox and the Bees: The Early Library of Corpus Christi College, Oxford. The Lowe Lectures 2017 by R. M. Thomson (review)
  2. Janet Hadley Williams
  3. pp. 247-249
  4. DOI: https://doi.org/10.1353/pgn.2019.0099
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  1. Martyrs and Players in Early Modern England: Tragedy, Religion and Violence on Stage by David K. Anderson (review)
  2. Samaya Borom
  3. pp. 251-252
  4. DOI: https://doi.org/10.1353/pgn.2019.0101
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  1. The Greeks of Venice, 1498–1600: Immigration, Settlement, and Integration by Ersie C. Burke (review)
  2. Carles Gutiérrez-Sanfeliu
  3. p. 253
  4. DOI: https://doi.org/10.1353/pgn.2019.0103
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  1. Crisis in the Later Middle Ages: Beyond the Postan–Duby Paradigm ed. by John Drendel (review)
  2. Judy Bailey
  3. p. 254
  4. DOI: https://doi.org/10.1353/pgn.2019.0104
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  1. Gender and Song in Early Modern England ed. by Leslie C. Dunn, and Katherine R. Larson (review)
  2. Julie Robarts
  3. p. 255
  4. DOI: https://doi.org/10.1353/pgn.2019.0105
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  1. The Haskins Society Journal 28: Studies in Medieval History ed. by Laura Gathagan, and William North (review)
  2. Lindsay Diggelmann
  3. p. 256
  4. DOI: https://doi.org/10.1353/pgn.2019.0106
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  1. Women and Pilgrimage in Medieval Galicia ed. by Carlos Andrés González-Paz (review)
  2. Judy Bailey
  3. p. 257
  4. DOI: https://doi.org/10.1353/pgn.2019.0107
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  1. Vico's New Science of the Intersubjective World by Vittorio Hösle (review)
  2. Andrea Bubenik
  3. pp. 257-258
  4. DOI: https://doi.org/10.1353/pgn.2019.0108
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  1. Imperial Ladies of the Ottonian Dynasty. Women and Rule in Tenth-Century Germany by Phyllis G. Jestice (review)
  2. Zita Eva Rohr
  3. pp. 258-259
  4. DOI: https://doi.org/10.1353/pgn.2019.0109
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  1. Early Modern Catholics, Royalists, and Cosmopolitans: English Transnationalism and the Christian Commonwealth by Brian C. Lockey (review)
  2. Aidan Norrie
  3. pp. 259-260
  4. DOI: https://doi.org/10.1353/pgn.2019.0110
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  1. John Gower: Others and the Self ed. by Russell A. Peck, and R. F. Yeager (review)
  2. Michael Bennett
  3. pp. 261-262
  4. DOI: https://doi.org/10.1353/pgn.2019.0112
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  1. Men and Women Making Friends in Early Modern France ed. by Lewis C. Seifert, and Rebecca M. Wilkin (review)
  2. Bronwyn Reddan
  3. pp. 262-263
  4. DOI: https://doi.org/10.1353/pgn.2019.0113
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  1. Melusine's Footprint: Tracing the Legacy of a Medieval Myth ed. by Misty Urban, Deva Kemmis, and Melissa Ridley Elmes (review)
  2. Ellie Crookes
  3. pp. 263-264
  4. DOI: https://doi.org/10.1353/pgn.2019.0114
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  1. Avant-Garde Hamlet: Text, Stage, Screen by R. S. White (review)
  2. Bríd Phillips
  3. pp. 265-266
  4. DOI: https://doi.org/10.1353/pgn.2019.0116
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  1. Notes on Contributors
  2. pp. 267-271
  3. DOI: https://doi.org/10.1353/pgn.2019.0117
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