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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #48B65E it is the complementary color #B749A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #48B65E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #48B65E shade: #4DB659, #5EC86C, #6FDA7F, #80EC92 and #91FEA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #48B65E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #48B65E shade: #48B65E, #37A44B, #269238, #158025 and #046E12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #48B65E shade: #48B65E, #50B648, #6DB648, #8BB648 and #A9B648

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #48B65E shade: #48B65E, #48B67C, #48B699, #48B5B6 and #4897B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #48B65E shade matches the following richer shades: #48B65E, #34CA52, #1FDF45 and #0AF439

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #48B65E shade: #48B65E, #5DA16A, #718D77, #867883 and #9B6390

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #48B65E shade: #6DB648, #4FB648, #48B65E, #48B67B and #48B699

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #48B65E shade: #317B3F, #3C984F, #48B65E, #66C278 and #83CD92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #48B65E shade: #48B65E, #488AB6 and #B6485E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #48B65E shade: #48B65E, #5E48B6 and #B65E48

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #48B65E shade: #48B65E, #488AB6, #B648A0 and #B67448

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #48B65E shade: #48B65E, #4869B6, #B648A0 and #B69548

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

Complementary color

CMYK 0 / 60 / 12 / 28

HEX #B749A1

RGB 183 73 161

HSL 312, 0.43%, 0.5%

LAB 48.77, 54.88, -26.09

 

CMYK 58 / 0 / 51 / 29

HEX #4DB659

RGB 77 182 89

HSL 126.86, 0.42%, 0.51%

LAB 66.33, -49.8, 38.17

 

CMYK 53 / 0 / 46 / 22

HEX #5EC86C

RGB 94 200 108

HSL 127.92, 0.49%, 0.58%

LAB 72.74, -49.9, 36.8

 

CMYK 49 / 0 / 42 / 15

HEX #6FDA7F

RGB 111 218 127

HSL 128.97, 0.59%, 0.65%

LAB 79.07, -49.86, 35.48

 

CMYK 46 / 0 / 38 / 7

HEX #80EC92

RGB 128 236 146

HSL 130, 0.74%, 0.71%

LAB 85.33, -49.72, 34.22

 

CMYK 43 / 0 / 35 / 0

HEX #91FEA5

RGB 145 254 165

HSL 131.01, 0.98%, 0.78%

LAB 91.51, -49.54, 33.02

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 66 / 0 / 54 / 36

HEX #37A44B

RGB 55 164 75

HSL 131.01, 0.5%, 0.43%

LAB 59.77, -49.83, 36.97

 

CMYK 74 / 0 / 62 / 43

HEX #269238

RGB 38 146 56

HSL 130, 0.59%, 0.36%

LAB 53.23, -49.02, 38.4

 

CMYK 84 / 0 / 71 / 50

HEX #158025

RGB 21 128 37

HSL 128.97, 0.72%, 0.29%

LAB 46.62, -47.53, 39.62

 

CMYK 96 / 0 / 84 / 57

HEX #046E12

RGB 4 110 18

HSL 127.92, 0.93%, 0.22%

LAB 39.95, -45.05, 40.11

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 56 / 0 / 60 / 29

HEX #50B648

RGB 80 182 72

HSL 115.64, 0.43%, 0.5%

LAB 66.24, -51.21, 46.19

 

CMYK 40 / 0 / 60 / 29

HEX #6DB648

RGB 109 182 72

HSL 99.82, 0.43%, 0.5%

LAB 67.41, -42.59, 47.84

 

CMYK 24 / 0 / 60 / 29

HEX #8BB648

RGB 139 182 72

HSL 83.45, 0.43%, 0.5%

LAB 69.05, -31.75, 50.13

 

CMYK 7 / 0 / 60 / 29

HEX #A9B648

RGB 169 182 72

HSL 67.09, 0.43%, 0.5%

LAB 71.12, -19.67, 53

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 60 / 0 / 32 / 29

HEX #48B67C

RGB 72 182 124

HSL 148.36, 0.43%, 0.5%

LAB 66.74, -44.89, 20.42

 

CMYK 60 / 0 / 16 / 29

HEX #48B699

RGB 72 182 153

HSL 164.18, 0.43%, 0.5%

LAB 67.38, -38.38, 5.48

 

CMYK 60 / 1 / 0 / 29

HEX #48B5B6

RGB 72 181 182

HSL 180.55, 0.43%, 0.5%

LAB 67.88, -30.27, -9.79

 

CMYK 60 / 17 / 0 / 29

HEX #4897B6

RGB 72 151 182

HSL 196.91, 0.43%, 0.5%

LAB 58.87, -14.88, -23.42

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 74 / 0 / 59 / 21

HEX #34CA52

RGB 52 202 82

HSL 132, 0.59%, 0.5%

LAB 71.95, -62.79, 48.05

 

CMYK 86 / 0 / 69 / 13

HEX #1FDF45

RGB 31 223 69

HSL 131.88, 0.76%, 0.5%

LAB 78.17, -73.09, 60.27

 

CMYK 96 / 0 / 77 / 4

HEX #0AF439

RGB 10 244 57

HSL 132.05, 0.92%, 0.5%

LAB 84.52, -81.07, 70.75

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 42 / 0 / 34 / 37

HEX #5DA16A

RGB 93 161 106

HSL 131.47, 0.27%, 0.5%

LAB 60.66, -33.71, 22.08

 

CMYK 20 / 0 / 16 / 45

HEX #718D77

RGB 113 141 119

HSL 132.86, 0.11%, 0.5%

LAB 55.98, -14.53, 8.5

 

CMYK 0 / 10 / 2 / 47

HEX #867883

RGB 134 120 131

HSL 312.86, 0.06%, 0.5%

LAB 52, 7.47, -4.03

 

CMYK 0 / 36 / 7 / 39

HEX #9B6390

RGB 155 99 144

HSL 311.79, 0.22%, 0.5%

LAB 49.38, 29.82, -15.4

 

CMYK 40 / 0 / 60 / 29

HEX #6DB648

RGB 109 182 72

HSL 99.82, 0.43%, 0.5%

LAB 67.41, -42.59, 47.84

 

CMYK 57 / 0 / 60 / 29

HEX #4FB648

RGB 79 182 72

HSL 116.18, 0.43%, 0.5%

LAB 66.2, -51.46, 46.14

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 60 / 0 / 32 / 29

HEX #48B67B

RGB 72 182 123

HSL 147.82, 0.43%, 0.5%

LAB 66.72, -45.09, 20.93

 

CMYK 60 / 0 / 16 / 29

HEX #48B699

RGB 72 182 153

HSL 164.18, 0.43%, 0.5%

LAB 67.38, -38.38, 5.48

 

CMYK 60 / 0 / 49 / 52

HEX #317B3F

RGB 49 123 63

HSL 131.35, 0.43%, 0.34%

LAB 45.88, -36.75, 26.01

 

CMYK 61 / 0 / 48 / 40

HEX #3C984F

RGB 60 152 79

HSL 132.39, 0.43%, 0.42%

LAB 56.07, -43.46, 30.38

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 47 / 0 / 38 / 24

HEX #66C278

RGB 102 194 120

HSL 131.74, 0.43%, 0.58%

LAB 71.39, -43.37, 28.97

 

CMYK 36 / 0 / 29 / 20

HEX #83CD92

RGB 131 205 146

HSL 132.16, 0.43%, 0.66%

LAB 76.41, -35.3, 22.28

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 60 / 24 / 0 / 29

HEX #488AB6

RGB 72 138 182

HSL 204, 0.43%, 0.5%

LAB 55, -7.64, -29.39

 

CMYK 0 / 60 / 48 / 29

HEX #B6485E

RGB 182 72 94

HSL 348, 0.43%, 0.5%

LAB 46.16, 46.46, 10.45

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 48 / 60 / 0 / 29

HEX #5E48B6

RGB 94 72 182

HSL 252, 0.43%, 0.5%

LAB 38.54, 37.37, -55.44

 

CMYK 0 / 48 / 60 / 29

HEX #B65E48

RGB 182 94 72

HSL 12, 0.43%, 0.5%

LAB 50, 33.57, 28.66

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 60 / 24 / 0 / 29

HEX #488AB6

RGB 72 138 182

HSL 204, 0.43%, 0.5%

LAB 55, -7.64, -29.39

 

CMYK 0 / 60 / 12 / 29

HEX #B648A0

RGB 182 72 160

HSL 312, 0.43%, 0.5%

LAB 48.41, 54.89, -26.07

 

CMYK 0 / 36 / 60 / 29

HEX #B67448

RGB 182 116 72

HSL 24, 0.43%, 0.5%

LAB 54.97, 21.57, 34.78

 

CMYK 60 / 0 / 48 / 29

HEX #48B65E

RGB 72 182 94

HSL 132, 0.43%, 0.5%

LAB 66.25, -50.23, 35.52

 

CMYK 60 / 42 / 0 / 29

HEX #4869B6

RGB 72 105 182

HSL 222, 0.43%, 0.5%

LAB 45.44, 12.21, -44.44

 

CMYK 0 / 60 / 12 / 29

HEX #B648A0

RGB 182 72 160

HSL 312, 0.43%, 0.5%

LAB 48.41, 54.89, -26.07

 

CMYK 0 / 18 / 60 / 29

HEX #B69548

RGB 182 149 72

HSL 42, 0.43%, 0.5%

LAB 63.27, 3.28, 44.53

 

Description

Color code: HEX #48B65E | qconv.com Color code: HEX #48B65E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 72 red, 182 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
72 182 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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