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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BC6E7D it is the complementary color #439182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BC6E7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BC6E7D shade: #C16E78, #D2808B, #E3929E, #F4A4B1 and #FFB6C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BC6E7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BC6E7D shade: #BC6E7D, #AB5C6A, #9A4A57, #893844 and #782631

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BC6E7D shade: #BB6C7B and #BB6C6C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BC6E7D shade: #BB6C7B, #BB6C90, #BB6CA6, #BB6CBB and #A66CBB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BC6E7D shade matches the following richer shades: #BB6C7B, #CC5A70, #DE4966 and #EF385B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BC6E7D shade: #BB6C7B, #AA7D86, #988E90, #87A09B and #76B1A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BC6E7D shade: #BB6CA6, #BB6C91, #BB6C7C, #BB716C and #BB866C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BC6E7D shade: #924352, #AE5062, #BB6C7B, #C88894 and #D5A4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BC6E7D shade: #BC6E7D, #BBBB6C and #6C9BBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BC6E7D shade: #BC6E7D, #7CBB6C and #6C7CBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BC6E7D shade: #BC6E7D, #BBBB6C, #6CBBAB and #6C6CBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BC6E7D shade: #BC6E7D, #A3BB6C, #6CBBAB and #846CBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

Complementary color

CMYK 54 / 0 / 10 / 43

HEX #439182

RGB 67 145 130

HSL 168.46, 0.37%, 0.42%

LAB 55.13, -27.84, 0.66

 

CMYK 0 / 43 / 38 / 24

HEX #C16E78

RGB 193 110 120

HSL 352.77, 0.4%, 0.59%

LAB 55.93, 33.97, 8.95

 

CMYK 0 / 39 / 34 / 18

HEX #D2808B

RGB 210 128 139

HSL 351.95, 0.48%, 0.66%

LAB 62.51, 33, 7.64

 

CMYK 0 / 36 / 30 / 11

HEX #E3929E

RGB 227 146 158

HSL 351.11, 0.59%, 0.73%

LAB 69.01, 32.11, 6.49

 

CMYK 0 / 33 / 27 / 4

HEX #F4A4B1

RGB 244 164 177

HSL 350.25, 0.78%, 0.8%

LAB 75.43, 31.29, 5.46

 

CMYK 0 / 29 / 23 / 0

HEX #FFB6C4

RGB 255 182 196

HSL 348.49, 1%, 0.86%

LAB 81.13, 28.39, 3.52

 

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

CMYK 0 / 46 / 38 / 33

HEX #AB5C6A

RGB 171 92 106

HSL 349.37, 0.32%, 0.52%

LAB 48.7, 33.7, 6.54

 

CMYK 0 / 52 / 44 / 40

HEX #9A4A57

RGB 154 74 87

HSL 350.25, 0.35%, 0.45%

LAB 41.93, 34.72, 8.17

 

CMYK 0 / 59 / 50 / 46

HEX #893844

RGB 137 56 68

HSL 351.11, 0.42%, 0.38%

LAB 35.13, 35.72, 10.2

 

CMYK 0 / 68 / 59 / 53

HEX #782631

RGB 120 38 49

HSL 351.95, 0.52%, 0.31%

LAB 28.38, 36.53, 12.85

 

CMYK 0 / 42 / 34 / 27

HEX #BB6C7B

RGB 187 108 123

HSL 348.61, 0.37%, 0.58%

LAB 54.78, 33.17, 5.44

 

CMYK 0 / 42 / 42 / 27

HEX #BB6C6C

RGB 187 108 108

HSL 0, 0.37%, 0.58%

LAB 54.42, 31.37, 13.72

 

CMYK 0 / 42 / 34 / 27

HEX #BB6C7B

RGB 187 108 123

HSL 348.61, 0.37%, 0.58%

LAB 54.78, 33.17, 5.44

 

CMYK 0 / 42 / 23 / 27

HEX #BB6C90

RGB 187 108 144

HSL 332.66, 0.37%, 0.58%

LAB 55.38, 36.08, -5.98

 

CMYK 0 / 42 / 11 / 27

HEX #BB6CA6

RGB 187 108 166

HSL 315.95, 0.37%, 0.58%

LAB 56.13, 39.58, -17.66

 

CMYK 0 / 42 / 0 / 27

HEX #BB6CBB

RGB 187 108 187

HSL 300, 0.37%, 0.58%

LAB 56.96, 43.32, -28.49

 

CMYK 11 / 42 / 0 / 27

HEX #A66CBB

RGB 166 108 187

HSL 284.05, 0.37%, 0.58%

LAB 54.47, 36.9, -32.55

 

CMYK 0 / 42 / 34 / 27

HEX #BB6C7B

RGB 187 108 123

HSL 348.61, 0.37%, 0.58%

LAB 54.78, 33.17, 5.44

 

CMYK 0 / 56 / 45 / 20

HEX #CC5A70

RGB 204 90 112

HSL 348.42, 0.53%, 0.58%

LAB 53.3, 47.25, 10.15

 

CMYK 0 / 67 / 54 / 13

HEX #DE4966

RGB 222 73 102

HSL 348.32, 0.69%, 0.58%

LAB 53.23, 59.67, 16.45

 

CMYK 0 / 77 / 62 / 6

HEX #EF385B

RGB 239 56 91

HSL 348.52, 0.85%, 0.58%

LAB 53.96, 69.68, 24.51

 

CMYK 0 / 42 / 34 / 27

HEX #BB6C7B

RGB 187 108 123

HSL 348.61, 0.37%, 0.58%

LAB 54.78, 33.17, 5.44

 

CMYK 0 / 26 / 21 / 33

HEX #AA7D86

RGB 170 125 134

HSL 348, 0.21%, 0.58%

LAB 57.01, 18.83, 1.99

 

CMYK 0 / 7 / 5 / 40

HEX #988E90

RGB 152 142 144

HSL 348, 0.05%, 0.58%

LAB 59.92, 4.08, 0.27

 

CMYK 16 / 0 / 3 / 37

HEX #87A09B

RGB 135 160 155

HSL 168, 0.12%, 0.58%

LAB 63.88, -9.75, -0.33

 

CMYK 33 / 0 / 6 / 31

HEX #76B1A6

RGB 118 177 166

HSL 168.81, 0.27%, 0.58%

LAB 68.06, -21.59, -0.47

 

CMYK 0 / 42 / 11 / 27

HEX #BB6CA6

RGB 187 108 166

HSL 315.95, 0.37%, 0.58%

LAB 56.13, 39.58, -17.66

 

CMYK 0 / 42 / 22 / 27

HEX #BB6C91

RGB 187 108 145

HSL 331.9, 0.37%, 0.58%

LAB 55.41, 36.23, -6.52

 

CMYK 0 / 42 / 34 / 27

HEX #BB6C7C

RGB 187 108 124

HSL 347.85, 0.37%, 0.58%

LAB 54.81, 33.3, 4.89

 

CMYK 0 / 40 / 42 / 27

HEX #BB716C

RGB 187 113 108

HSL 3.8, 0.37%, 0.58%

LAB 55.54, 28.65, 15.27

 

CMYK 0 / 28 / 42 / 27

HEX #BB866C

RGB 187 134 108

HSL 19.75, 0.37%, 0.58%

LAB 60.51, 17.04, 22.04

 

CMYK 0 / 54 / 44 / 43

HEX #924352

RGB 146 67 82

HSL 348.61, 0.37%, 0.42%

LAB 39.13, 34.86, 7.15

 

CMYK 0 / 54 / 44 / 32

HEX #AE5062

RGB 174 80 98

HSL 348.51, 0.37%, 0.5%

LAB 46.47, 40.17, 8.27

 

CMYK 0 / 42 / 34 / 27

HEX #BB6C7B

RGB 187 108 123

HSL 348.61, 0.37%, 0.58%

LAB 54.78, 33.17, 5.44

 

CMYK 0 / 32 / 26 / 22

HEX #C88894

RGB 200 136 148

HSL 348.75, 0.37%, 0.66%

LAB 63.36, 26.15, 3.59

 

CMYK 0 / 23 / 18 / 16

HEX #D5A4AE

RGB 213 164 174

HSL 347.76, 0.37%, 0.74%

LAB 72.06, 19.57, 1.83

 

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

CMYK 0 / 0 / 42 / 27

HEX #BBBB6C

RGB 187 187 108

HSL 60, 0.37%, 0.58%

LAB 74.31, -11.57, 39.9

 

CMYK 42 / 17 / 0 / 27

HEX #6C9BBB

RGB 108 155 187

HSL 204.3, 0.37%, 0.58%

LAB 61.84, -7.35, -21.55

 

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

CMYK 34 / 0 / 42 / 27

HEX #7CBB6C

RGB 124 187 108

HSL 107.85, 0.37%, 0.58%

LAB 70.11, -35.38, 33.72

 

CMYK 42 / 34 / 0 / 27

HEX #6C7CBB

RGB 108 124 187

HSL 227.85, 0.37%, 0.58%

LAB 53.16, 10.57, -34.99

 

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

CMYK 0 / 0 / 42 / 27

HEX #BBBB6C

RGB 187 187 108

HSL 60, 0.37%, 0.58%

LAB 74.31, -11.57, 39.9

 

CMYK 42 / 0 / 9 / 27

HEX #6CBBAB

RGB 108 187 171

HSL 167.85, 0.37%, 0.58%

LAB 70.64, -28.16, 0.49

 

CMYK 42 / 42 / 0 / 27

HEX #6C6CBB

RGB 108 108 187

HSL 240, 0.37%, 0.58%

LAB 48.89, 20.26, -41.72

 

CMYK 0 / 41 / 34 / 26

HEX #BC6E7D

RGB 188 110 125

HSL 348.46, 0.37%, 0.58%

LAB 55.4, 32.72, 5.18

 

CMYK 13 / 0 / 42 / 27

HEX #A3BB6C

RGB 163 187 108

HSL 78.23, 0.37%, 0.58%

LAB 72.5, -21.12, 37.25

 

CMYK 42 / 0 / 9 / 27

HEX #6CBBAB

RGB 108 187 171

HSL 167.85, 0.37%, 0.58%

LAB 70.64, -28.16, 0.49

 

CMYK 29 / 42 / 0 / 27

HEX #846CBB

RGB 132 108 187

HSL 258.23, 0.37%, 0.58%

LAB 50.94, 26.82, -38.33

 

Description

Color code: HEX #BC6E7D | qconv.com Color code: HEX #BC6E7D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 110 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 110 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 34 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 34% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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