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In this Issue

Table of Contents

  1. All Kinds of Time
  2. Carolyn Dinshaw
  3. pp. 3-25
  4. DOI: https://doi.org/10.1353/sac.2013.0025
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  1. Loose Talk from Langland to Chaucer
  2. Anne Middleton
  3. pp. 29-46
  4. DOI: https://doi.org/10.1353/sac.2013.0032
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  1. Abandon the Fragments
  2. Robert J. Meyer-Lee
  3. pp. 47-83
  4. DOI: https://doi.org/10.1353/sac.2013.0038
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  1. The Pestilential Gaze: From Epidemiology to Erotomania in The Knight’s Tale
  2. Jamie C. Fumo
  3. pp. 85-136
  4. DOI: https://doi.org/10.1353/sac.2013.0004
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  1. Two Troy Books: The Political Classicism of Walsingham’s Ditis ditatus and Chaucer’s Troilus and Criseyde
  2. Sylvia Federico
  3. pp. 137-177
  4. DOI: https://doi.org/10.1353/sac.2013.0010
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  1. The Translatio of Memory and Desire in The Legend of Good Women: Chaucer and the Vernacular Heroides
  2. Marilynn R. Desmond
  3. pp. 179-207
  4. DOI: https://doi.org/10.1353/sac.2013.0016
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  1. Pearl and the Narrative of Pestilence
  2. David K. Coley
  3. pp. 209-262
  4. DOI: https://doi.org/10.1353/sac.2013.0022
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  1. Mary, Unmindful of Her Knight: Sir Gawain and the Green Knight and the Traditions of Sexual Hospitality
  2. Lawrence Warner
  3. pp. 263-287
  4. DOI: https://doi.org/10.1353/sac.2013.0029
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  1. Family, Familia, and the Uncanny in Sir Orfeo
  2. Elliot Kendall
  3. pp. 289-327
  4. DOI: https://doi.org/10.1353/sac.2013.0036
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  1. Worthy but Wise?: Virtuous and Non-Virtuous Forms of Courage in the Later Middle Ages
  2. S. H. Rigby
  3. pp. 329-371
  4. DOI: https://doi.org/10.1353/sac.2013.0002
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  1. A Variorum Edition of the Works of Geoffrey Chaucer Volume II. The Canterbury Tales: The Wife of Bath’s Prologue and Tale. Parts 5a and b ed. by Mark Allen and John H. Fisher (review)
  2. Simon Horobin
  3. pp. 373-376
  4. DOI: https://doi.org/10.1353/sac.2013.0008
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  1. Sir John Mandeville: The Book of Marvels and Travels tr. by Anthony Bale, and: The Book of John Mandeville with Related Texts ed. by Iain Macleod Higgins (review)
  2. Kim M. Phillips
  3. pp. 376-379
  4. DOI: https://doi.org/10.1353/sac.2013.0014
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  1. Biblical Paradigms in Medieval English Literature: From Cædmon to Malory by Lawrence Besserman (review)
  2. William Marx
  3. pp. 379-382
  4. DOI: https://doi.org/10.1353/sac.2013.0020
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  1. Western Illuminated Manuscripts: A Catalogue of the Collection in Cambridge University Library by Paul Binski and Patrick Zutshi (review)
  2. Jessica Brantley
  3. pp. 382-384
  4. DOI: https://doi.org/10.1353/sac.2013.0027
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  1. Rethinking the “South English Legendaries.” ed. by Heather Blurton and Jocelyn Wogan-Browne (review)
  2. John Scahill
  3. pp. 384-387
  4. DOI: https://doi.org/10.1353/sac.2013.0034
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  1. Medieval and Early Modern Authorship ed. by Guillemette Bolens and Lukas Erne, and: Author, Reader, Book: Medieval Authorship in Theory and Practice ed. by Stephen Partridge and Erik Kwakkel (review)
  2. Robert J. Meyer-Lee
  3. pp. 387-393
  4. DOI: https://doi.org/10.1353/sac.2013.0000
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  1. Wycliffite Controversies ed. by Mishtooni Bose and J. Patrick Hornbeck II (review)
  2. Karen A. Winstead
  3. pp. 393-395
  4. DOI: https://doi.org/10.1353/sac.2013.0006
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  1. The Wheel of Language: Representing Speech in Middle English Poetry, 1377–1422 by David K. Coley (review)
  2. Nicholas Perkins
  3. pp. 398-401
  4. DOI: https://doi.org/10.1353/sac.2013.0018
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  1. The Production of Books in England 1350–1500 ed. by Alexandra Gillespie and Daniel Wakelin (review)
  2. Marianne O’Doherty
  3. pp. 401-404
  4. DOI: https://doi.org/10.1353/sac.2013.0024
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  1. Court Poetry in Late Medieval England and Scotland: Allegories of Authority by Antony J. Hasler (review)
  2. Rhiannon Purdie
  3. pp. 404-407
  4. DOI: https://doi.org/10.1353/sac.2013.0031
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  1. Reason and Imagination in Chaucer, the Perle-Poet, and the Cloud-Author: Seeing from the Centre by Linda Tarte Holley (review)
  2. Eleanor Johnson
  3. pp. 407-410
  4. DOI: https://doi.org/10.1353/sac.2013.0037
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  1. Chaucer and the Cultures of Love and Marriage by Cathy Hume (review)
  2. Emma Lipton
  3. pp. 410-413
  4. DOI: https://doi.org/10.1353/sac.2013.0003
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  1. Authorship and First-Person Allegory in Late Medieval France and England by Stephanie A. Viereck Gibbs Kamath (review)
  2. Lisa H. Cooper
  3. pp. 413-416
  4. DOI: https://doi.org/10.1353/sac.2013.0009
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  1. The History of British Women’s Writing, Volume 1: 700–1500 ed. by Liz Herbert McAvoy and Diane Watt (review)
  2. Catherine Innes-Parker
  3. pp. 416-418
  4. DOI: https://doi.org/10.1353/sac.2013.0015
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  1. Reading and War in Fifteenth-Century England: From Lydgate to Malory by Catherine Nall (review)
  2. Andrew Lynch
  3. pp. 419-421
  4. DOI: https://doi.org/10.1353/sac.2013.0021
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  1. Remembering the Crusades: Myth, Image, and Identity ed. by Nicholas Paul and Suzanne Yeager (review)
  2. Anthony Bale
  3. pp. 421-424
  4. DOI: https://doi.org/10.1353/sac.2013.0028
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  1. Medieval Translations and Cultural Discourse: The Movement of Texts in England, France and Scandinavia by Sif Rikhardsdottir (review)
  2. Geraldine Barnes
  3. pp. 424-427
  4. DOI: https://doi.org/10.1353/sac.2013.0035
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  1. Kiss My Relics: Hermaphroditic Fictions of the Middle Ages by David Rollo (review)
  2. Jessica Rosenfeld
  3. pp. 427-430
  4. DOI: https://doi.org/10.1353/sac.2013.0001
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  1. Mortality and Imagination: The Life of the Dead in Medieval English Literature by Kenneth Rooney (review)
  2. Amy Appleford
  3. pp. 430-432
  4. DOI: https://doi.org/10.1353/sac.2013.0007
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  1. A Companion to Medieval Poetry ed. by Corinne Saunders (review)
  2. Sarah Tolmie
  3. pp. 433-435
  4. DOI: https://doi.org/10.1353/sac.2013.0013
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  1. Sartorial Strategies: Outfitting Aristocrats and Fashioning Conduct in Late Medieval Literature by Nicole D. Smith (review)
  2. Sarah-Grace Heller
  3. pp. 435-438
  4. DOI: https://doi.org/10.1353/sac.2013.0019
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  1. The Island Garden: England’s Language of Nation from Gildas to Marvell by Lynn Staley (review)
  2. Sebastian Sobecki
  3. pp. 438-442
  4. DOI: https://doi.org/10.1353/sac.2013.0026
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  1. Shame and Honor: A Vulgar History of the Order of the Garter by Stephanie Trigg (review)
  2. Bonnie Wheeler
  3. pp. 445-448
  4. DOI: https://doi.org/10.1353/sac.2013.0039
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  1. Conscience and the Composition of “Piers Plowman.” by Sarah Wood (review)
  2. Stephen Yeager
  3. pp. 448-451
  4. DOI: https://doi.org/10.1353/sac.2013.0005
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  1. An Annotated Chaucer Bibliography, 2011
  2. Stephanie Amsel, Mark Allen
  3. pp. 455-511
  4. DOI: https://doi.org/10.1353/sac.2013.0017
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  1. Program, Eighteenth International Congress
  3. pp. 513-543
  4. DOI: https://doi.org/10.1353/sac.2013.0023
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  1. Index
  3. pp. 545-552
  4. DOI: https://doi.org/10.1353/sac.2013.0030
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  1. An Introduction to the “Gawain” Poet by John M. Bowers (review)
  2. Rob Ellis
  3. pp. 395-398
  4. DOI: https://doi.org/10.1353/sac.2013.0012
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  1. Conscience: A Very Short Introduction by Paul Strohm (review)
  2. Kathy Lavezzo
  3. pp. 442-445
  4. DOI: https://doi.org/10.1353/sac.2013.0033
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  1. Books Received
  3. pp. 453-454
  4. DOI: https://doi.org/10.1353/sac.2013.0011
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