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Color name
CMYK 57 / 0 / 60 / 29

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 57 / 0 / 60 / 29 it is the complementary color CMYK 3 / 60 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 57 / 0 / 60 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 54 / 0 / 63 / 29, CMYK 50 / 0 / 57 / 22, CMYK 46 / 0 / 52 / 15, CMYK 43 / 0 / 47 / 8 and CMYK 40 / 0 / 43 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 57 / 0 / 60 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 63 / 0 / 67 / 36, CMYK 70 / 0 / 77 / 43, CMYK 79 / 0 / 88 / 50 and CMYK 91 / 0 / 100 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 41 / 0 / 60 / 29, CMYK 25 / 0 / 60 / 29, CMYK 8 / 0 / 60 / 29 and CMYK 0 / 8 / 60 / 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 60 / 0 / 47 / 29, CMYK 60 / 0 / 31 / 29, CMYK 60 / 0 / 15 / 29 and CMYK 60 / 2 / 0 / 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 57 / 0 / 60 / 29 shade matches the following richer shades: CMYK 57 / 0 / 60 / 29, CMYK 70 / 0 / 74 / 21, CMYK 82 / 0 / 86 / 13 and CMYK 91 / 0 / 96 / 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 40 / 0 / 42 / 37, CMYK 18 / 0 / 20 / 45, CMYK 1 / 10 / 0 / 47 and CMYK 2 / 36 / 0 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 24 / 0 / 60 / 29, CMYK 40 / 0 / 60 / 29, CMYK 57 / 0 / 60 / 29, CMYK 60 / 0 / 48 / 29 and CMYK 60 / 0 / 32 / 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 52, CMYK 57 / 0 / 61 / 40, CMYK 57 / 0 / 60 / 29, CMYK 45 / 0 / 47 / 24 and CMYK 34 / 0 / 36 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 60 / 8 / 0 / 29 and CMYK 0 / 60 / 32 / 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 60 / 57 / 0 / 29 and CMYK 0 / 60 / 57 / 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 60 / 8 / 0 / 29, CMYK 4 / 60 / 0 / 29 and CMYK 0 / 52 / 60 / 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 57 / 0 / 60 / 29 shade: CMYK 57 / 0 / 60 / 29, CMYK 60 / 26 / 0 / 29, CMYK 4 / 60 / 0 / 29 and CMYK 0 / 34 / 60 / 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 60 / 29

HEX #4EB548

RGB 78 181 72

HSL 116.7, 0.43%, 0.5%

LAB 65.85, -51.34, 45.73

 

Complementary color

CMYK 3 / 60 / 0 / 28

HEX #B14AB7

RGB 177 74 183

HSL 296.7, 0.43%, 0.5%

LAB 49.09, 56.56, -38.58

 

CMYK 54 / 0 / 63 / 29

HEX #53B543

RGB 83 181 67

HSL 111.58, 0.46%, 0.49%

LAB 65.98, -50.57, 48.16

 

CMYK 50 / 0 / 57 / 22

HEX #64C756

RGB 100 199 86

HSL 112.57, 0.5%, 0.56%

LAB 72.38, -50.82, 47.06

 

CMYK 46 / 0 / 52 / 15

HEX #75D969

RGB 117 217 105

HSL 113.57, 0.6%, 0.63%

LAB 78.71, -50.88, 45.86

 

CMYK 43 / 0 / 47 / 8

HEX #86EB7C

RGB 134 235 124

HSL 114.59, 0.74%, 0.7%

LAB 84.97, -50.83, 44.63

 

CMYK 40 / 0 / 43 / 1

HEX #97FD8F

RGB 151 253 143

HSL 115.64, 0.96%, 0.78%

LAB 91.15, -50.71, 43.42

 

CMYK 57 / 0 / 60 / 29

HEX #4EB548

RGB 78 181 72

HSL 116.7, 0.43%, 0.5%

LAB 65.85, -51.34, 45.73

 

CMYK 63 / 0 / 67 / 36

HEX #3DA335

RGB 61 163 53

HSL 115.64, 0.51%, 0.42%

LAB 59.38, -50.79, 46.77

 

CMYK 70 / 0 / 77 / 43

HEX #2C9122

RGB 44 145 34

HSL 114.59, 0.62%, 0.35%

LAB 52.84, -49.77, 47.34

 

CMYK 79 / 0 / 88 / 50

HEX #1B7F0F

RGB 27 127 15

HSL 113.57, 0.79%, 0.28%

LAB 46.24, -47.99, 46.87

 

CMYK 91 / 0 / 100 / 57

HEX #0A6D00

RGB 10 109 0

HSL 114.5, 1%, 0.21%

LAB 39.58, -45.1, 44.62

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 41 / 0 / 60 / 29

HEX #6CB648

RGB 108 182 72

HSL 100.36, 0.43%, 0.5%

LAB 67.36, -42.93, 47.77

 

CMYK 25 / 0 / 60 / 29

HEX #89B648

RGB 137 182 72

HSL 84.55, 0.43%, 0.5%

LAB 68.93, -32.52, 49.96

 

CMYK 8 / 0 / 60 / 29

HEX #A7B648

RGB 167 182 72

HSL 68.18, 0.43%, 0.5%

LAB 70.97, -20.5, 52.79

 

CMYK 0 / 8 / 60 / 29

HEX #B6A748

RGB 182 167 72

HSL 51.82, 0.43%, 0.5%

LAB 68.06, -6.41, 49.93

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 60 / 0 / 47 / 29

HEX #48B660

RGB 72 182 96

HSL 133.09, 0.43%, 0.5%

LAB 66.27, -49.92, 34.54

 

CMYK 60 / 0 / 31 / 29

HEX #48B67D

RGB 72 182 125

HSL 148.91, 0.43%, 0.5%

LAB 66.76, -44.68, 19.9

 

CMYK 60 / 0 / 15 / 29

HEX #48B69B

RGB 72 182 155

HSL 165.27, 0.43%, 0.5%

LAB 67.43, -37.89, 4.46

 

CMYK 60 / 2 / 0 / 29

HEX #48B3B6

RGB 72 179 182

HSL 181.64, 0.43%, 0.5%

LAB 67.27, -29.3, -10.69

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 70 / 0 / 74 / 21

HEX #3CCA34

RGB 60 202 52

HSL 116.8, 0.59%, 0.5%

LAB 71.86, -64.42, 60.08

 

CMYK 82 / 0 / 86 / 13

HEX #29DF1F

RGB 41 223 31

HSL 116.88, 0.76%, 0.5%

LAB 78.08, -74.61, 71.55

 

CMYK 91 / 0 / 96 / 4

HEX #17F40A

RGB 23 244 10

HSL 116.67, 0.92%, 0.5%

LAB 84.43, -82.35, 79.77

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 40 / 0 / 42 / 37

HEX #61A15D

RGB 97 161 93

HSL 116.47, 0.27%, 0.5%

LAB 60.62, -34.62, 29.08

 

CMYK 18 / 0 / 20 / 45

HEX #738D71

RGB 115 141 113

HSL 115.71, 0.11%, 0.5%

LAB 55.97, -14.96, 11.94

 

CMYK 1 / 10 / 0 / 47

HEX #857886

RGB 133 120 134

HSL 295.71, 0.06%, 0.5%

LAB 52, 7.7, -5.8

 

CMYK 2 / 36 / 0 / 39

HEX #98639B

RGB 152 99 155

HSL 296.79, 0.22%, 0.5%

LAB 49.45, 30.92, -21.83

 

CMYK 24 / 0 / 60 / 29

HEX #8AB648

RGB 138 182 72

HSL 84, 0.43%, 0.5%

LAB 68.99, -32.14, 50.04

 

CMYK 40 / 0 / 60 / 29

HEX #6DB648

RGB 109 182 72

HSL 99.82, 0.43%, 0.5%

LAB 67.41, -42.59, 47.84

 

CMYK 57 / 0 / 60 / 29

HEX #4FB648

RGB 79 182 72

HSL 116.18, 0.43%, 0.5%

LAB 66.2, -51.46, 46.14

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 60 / 0 / 32 / 29

HEX #48B67B

RGB 72 182 123

HSL 147.82, 0.43%, 0.5%

LAB 66.72, -45.09, 20.93

 

CMYK 57 / 0 / 60 / 52

HEX #357B31

RGB 53 123 49

HSL 116.76, 0.43%, 0.34%

LAB 45.83, -37.73, 33.36

 

CMYK 57 / 0 / 61 / 40

HEX #41983C

RGB 65 152 60

HSL 116.74, 0.43%, 0.42%

LAB 55.99, -44.86, 39.88

 

CMYK 57 / 0 / 60 / 29

HEX #4EB648

RGB 78 182 72

HSL 116.73, 0.43%, 0.5%

LAB 66.17, -51.72, 46.1

 

CMYK 45 / 0 / 47 / 24

HEX #6BC266

RGB 107 194 102

HSL 116.74, 0.43%, 0.58%

LAB 71.33, -44.71, 38.14

 

CMYK 34 / 0 / 36 / 20

HEX #87CD83

RGB 135 205 131

HSL 116.76, 0.43%, 0.66%

LAB 76.35, -36.55, 30.07

 

CMYK 57 / 0 / 60 / 29

HEX #4EB548

RGB 78 181 72

HSL 116.7, 0.43%, 0.5%

LAB 65.85, -51.34, 45.73

 

CMYK 60 / 8 / 0 / 29

HEX #48A7B6

RGB 72 167 182

HSL 188.18, 0.43%, 0.5%

LAB 63.67, -23.31, -16.11

 

CMYK 0 / 60 / 32 / 29

HEX #B6487B

RGB 182 72 123

HSL 332.18, 0.43%, 0.5%

LAB 46.99, 49.65, -6.03

 

CMYK 57 / 0 / 60 / 29

HEX #4EB548

RGB 78 181 72

HSL 116.7, 0.43%, 0.5%

LAB 65.85, -51.34, 45.73

 

CMYK 60 / 57 / 0 / 29

HEX #484FB6

RGB 72 79 182

HSL 236.18, 0.43%, 0.5%

LAB 38.46, 28.77, -55.65

 

CMYK 0 / 60 / 57 / 29

HEX #B6484F

RGB 182 72 79

HSL 356.18, 0.43%, 0.5%

LAB 45.83, 45.15, 19.14

 

CMYK 57 / 0 / 60 / 29

HEX #4EB548

RGB 78 181 72

HSL 116.7, 0.43%, 0.5%

LAB 65.85, -51.34, 45.73

 

CMYK 60 / 8 / 0 / 29

HEX #48A7B6

RGB 72 167 182

HSL 188.18, 0.43%, 0.5%

LAB 63.67, -23.31, -16.11

 

CMYK 4 / 60 / 0 / 29

HEX #AF48B6

RGB 175 72 182

HSL 296.18, 0.43%, 0.5%

LAB 48.42, 56.76, -39.07

 

CMYK 0 / 52 / 60 / 29

HEX #B65748

RGB 182 87 72

HSL 8.18, 0.43%, 0.5%

LAB 48.55, 37.23, 26.84

 

CMYK 57 / 0 / 60 / 29

HEX #4EB548

RGB 78 181 72

HSL 116.7, 0.43%, 0.5%

LAB 65.85, -51.34, 45.73

 

CMYK 60 / 26 / 0 / 29

HEX #4886B6

RGB 72 134 182

HSL 206.18, 0.43%, 0.5%

LAB 53.82, -5.34, -31.23

 

CMYK 4 / 60 / 0 / 29

HEX #AF48B6

RGB 175 72 182

HSL 296.18, 0.43%, 0.5%

LAB 48.42, 56.76, -39.07

 

CMYK 0 / 34 / 60 / 29

HEX #B67848

RGB 182 120 72

HSL 26.18, 0.43%, 0.5%

LAB 55.93, 19.35, 35.94

 

Description

Color code: CMYK 57 / 0 / 60 / 29 | qconv.com Color code: CMYK 57 / 0 / 60 / 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 181 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 181 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 60 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 60% 29% C M Y K

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Provide designers and agencies with accurate color values.

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