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Color name
CMYK 3 / 60 / 0 / 29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 3 / 60 / 0 / 29 it is the complementary color CMYK 57 / 0 / 60 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 3 / 60 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 0 / 60 / 3 / 29, CMYK 0 / 55 / 2 / 22, CMYK 0 / 50 / 0 / 16, CMYK 0 / 46 / 0 / 9 and CMYK 1 / 43 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 3 / 60 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 2 / 67 / 0 / 36, CMYK 1 / 75 / 0 / 44, CMYK 0 / 86 / 1 / 51 and CMYK 0 / 100 / 3 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 0 / 60 / 14 / 29, CMYK 0 / 60 / 30 / 29, CMYK 0 / 60 / 46 / 29 and CMYK 0 / 60 / 60 / 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 19 / 60 / 0 / 29, CMYK 35 / 60 / 0 / 29, CMYK 52 / 60 / 0 / 29 and CMYK 60 / 60 / 0 / 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 3 / 60 / 0 / 29 shade matches the following richer shades: CMYK 3 / 60 / 0 / 29, CMYK 3 / 74 / 0 / 21, CMYK 4 / 86 / 0 / 13 and CMYK 5 / 96 / 0 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 2 / 42 / 0 / 37, CMYK 1 / 20 / 0 / 45, CMYK 10 / 0 / 10 / 47 and CMYK 34 / 0 / 36 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 35 / 60 / 0 / 29, CMYK 19 / 60 / 0 / 29, CMYK 3 / 60 / 0 / 29, CMYK 0 / 60 / 13 / 29 and CMYK 0 / 60 / 29 / 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 52, CMYK 3 / 61 / 0 / 40, CMYK 3 / 60 / 0 / 29, CMYK 3 / 47 / 0 / 24 and CMYK 1 / 36 / 0 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 0 / 51 / 60 / 29 and CMYK 60 / 0 / 27 / 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 0 / 3 / 60 / 29 and CMYK 60 / 0 / 3 / 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 0 / 51 / 60 / 29, CMYK 57 / 0 / 60 / 29 and CMYK 60 / 9 / 0 / 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 3 / 60 / 0 / 29 shade: CMYK 3 / 60 / 0 / 29, CMYK 0 / 33 / 60 / 29, CMYK 57 / 0 / 60 / 29 and CMYK 60 / 27 / 0 / 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 60 / 0 / 29

HEX #B048B5

RGB 176 72 181

HSL 297.25, 0.43%, 0.5%

LAB 48.51, 56.83, -38.33

 

Complementary color

CMYK 57 / 0 / 60 / 28

HEX #4FB74A

RGB 79 183 74

HSL 117.25, 0.43%, 0.5%

LAB 66.54, -51.62, 45.61

 

CMYK 0 / 60 / 3 / 29

HEX #B548B0

RGB 181 72 176

HSL 302.75, 0.43%, 0.5%

LAB 49, 57.25, -34.59

 

CMYK 0 / 55 / 2 / 22

HEX #C65AC3

RGB 198 90 195

HSL 301.67, 0.49%, 0.56%

LAB 55.34, 56.92, -35.49

 

CMYK 0 / 50 / 0 / 16

HEX #D76CD6

RGB 215 108 214

HSL 300.56, 0.57%, 0.63%

LAB 61.68, 56.39, -36.2

 

CMYK 0 / 46 / 0 / 9

HEX #E87EE9

RGB 232 126 233

HSL 299.44, 0.71%, 0.7%

LAB 67.99, 55.75, -36.78

 

CMYK 1 / 43 / 0 / 1

HEX #F990FC

RGB 249 144 252

HSL 298.33, 0.95%, 0.78%

LAB 74.26, 55.06, -37.26

 

CMYK 3 / 60 / 0 / 29

HEX #B048B5

RGB 176 72 181

HSL 297.25, 0.43%, 0.5%

LAB 48.51, 56.83, -38.33

 

CMYK 2 / 67 / 0 / 36

HEX #9F36A2

RGB 159 54 162

HSL 298.33, 0.5%, 0.42%

LAB 42.18, 56.86, -37.28

 

CMYK 1 / 75 / 0 / 44

HEX #8E248F

RGB 142 36 143

HSL 299.44, 0.6%, 0.35%

LAB 35.98, 56.26, -35.79

 

CMYK 0 / 86 / 1 / 51

HEX #7D127C

RGB 125 18 124

HSL 300.56, 0.75%, 0.28%

LAB 30.03, 54.58, -33.62

 

CMYK 0 / 100 / 3 / 58

HEX #6C0069

RGB 108 0 105

HSL 301.67, 1%, 0.21%

LAB 24.35, 51.72, -30.69

 

CMYK 3 / 60 / 0 / 29

HEX #B148B6

RGB 177 72 182

HSL 297.27, 0.43%, 0.5%

LAB 48.71, 57.27, -38.59

 

CMYK 0 / 60 / 14 / 29

HEX #B6489D

RGB 182 72 157

HSL 313.64, 0.43%, 0.5%

LAB 48.28, 54.42, -24.49

 

CMYK 0 / 60 / 30 / 29

HEX #B64880

RGB 182 72 128

HSL 329.45, 0.43%, 0.5%

LAB 47.16, 50.28, -8.81

 

CMYK 0 / 60 / 46 / 29

HEX #B64862

RGB 182 72 98

HSL 345.82, 0.43%, 0.5%

LAB 46.26, 46.85, 8.15

 

CMYK 0 / 60 / 60 / 29

HEX #B64848

RGB 182 72 72

HSL 0, 0.43%, 0.5%

LAB 45.7, 44.63, 23.19

 

CMYK 3 / 60 / 0 / 29

HEX #B148B6

RGB 177 72 182

HSL 297.27, 0.43%, 0.5%

LAB 48.71, 57.27, -38.59

 

CMYK 19 / 60 / 0 / 29

HEX #9348B6

RGB 147 72 182

HSL 280.91, 0.43%, 0.5%

LAB 44.54, 49.69, -45.47

 

CMYK 35 / 60 / 0 / 29

HEX #7648B6

RGB 118 72 182

HSL 265.09, 0.43%, 0.5%

LAB 41, 42.68, -51.34

 

CMYK 52 / 60 / 0 / 29

HEX #5848B6

RGB 88 72 182

HSL 248.73, 0.43%, 0.5%

LAB 38, 36.16, -56.34

 

CMYK 60 / 60 / 0 / 29

HEX #4848B6

RGB 72 72 182

HSL 240, 0.43%, 0.5%

LAB 36.72, 33.19, -58.47

 

CMYK 3 / 60 / 0 / 29

HEX #B148B6

RGB 177 72 182

HSL 297.27, 0.43%, 0.5%

LAB 48.71, 57.27, -38.59

 

CMYK 3 / 74 / 0 / 21

HEX #C434CA

RGB 196 52 202

HSL 297.6, 0.59%, 0.5%

LAB 50.04, 72.52, -47.89

 

CMYK 4 / 86 / 0 / 13

HEX #D61FDF

RGB 214 31 223

HSL 297.19, 0.76%, 0.5%

LAB 52.51, 84.13, -55.79

 

CMYK 5 / 96 / 0 / 4

HEX #E90AF4

RGB 233 10 244

HSL 297.18, 0.92%, 0.5%

LAB 56.16, 92.7, -61.6

 

CMYK 3 / 60 / 0 / 29

HEX #B148B6

RGB 177 72 182

HSL 297.27, 0.43%, 0.5%

LAB 48.71, 57.27, -38.59

 

CMYK 2 / 42 / 0 / 37

HEX #9E5DA1

RGB 158 93 161

HSL 297.35, 0.27%, 0.5%

LAB 49.09, 37.4, -25.86

 

CMYK 1 / 20 / 0 / 45

HEX #8B718D

RGB 139 113 141

HSL 295.71, 0.11%, 0.5%

LAB 50.95, 15.43, -11.43

 

CMYK 10 / 0 / 10 / 47

HEX #798678

RGB 121 134 120

HSL 115.71, 0.06%, 0.5%

LAB 54.52, -7.58, 5.92

 

CMYK 34 / 0 / 36 / 39

HEX #669B63

RGB 102 155 99

HSL 116.79, 0.22%, 0.5%

LAB 59.13, -29.18, 23.94

 

CMYK 35 / 60 / 0 / 29

HEX #7648B6

RGB 118 72 182

HSL 265.09, 0.43%, 0.5%

LAB 41, 42.68, -51.34

 

CMYK 19 / 60 / 0 / 29

HEX #9348B6

RGB 147 72 182

HSL 280.91, 0.43%, 0.5%

LAB 44.54, 49.69, -45.47

 

CMYK 3 / 60 / 0 / 29

HEX #B048B6

RGB 176 72 182

HSL 296.73, 0.43%, 0.5%

LAB 48.56, 57.01, -38.83

 

CMYK 0 / 60 / 13 / 29

HEX #B6489E

RGB 182 72 158

HSL 313.09, 0.43%, 0.5%

LAB 48.32, 54.57, -25.02

 

CMYK 0 / 60 / 29 / 29

HEX #B64881

RGB 182 72 129

HSL 328.91, 0.43%, 0.5%

LAB 47.19, 50.41, -9.37

 

CMYK 3 / 60 / 0 / 52

HEX #77317B

RGB 119 49 123

HSL 296.76, 0.43%, 0.34%

LAB 33.02, 41.46, -28.3

 

CMYK 3 / 61 / 0 / 40

HEX #943C98

RGB 148 60 152

HSL 297.39, 0.43%, 0.42%

LAB 40.89, 49.67, -33.43

 

CMYK 3 / 60 / 0 / 29

HEX #B148B6

RGB 177 72 182

HSL 297.27, 0.43%, 0.5%

LAB 48.71, 57.27, -38.59

 

CMYK 3 / 47 / 0 / 24

HEX #BD66C2

RGB 189 102 194

HSL 296.74, 0.43%, 0.58%

LAB 56.3, 48.34, -33.49

 

CMYK 1 / 36 / 0 / 20

HEX #CA83CD

RGB 202 131 205

HSL 297.57, 0.43%, 0.66%

LAB 64.32, 39.09, -27.17

 

CMYK 3 / 60 / 0 / 29

HEX #B048B5

RGB 176 72 181

HSL 297.25, 0.43%, 0.5%

LAB 48.51, 56.83, -38.33

 

CMYK 0 / 51 / 60 / 29

HEX #B65948

RGB 182 89 72

HSL 9.27, 0.43%, 0.5%

LAB 48.96, 36.2, 27.35

 

CMYK 60 / 0 / 27 / 29

HEX #48B684

RGB 72 182 132

HSL 152.73, 0.43%, 0.5%

LAB 66.9, -43.22, 16.31

 

CMYK 3 / 60 / 0 / 29

HEX #B048B5

RGB 176 72 181

HSL 297.25, 0.43%, 0.5%

LAB 48.51, 56.83, -38.33

 

CMYK 0 / 3 / 60 / 29

HEX #B6B048

RGB 182 176 72

HSL 56.73, 0.43%, 0.5%

LAB 70.5, -11.12, 52.62

 

CMYK 60 / 0 / 3 / 29

HEX #48B6B0

RGB 72 182 176

HSL 176.73, 0.43%, 0.5%

LAB 68, -32.41, -6.29

 

CMYK 3 / 60 / 0 / 29

HEX #B048B5

RGB 176 72 181

HSL 297.25, 0.43%, 0.5%

LAB 48.51, 56.83, -38.33

 

CMYK 0 / 51 / 60 / 29

HEX #B65948

RGB 182 89 72

HSL 9.27, 0.43%, 0.5%

LAB 48.96, 36.2, 27.35

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 60 / 9 / 0 / 29

HEX #48A5B6

RGB 72 165 182

HSL 189.27, 0.43%, 0.5%

LAB 63.07, -22.28, -17.02

 

CMYK 3 / 60 / 0 / 29

HEX #B048B5

RGB 176 72 181

HSL 297.25, 0.43%, 0.5%

LAB 48.51, 56.83, -38.33

 

CMYK 0 / 33 / 60 / 29

HEX #B67A48

RGB 182 122 72

HSL 27.27, 0.43%, 0.5%

LAB 56.42, 18.23, 36.52

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 60 / 27 / 0 / 29

HEX #4884B6

RGB 72 132 182

HSL 207.27, 0.43%, 0.5%

LAB 53.23, -4.18, -32.15

 

Description

Color code: CMYK 3 / 60 / 0 / 29 | qconv.com Color code: CMYK 3 / 60 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 72 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 72 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 60 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 60% 0% 29% C M Y K

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Provide designers and agencies with accurate color values.

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