Enrique Granados (1867-1916)
Goyescas - Los Majos Enamorados
1-4 Book I [36.25]
5-6 Book II [23:18]
7 El Pelele [4:36]
Thomas Rajna - Piano
Enrique Granados (1867-1916)
1 Allegro De Concierto [8:45]
2 Valses Poeticos [14:47]
3 Capricho Espanol Op. 39 [5:25]
4 Rapsodia Aragonesa [6:50]
5 Carezza-Vals Op. 38 [6:52]
6 Oriental-Cancion Variada, Intermedio Y Final [10:45]
7 Dos Impromptus :
(a) Vivo E Appassionato-Allegretto Pastorale.
(b) Impromptu Da La Cadorniz-Allegretto Pastorale [6:00]
Thomas Rajna - Piano
Enrique Granados (1867-1916)
1 Moresque Y Arabe [6:40]
2 Cuentos De La Juventud Op. 1 [15:57]
3 Sardana [4:42]
4 Bocetos [12:54]
5 Mazurka Op. 2 [2:08]
6 Barcarola Op. 45 [3:10]
7 Los Soldados De Cartón [1:35]
8 A La Pradera [3:05]
9 Danza Caracteristica [5:30]
10 A La Cubana, Op. 35 4:15
11-14 Escenas Poeticas [14:14]
Thomas Rajna - Piano
With this release, Hyperion's series of Romantic piano concertos reaches
its 65th album, and even faithful buyers may suspect, given the
presence of a nonexistent Piano Concerto in C minor ("Patético") by
Enrique Granados, that the bottom of the barrel is near. That work
consists of some sketches for one movement for a concerto that was
abandoned for unknown reasons. The completion of that movement, by
Catalan pianist Melani Mestre, is by no means implied by the existing
material, and the other two movements of the traditional three-movement
form are simply adapted from other Granados compositions. There's little
here to make listeners sit up and take notice. Neither is the Piano
Concerto No. 1 in A minor, Op. 78 ("Concierto fantástico"), of Isaac
Albéniz an essential work of that composer, but the serious Albéniz fan
will find something to chew on in its pairing with the Rapsodia
española, Op. 70, here in an orchestration by the composer himself that
has generally been considered inferior. (The concerto is presented in a
later orchestration by Tomás Bretón.) It's striking that these two works
were composed within a few years of each other: the Rapsodia, true to
its name, is brimming with Spanish influences, while the A minor
concerto could pass for Schumann. What's interesting is that the
concerto, although not much heard these days, was hailed as a
masterpiece after its premiere, both in Spain and in France. It's the
sparkling scherzo, not especially Spanish but rhythmically distinctive,
that listeners found intriguing, and Mestre gives an attractive
performance that helps put the listener in the frame of mind of those
who were hearing the young Albéniz for the first time. The BBC Scottish
Symphony Orchestra under Martyn Brabbins does its usual solid job in
varied material. James Manheim
Tracklist :
Piano Concerto No 1 In A Minor Op 78 'Concierto Fantástico'(27:49)
Composed By – Isaac Albéniz
Orchestrated By – Tomás Bretón
Rapsodia Española Op 70 (San Sebastián Version) 13:14
Composed By – Isaac Albéniz
Piano Concerto In C Minor 'Patético'(35:53)
Composed By – Enrique Granados
Lento Grave E Quasi Recitativo - Allegro Grave Non Molto Lento 18:36
Arranged By [Reconstructed By] – Melani Mestre
Allegretto (After Danza Española No 2: Orientale & Capricho Español) 8:33
Adapted By [For Piano And Orchestra] – Melani Mestre
Molto Allegro (After Allegro De Concierto) 8:45
Adapted By [For Piano And Orchestra] – Melani Mestre
Credits :
Conductor – Martyn Brabbins
Leader – Laura Samuel
Orchestra – BBC Scottish Symphony Orchestra
Piano – Melani Mestre
EMI's eight-CD box set of Alicia de Larrocha's early recordings is
entirely devoted to the works of Spanish composers, whose music she
championed for decades. Most of the tracks were originally recorded on
Hispavox in the 1960s, though an additional recording from 1992 helps
round out the package, while the final disc offers her 1971 Hunter
College recital with soprano Victoria de los Angeles. For the most part,
the compilation is a generous survey of piano music by Antonio Soler,
Enriqué Granados, Isaac Albéniz, Manuel de Falla, Joaquín Turina, and a
piano concerto by Xavier Montsalvatge; the song recital also includes
selections by Antonio Literes, Blas de Laserna, and Gerónimo Giménez, so
the presentation covers Spanish compositions from the Classical to the
modern eras. De Larrocha was greatly admired for her dedication to this
repertoire, and her legacy starts with these recordings, which have been
remastered to have the best possible sound. The crispness of the
reproduction reveals the precision and delicacy of de Larrocha's
playing, and the closeness of the recordings in many cases gives her
realistic presence. While de Larrocha is perhaps best remembered for the
music offered here, her discography on other labels includes her great
recordings of works by Haydn, Mozart, Chopin, and Debussy, so this
package only gives a partial view of her numerous accomplishments. by Blair Sanderson
All Tracks