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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 8 / 75 / 49 it is the complementary color CMYK 44 / 39 / 0 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 8 / 75 / 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 11 / 79 / 47, CMYK 0 / 9 / 69 / 40, CMYK 0 / 8 / 61 / 34, CMYK 0 / 6 / 54 / 27 and CMYK 0 / 5 / 49 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 8 / 75 / 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 0 / 10 / 88 / 56, CMYK 0 / 13 / 100 / 62, CMYK 0 / 16 / 100 / 69 and CMYK 0 / 23 / 100 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 0 / 28 / 75 / 49, CMYK 0 / 48 / 75 / 49, CMYK 0 / 68 / 75 / 49 and CMYK 0 / 75 / 75 / 49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 12 / 0 / 75 / 49, CMYK 33 / 0 / 75 / 49, CMYK 53 / 0 / 75 / 49 and CMYK 73 / 0 / 75 / 49

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 8 / 75 / 49 shade matches the following richer shades: CMYK 0 / 8 / 75 / 49, CMYK 0 / 9 / 87 / 44 and CMYK 0 / 10 / 96 / 39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 0 / 7 / 62 / 54, CMYK 0 / 5 / 43 / 59, CMYK 0 / 1 / 20 / 65 and CMYK 9 / 8 / 0 / 67

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 49 / 75 / 49, CMYK 0 / 28 / 75 / 49, CMYK 0 / 8 / 75 / 49, CMYK 12 / 0 / 75 / 49 and CMYK 32 / 0 / 75 / 49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 75, CMYK 0 / 7 / 75 / 62, CMYK 0 / 8 / 75 / 49, CMYK 0 / 8 / 75 / 36 and CMYK 0 / 8 / 75 / 23

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 75 / 0 / 69 / 49 and CMYK 39 / 75 / 0 / 49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 75 / 0 / 8 / 49 and CMYK 8 / 75 / 0 / 49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 75 / 0 / 69 / 49, CMYK 75 / 66 / 0 / 49 and CMYK 0 / 75 / 6 / 49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 8 / 75 / 49 shade: CMYK 0 / 8 / 75 / 49, CMYK 75 / 0 / 46 / 49, CMYK 75 / 66 / 0 / 49 and CMYK 0 / 75 / 28 / 49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 75 / 49

HEX #827821

RGB 130 120 33

HSL 53.81, 0.6%, 0.32%

LAB 49.84, -6.61, 46.41

 

Complementary color

CMYK 44 / 39 / 0 / 13

HEX #7D87DE

RGB 125 135 222

HSL 233.81, 0.6%, 0.68%

LAB 58.94, 18.57, -45.61

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 0 / 9 / 69 / 40

HEX #988A2F

RGB 152 138 47

HSL 52, 0.53%, 0.39%

LAB 57.13, -5.69, 48.58

 

CMYK 0 / 8 / 61 / 34

HEX #A99C42

RGB 169 156 66

HSL 52.43, 0.44%, 0.46%

LAB 63.84, -6.63, 47.7

 

CMYK 0 / 6 / 54 / 27

HEX #BAAE55

RGB 186 174 85

HSL 52.87, 0.42%, 0.53%

LAB 70.43, -7.39, 46.59

 

CMYK 0 / 5 / 49 / 20

HEX #CBC068

RGB 203 192 104

HSL 53.33, 0.49%, 0.6%

LAB 76.92, -8.01, 45.4

 

CMYK 0 / 8 / 75 / 49

HEX #827821

RGB 130 120 33

HSL 53.81, 0.6%, 0.32%

LAB 49.84, -6.61, 46.41

 

CMYK 0 / 10 / 88 / 56

HEX #71660E

RGB 113 102 14

HSL 53.33, 0.78%, 0.25%

LAB 42.83, -5.28, 45.99

 

CMYK 0 / 13 / 100 / 62

HEX #605400

RGB 96 84 0

HSL 52.5, 1%, 0.19%

LAB 35.65, -3.56, 43.55

 

CMYK 0 / 16 / 100 / 69

HEX #4F4200

RGB 79 66 0

HSL 50.13, 1%, 0.15%

LAB 28.27, -1.34, 37.3

 

CMYK 0 / 23 / 100 / 76

HEX #3E3000

RGB 62 48 0

HSL 46.45, 1%, 0.12%

LAB 20.59, 1.07, 29.13

 

CMYK 0 / 8 / 75 / 49

HEX #827820

RGB 130 120 32

HSL 53.88, 0.6%, 0.32%

LAB 49.84, -6.66, 46.79

 

CMYK 0 / 28 / 75 / 49

HEX #825E20

RGB 130 94 32

HSL 37.96, 0.6%, 0.32%

LAB 42.54, 8.33, 39.62

 

CMYK 0 / 48 / 75 / 49

HEX #824320

RGB 130 67 32

HSL 21.43, 0.6%, 0.32%

LAB 35.72, 24.17, 32.54

 

CMYK 0 / 68 / 75 / 49

HEX #822920

RGB 130 41 32

HSL 5.51, 0.6%, 0.32%

LAB 30.49, 37.69, 26.79

 

CMYK 0 / 75 / 75 / 49

HEX #822020

RGB 130 32 32

HSL 0, 0.6%, 0.32%

LAB 29.12, 41.45, 25.23

 

CMYK 0 / 8 / 75 / 49

HEX #827820

RGB 130 120 32

HSL 53.88, 0.6%, 0.32%

LAB 49.84, -6.66, 46.79

 

CMYK 12 / 0 / 75 / 49

HEX #728220

RGB 114 130 32

HSL 69.8, 0.6%, 0.32%

LAB 51.44, -19.38, 47.85

 

CMYK 33 / 0 / 75 / 49

HEX #578220

RGB 87 130 32

HSL 86.33, 0.6%, 0.32%

LAB 49.61, -30.77, 45.45

 

CMYK 53 / 0 / 75 / 49

HEX #3D8220

RGB 61 130 32

HSL 102.24, 0.6%, 0.32%

LAB 48.34, -39.96, 43.76

 

CMYK 73 / 0 / 75 / 49

HEX #238220

RGB 35 130 32

HSL 118.16, 0.6%, 0.32%

LAB 47.53, -46.48, 42.68

 

CMYK 0 / 8 / 75 / 49

HEX #827820

RGB 130 120 32

HSL 53.88, 0.6%, 0.32%

LAB 49.84, -6.66, 46.79

 

CMYK 0 / 9 / 87 / 44

HEX #8F8213

RGB 143 130 19

HSL 53.71, 0.77%, 0.32%

LAB 53.87, -6.63, 55.05

 

CMYK 0 / 10 / 96 / 39

HEX #9C8D06

RGB 156 141 6

HSL 54, 0.93%, 0.32%

LAB 58.16, -6.88, 61.44

 

CMYK 0 / 8 / 75 / 49

HEX #827820

RGB 130 120 32

HSL 53.88, 0.6%, 0.32%

LAB 49.84, -6.66, 46.79

 

CMYK 0 / 7 / 62 / 54

HEX #756D2D

RGB 117 109 45

HSL 53.33, 0.44%, 0.32%

LAB 45.51, -5.68, 36.09

 

CMYK 0 / 5 / 43 / 59

HEX #68633B

RGB 104 99 59

HSL 53.33, 0.28%, 0.32%

LAB 41.5, -4.5, 23.41

 

CMYK 0 / 1 / 20 / 65

HEX #5A5948

RGB 90 89 72

HSL 56.67, 0.11%, 0.32%

LAB 37.46, -2.87, 10.01

 

CMYK 9 / 8 / 0 / 67

HEX #4D4E55

RGB 77 78 85

HSL 232.5, 0.05%, 0.32%

LAB 33.31, 1.18, -4.26

 

CMYK 0 / 49 / 75 / 49

HEX #824220

RGB 130 66 32

HSL 20.82, 0.6%, 0.32%

LAB 35.49, 24.74, 32.29

 

CMYK 0 / 28 / 75 / 49

HEX #825D20

RGB 130 93 32

HSL 37.35, 0.6%, 0.32%

LAB 42.28, 8.92, 39.35

 

CMYK 0 / 8 / 75 / 49

HEX #827720

RGB 130 119 32

HSL 53.27, 0.6%, 0.32%

LAB 49.55, -6.1, 46.52

 

CMYK 12 / 0 / 75 / 49

HEX #738220

RGB 115 130 32

HSL 69.18, 0.6%, 0.32%

LAB 51.51, -18.93, 47.95

 

CMYK 32 / 0 / 75 / 49

HEX #598220

RGB 89 130 32

HSL 85.1, 0.6%, 0.32%

LAB 49.73, -29.98, 45.61

 

CMYK 0 / 8 / 75 / 75

HEX #403B10

RGB 64 59 16

HSL 53.75, 0.6%, 0.16%

LAB 24.5, -4.02, 26.42

 

CMYK 0 / 7 / 75 / 62

HEX #615A18

RGB 97 90 24

HSL 54.25, 0.6%, 0.24%

LAB 37.7, -5.68, 37.16

 

CMYK 0 / 8 / 75 / 49

HEX #827820

RGB 130 120 32

HSL 53.88, 0.6%, 0.32%

LAB 49.84, -6.66, 46.79

 

CMYK 0 / 8 / 75 / 36

HEX #A39628

RGB 163 150 40

HSL 53.66, 0.61%, 0.4%

LAB 61.44, -7.59, 55.92

 

CMYK 0 / 8 / 75 / 23

HEX #C4B531

RGB 196 181 49

HSL 53.88, 0.6%, 0.48%

LAB 72.9, -8.97, 64.59

 

CMYK 0 / 8 / 75 / 49

HEX #827821

RGB 130 120 33

HSL 53.81, 0.6%, 0.32%

LAB 49.84, -6.61, 46.41

 

CMYK 75 / 0 / 69 / 49

HEX #208228

RGB 32 130 40

HSL 124.9, 0.6%, 0.32%

LAB 47.53, -46.26, 39.35

 

CMYK 39 / 75 / 0 / 49

HEX #4F2082

RGB 79 32 130

HSL 268.78, 0.6%, 0.32%

LAB 24.66, 41.74, -46.43

 

CMYK 0 / 8 / 75 / 49

HEX #827821

RGB 130 120 33

HSL 53.81, 0.6%, 0.32%

LAB 49.84, -6.61, 46.41

 

CMYK 75 / 0 / 8 / 49

HEX #208277

RGB 32 130 119

HSL 173.27, 0.6%, 0.32%

LAB 49.01, -30.04, -2.02

 

CMYK 8 / 75 / 0 / 49

HEX #772082

RGB 119 32 130

HSL 293.27, 0.6%, 0.32%

LAB 30.8, 50.18, -36.22

 

CMYK 0 / 8 / 75 / 49

HEX #827821

RGB 130 120 33

HSL 53.81, 0.6%, 0.32%

LAB 49.84, -6.61, 46.41

 

CMYK 75 / 0 / 69 / 49

HEX #208228

RGB 32 130 40

HSL 124.9, 0.6%, 0.32%

LAB 47.53, -46.26, 39.35

 

CMYK 75 / 66 / 0 / 49

HEX #202C82

RGB 32 44 130

HSL 232.65, 0.6%, 0.32%

LAB 22.72, 26.78, -49.78

 

CMYK 0 / 75 / 6 / 49

HEX #82207A

RGB 130 32 122

HSL 304.9, 0.6%, 0.32%

LAB 32.22, 51.31, -28.82

 

CMYK 0 / 8 / 75 / 49

HEX #827821

RGB 130 120 33

HSL 53.81, 0.6%, 0.32%

LAB 49.84, -6.61, 46.41

 

CMYK 75 / 0 / 46 / 49

HEX #208246

RGB 32 130 70

HSL 143.27, 0.6%, 0.32%

LAB 47.9, -41.9, 24.66

 

CMYK 75 / 66 / 0 / 49

HEX #202C82

RGB 32 44 130

HSL 232.65, 0.6%, 0.32%

LAB 22.72, 26.78, -49.78

 

CMYK 0 / 75 / 28 / 49

HEX #82205D

RGB 130 32 93

HSL 322.65, 0.6%, 0.32%

LAB 30.81, 46.97, -12.47

 

Description

Color code: CMYK 0 / 8 / 75 / 49 | qconv.com Color code: CMYK 0 / 8 / 75 / 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 120 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 120 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 75 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 75% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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