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Color name
CMYK 0 / 67 / 53 / 55

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 67 / 53 / 55 it is the complementary color CMYK 35 / 0 / 7 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 67 / 53 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 68 / 59 / 53, CMYK 0 / 59 / 50 / 46, CMYK 0 / 52 / 44 / 40, CMYK 0 / 46 / 38 / 33 and CMYK 0 / 41 / 34 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 67 / 53 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 0 / 80 / 64 / 62, CMYK 0 / 98 / 80 / 68, CMYK 0 / 100 / 100 / 75 and CMYK 0 / 100 / 100 / 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55 and CMYK 0 / 67 / 67 / 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 0 / 67 / 35 / 55, CMYK 0 / 67 / 17 / 55, CMYK 1 / 67 / 0 / 55 and CMYK 19 / 67 / 0 / 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 67 / 53 / 55 shade matches the following richer shades: CMYK 0 / 67 / 53 / 55, CMYK 0 / 80 / 64 / 50, CMYK 0 / 91 / 72 / 45 and CMYK 0 / 99 / 79 / 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 0 / 51 / 40 / 60, CMYK 0 / 29 / 24 / 65, CMYK 0 / 3 / 3 / 70 and CMYK 25 / 0 / 5 / 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 17 / 55, CMYK 0 / 67 / 34 / 55, CMYK 0 / 67 / 53 / 55, CMYK 0 / 63 / 67 / 55 and CMYK 0 / 46 / 67 / 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 54 / 80, CMYK 0 / 67 / 53 / 67, CMYK 0 / 67 / 53 / 55, CMYK 0 / 67 / 53 / 43 and CMYK 0 / 67 / 53 / 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 0 / 1 / 67 / 55 and CMYK 67 / 25 / 0 / 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 53 / 0 / 67 / 55 and CMYK 67 / 53 / 0 / 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 0 / 1 / 67 / 55, CMYK 67 / 0 / 14 / 55 and CMYK 67 / 66 / 0 / 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 67 / 53 / 55 shade: CMYK 0 / 67 / 53 / 55, CMYK 18 / 0 / 67 / 55, CMYK 67 / 0 / 14 / 55 and CMYK 48 / 67 / 0 / 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 53 / 55

HEX #732636

RGB 115 38 54

HSL 347.53, 0.5%, 0.3%

LAB 27.57, 35.19, 8.25

 

Complementary color

CMYK 35 / 0 / 7 / 15

HEX #8CD9C9

RGB 140 217 201

HSL 167.53, 0.5%, 0.7%

LAB 81.52, -27.3, 0.35

 

CMYK 0 / 68 / 59 / 53

HEX #782631

RGB 120 38 49

HSL 351.95, 0.52%, 0.31%

LAB 28.38, 36.53, 12.85

 

CMYK 0 / 59 / 50 / 46

HEX #893844

RGB 137 56 68

HSL 351.11, 0.42%, 0.38%

LAB 35.13, 35.72, 10.2

 

CMYK 0 / 52 / 44 / 40

HEX #9A4A57

RGB 154 74 87

HSL 350.25, 0.35%, 0.45%

LAB 41.93, 34.72, 8.17

 

CMYK 0 / 46 / 38 / 33

HEX #AB5C6A

RGB 171 92 106

HSL 349.37, 0.32%, 0.52%

LAB 48.7, 33.7, 6.54

 

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

CMYK 0 / 67 / 53 / 55

HEX #732636

RGB 115 38 54

HSL 347.53, 0.5%, 0.3%

LAB 27.57, 35.19, 8.25

 

CMYK 0 / 80 / 64 / 62

HEX #621423

RGB 98 20 35

HSL 348.46, 0.66%, 0.23%

LAB 20.9, 35.41, 11.59

 

CMYK 0 / 98 / 80 / 68

HEX #510210

RGB 81 2 16

HSL 349.37, 0.95%, 0.16%

LAB 14.57, 34.72, 15.7

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 100 / 100 / 82

HEX #2F0000

RGB 47 0 0

HSL 0, 1%, 0.09%

LAB 5.46, 23.03, 8.63

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 0 / 67 / 67 / 55

HEX #722626

RGB 114 38 38

HSL 0, 0.5%, 0.3%

LAB 27.03, 33.5, 18.12

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 0 / 67 / 35 / 55

HEX #72264A

RGB 114 38 74

HSL 331.58, 0.5%, 0.3%

LAB 28, 37.12, -4.5

 

CMYK 0 / 67 / 17 / 55

HEX #72265F

RGB 114 38 95

HSL 315, 0.5%, 0.3%

LAB 28.88, 40.21, -16.98

 

CMYK 1 / 67 / 0 / 55

HEX #712672

RGB 113 38 114

HSL 299.21, 0.5%, 0.3%

LAB 29.69, 43.27, -27.94

 

CMYK 19 / 67 / 0 / 55

HEX #5C2672

RGB 92 38 114

HSL 282.63, 0.5%, 0.3%

LAB 26.38, 37.76, -33.41

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 0 / 80 / 64 / 50

HEX #7F192E

RGB 127 25 46

HSL 347.65, 0.67%, 0.3%

LAB 27.86, 43.76, 14.4

 

CMYK 0 / 91 / 72 / 45

HEX #8B0D27

RGB 139 13 39

HSL 347.62, 0.83%, 0.3%

LAB 29.22, 49.91, 21.31

 

CMYK 0 / 99 / 79 / 41

HEX #970120

RGB 151 1 32

HSL 347.6, 0.99%, 0.3%

LAB 31.13, 54.71, 28.71

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 0 / 51 / 40 / 60

HEX #66323D

RGB 102 50 61

HSL 347.31, 0.34%, 0.3%

LAB 27.96, 24.61, 3.83

 

CMYK 0 / 29 / 24 / 65

HEX #593F44

RGB 89 63 68

HSL 348.46, 0.17%, 0.3%

LAB 29.65, 12.21, 1.44

 

CMYK 0 / 3 / 3 / 70

HEX #4D4B4B

RGB 77 75 75

HSL 0, 0.01%, 0.3%

LAB 32.07, 0.83, 0.29

 

CMYK 25 / 0 / 5 / 66

HEX #415753

RGB 65 87 83

HSL 169.09, 0.14%, 0.3%

LAB 35.13, -9.33, -0.42

 

CMYK 0 / 67 / 17 / 55

HEX #72265F

RGB 114 38 95

HSL 315, 0.5%, 0.3%

LAB 28.88, 40.21, -16.98

 

CMYK 0 / 67 / 34 / 55

HEX #72264B

RGB 114 38 75

HSL 330.79, 0.5%, 0.3%

LAB 28.04, 37.25, -5.11

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 0 / 63 / 67 / 55

HEX #722A26

RGB 114 42 38

HSL 3.16, 0.5%, 0.3%

LAB 27.77, 31.51, 19.06

 

CMYK 0 / 46 / 67 / 55

HEX #723E26

RGB 114 62 38

HSL 18.95, 0.5%, 0.3%

LAB 32.17, 20.35, 24.44

 

CMYK 0 / 67 / 54 / 80

HEX #341118

RGB 52 17 24

HSL 348, 0.51%, 0.14%

LAB 10.53, 18.44, 3.85

 

CMYK 0 / 67 / 53 / 67

HEX #531B27

RGB 83 27 39

HSL 347.14, 0.51%, 0.22%

LAB 19.1, 27.24, 5.82

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 0 / 67 / 53 / 43

HEX #913044

RGB 145 48 68

HSL 347.63, 0.5%, 0.38%

LAB 35.11, 42.37, 10.38

 

CMYK 0 / 67 / 53 / 31

HEX #B03A53

RGB 176 58 83

HSL 347.29, 0.5%, 0.46%

LAB 42.58, 49.66, 12.1

 

CMYK 0 / 67 / 53 / 55

HEX #732636

RGB 115 38 54

HSL 347.53, 0.5%, 0.3%

LAB 27.57, 35.19, 8.25

 

CMYK 0 / 1 / 67 / 55

HEX #727126

RGB 114 113 38

HSL 59.21, 0.5%, 0.3%

LAB 46.35, -9.85, 40.27

 

CMYK 67 / 25 / 0 / 55

HEX #265572

RGB 38 85 114

HSL 202.89, 0.5%, 0.3%

LAB 34.24, -6.12, -21.31

 

CMYK 0 / 67 / 53 / 55

HEX #732636

RGB 115 38 54

HSL 347.53, 0.5%, 0.3%

LAB 27.57, 35.19, 8.25

 

CMYK 53 / 0 / 67 / 55

HEX #367226

RGB 54 114 38

HSL 107.37, 0.5%, 0.3%

LAB 42.7, -34.92, 35.17

 

CMYK 67 / 53 / 0 / 55

HEX #263672

RGB 38 54 114

HSL 227.37, 0.5%, 0.3%

LAB 24.53, 14.58, -36.69

 

CMYK 0 / 67 / 53 / 55

HEX #732636

RGB 115 38 54

HSL 347.53, 0.5%, 0.3%

LAB 27.57, 35.19, 8.25

 

CMYK 0 / 1 / 67 / 55

HEX #727126

RGB 114 113 38

HSL 59.21, 0.5%, 0.3%

LAB 46.35, -9.85, 40.27

 

CMYK 67 / 0 / 14 / 55

HEX #267262

RGB 38 114 98

HSL 167.37, 0.5%, 0.3%

LAB 43.25, -27.33, 2.06

 

CMYK 67 / 66 / 0 / 55

HEX #262772

RGB 38 39 114

HSL 239.21, 0.5%, 0.3%

LAB 20.35, 25.01, -43.46

 

CMYK 0 / 67 / 53 / 55

HEX #732636

RGB 115 38 54

HSL 347.53, 0.5%, 0.3%

LAB 27.57, 35.19, 8.25

 

CMYK 18 / 0 / 67 / 55

HEX #5D7226

RGB 93 114 38

HSL 76.58, 0.5%, 0.3%

LAB 44.94, -19.91, 38.26

 

CMYK 67 / 0 / 14 / 55

HEX #267262

RGB 38 114 98

HSL 167.37, 0.5%, 0.3%

LAB 43.25, -27.33, 2.06

 

CMYK 48 / 67 / 0 / 55

HEX #3B2672

RGB 59 38 114

HSL 256.58, 0.5%, 0.3%

LAB 22.06, 29.76, -40.6

 

Description

Color code: CMYK 0 / 67 / 53 / 55 | qconv.com Color code: CMYK 0 / 67 / 53 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 38 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 38 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 53 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 53% 55% C M Y K

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