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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #87781C it is the complementary color #7887E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #87781C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #87781C shade: #8C7817, #9D8A2A, #AE9C3D, #BFAE50 and #D0C063

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #87781C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #87781C shade: #87781C, #766609, #655400, #544200 and #433000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #87781C shade: #87781B, #875B1B, #873E1B, #87211B and #871B1B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #87781C shade: #87781B, #79871B, #5C871B, #3F871B and #22871B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #87781C shade matches the following richer shades: #87781B, #94810E and #A18B01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #87781C shade: #87781B, #7A6E28, #6D6536, #5F5B43 and #525250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #87781C shade: #873D1B, #875A1B, #87771B, #7A871B and #5E871B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #87781C shade: #423B0D, #655914, #87781B, #A99622 and #CBB529

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #87781C shade: #87781C, #1B8721 and #4C1B87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #87781C shade: #87781C, #1B8777 and #771B87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #87781C shade: #87781C, #1B8721, #1B2B87 and #871B82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #87781C shade: #87781C, #1B8741, #1B2B87 and #871B61

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

Complementary color

CMYK 47 / 41 / 0 / 11

HEX #7887E3

RGB 120 135 227

HSL 231.59, 0.66%, 0.68%

LAB 58.85, 18.83, -48.56

 

CMYK 0 / 14 / 84 / 45

HEX #8C7817

RGB 140 120 23

HSL 49.74, 0.72%, 0.32%

LAB 50.77, -2.34, 51.17

 

CMYK 0 / 12 / 73 / 38

HEX #9D8A2A

RGB 157 138 42

HSL 50.09, 0.58%, 0.39%

LAB 57.57, -3.69, 51.25

 

CMYK 0 / 10 / 65 / 32

HEX #AE9C3D

RGB 174 156 61

HSL 50.44, 0.48%, 0.46%

LAB 64.25, -4.78, 50.56

 

CMYK 0 / 9 / 58 / 25

HEX #BFAE50

RGB 191 174 80

HSL 50.81, 0.46%, 0.53%

LAB 70.82, -5.66, 49.53

 

CMYK 0 / 8 / 52 / 18

HEX #D0C063

RGB 208 192 99

HSL 51.19, 0.54%, 0.6%

LAB 77.29, -6.39, 48.38

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 0 / 14 / 92 / 54

HEX #766609

RGB 118 102 9

HSL 51.19, 0.86%, 0.25%

LAB 43.32, -2.98, 47.86

 

CMYK 0 / 17 / 100 / 60

HEX #655400

RGB 101 84 0

HSL 49.9, 1%, 0.2%

LAB 36.19, -1.04, 44.18

 

CMYK 0 / 21 / 100 / 67

HEX #544200

RGB 84 66 0

HSL 47.14, 1%, 0.16%

LAB 28.85, 1.28, 38.01

 

CMYK 0 / 28 / 100 / 74

HEX #433000

RGB 67 48 0

HSL 42.99, 1%, 0.13%

LAB 21.23, 3.8, 30.02

 

CMYK 0 / 11 / 80 / 47

HEX #87781B

RGB 135 120 27

HSL 51.67, 0.67%, 0.32%

LAB 50.29, -4.54, 49.23

 

CMYK 0 / 33 / 80 / 47

HEX #875B1B

RGB 135 91 27

HSL 35.56, 0.67%, 0.32%

LAB 42.33, 12.21, 41.84

 

CMYK 0 / 54 / 80 / 47

HEX #873E1B

RGB 135 62 27

HSL 19.44, 0.67%, 0.32%

LAB 35.35, 28.88, 35.04

 

CMYK 0 / 76 / 80 / 47

HEX #87211B

RGB 135 33 27

HSL 3.33, 0.67%, 0.32%

LAB 30.2, 42.54, 29.76

 

CMYK 0 / 80 / 80 / 47

HEX #871B1B

RGB 135 27 27

HSL 0, 0.67%, 0.32%

LAB 29.45, 44.64, 28.97

 

CMYK 0 / 11 / 80 / 47

HEX #87781B

RGB 135 120 27

HSL 51.67, 0.67%, 0.32%

LAB 50.29, -4.54, 49.23

 

CMYK 10 / 0 / 80 / 47

HEX #79871B

RGB 121 135 27

HSL 67.78, 0.67%, 0.32%

LAB 53.46, -19.1, 51.66

 

CMYK 32 / 0 / 80 / 47

HEX #5C871B

RGB 92 135 27

HSL 83.89, 0.67%, 0.32%

LAB 51.48, -31.42, 49.11

 

CMYK 53 / 0 / 80 / 47

HEX #3F871B

RGB 63 135 27

HSL 100, 0.67%, 0.32%

LAB 50.05, -41.71, 47.26

 

CMYK 75 / 0 / 80 / 47

HEX #22871B

RGB 34 135 27

HSL 116.11, 0.67%, 0.32%

LAB 49.19, -48.77, 46.13

 

CMYK 0 / 11 / 80 / 47

HEX #87781B

RGB 135 120 27

HSL 51.67, 0.67%, 0.32%

LAB 50.29, -4.54, 49.23

 

CMYK 0 / 13 / 91 / 42

HEX #94810E

RGB 148 129 14

HSL 51.49, 0.83%, 0.32%

LAB 54.06, -3.87, 56.56

 

CMYK 0 / 14 / 99 / 37

HEX #A18B01

RGB 161 139 1

HSL 51.75, 0.99%, 0.32%

LAB 58.08, -3.56, 62.4

 

CMYK 0 / 11 / 80 / 47

HEX #87781B

RGB 135 120 27

HSL 51.67, 0.67%, 0.32%

LAB 50.29, -4.54, 49.23

 

CMYK 0 / 10 / 67 / 52

HEX #7A6E28

RGB 122 110 40

HSL 51.22, 0.51%, 0.32%

LAB 46.23, -4.29, 39.45

 

CMYK 0 / 7 / 50 / 57

HEX #6D6536

RGB 109 101 54

HSL 51.27, 0.34%, 0.32%

LAB 42.5, -3.95, 27.59

 

CMYK 0 / 4 / 29 / 63

HEX #5F5B43

RGB 95 91 67

HSL 51.43, 0.17%, 0.32%

LAB 38.41, -2.71, 14.45

 

CMYK 0 / 0 / 2 / 68

HEX #525250

RGB 82 82 80

HSL 60, 0.01%, 0.32%

LAB 34.82, -0.42, 1.17

 

CMYK 0 / 55 / 80 / 47

HEX #873D1B

RGB 135 61 27

HSL 18.89, 0.67%, 0.32%

LAB 35.14, 29.42, 34.83

 

CMYK 0 / 33 / 80 / 47

HEX #875A1B

RGB 135 90 27

HSL 35, 0.67%, 0.32%

LAB 42.07, 12.8, 41.59

 

CMYK 0 / 12 / 80 / 47

HEX #87771B

RGB 135 119 27

HSL 51.11, 0.67%, 0.32%

LAB 50.01, -3.98, 48.97

 

CMYK 10 / 0 / 80 / 47

HEX #7A871B

RGB 122 135 27

HSL 67.22, 0.67%, 0.32%

LAB 53.54, -18.65, 51.76

 

CMYK 30 / 0 / 80 / 47

HEX #5E871B

RGB 94 135 27

HSL 82.78, 0.67%, 0.32%

LAB 51.6, -30.62, 49.26

 

CMYK 0 / 11 / 80 / 74

HEX #423B0D

RGB 66 59 13

HSL 52.08, 0.67%, 0.15%

LAB 24.69, -3.17, 28.14

 

CMYK 0 / 12 / 80 / 60

HEX #655914

RGB 101 89 20

HSL 51.11, 0.67%, 0.24%

LAB 37.77, -3.34, 39.02

 

CMYK 0 / 11 / 80 / 47

HEX #87781B

RGB 135 120 27

HSL 51.67, 0.67%, 0.32%

LAB 50.29, -4.54, 49.23

 

CMYK 0 / 11 / 80 / 34

HEX #A99622

RGB 169 150 34

HSL 51.56, 0.67%, 0.4%

LAB 61.97, -5.13, 58.65

 

CMYK 0 / 11 / 80 / 20

HEX #CBB529

RGB 203 181 41

HSL 51.85, 0.66%, 0.48%

LAB 73.48, -6.22, 67.92

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 80 / 0 / 76 / 47

HEX #1B8721

RGB 27 135 33

HSL 123.33, 0.67%, 0.32%

LAB 49.09, -49.43, 43.84

 

CMYK 44 / 80 / 0 / 47

HEX #4C1B87

RGB 76 27 135

HSL 267.22, 0.67%, 0.32%

LAB 23.9, 44.79, -50.83

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 80 / 0 / 12 / 47

HEX #1B8777

RGB 27 135 119

HSL 171.11, 0.67%, 0.32%

LAB 50.56, -33, 0.24

 

CMYK 12 / 80 / 0 / 47

HEX #771B87

RGB 119 27 135

HSL 291.11, 0.67%, 0.32%

LAB 30.53, 52.83, -39.77

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 80 / 0 / 76 / 47

HEX #1B8721

RGB 27 135 33

HSL 123.33, 0.67%, 0.32%

LAB 49.09, -49.43, 43.84

 

CMYK 80 / 68 / 0 / 47

HEX #1B2B87

RGB 27 43 135

HSL 231.11, 0.67%, 0.32%

LAB 22.69, 28.82, -52.99

 

CMYK 0 / 80 / 4 / 47

HEX #871B82

RGB 135 27 130

HSL 302.78, 0.67%, 0.32%

LAB 33.02, 55.34, -32.51

 

CMYK 0 / 11 / 79 / 47

HEX #87781C

RGB 135 120 28

HSL 51.59, 0.66%, 0.32%

LAB 50.3, -4.5, 48.89

 

CMYK 80 / 0 / 52 / 47

HEX #1B8741

RGB 27 135 65

HSL 141.11, 0.67%, 0.32%

LAB 49.43, -45.42, 29.27

 

CMYK 80 / 68 / 0 / 47

HEX #1B2B87

RGB 27 43 135

HSL 231.11, 0.67%, 0.32%

LAB 22.69, 28.82, -52.99

 

CMYK 0 / 80 / 28 / 47

HEX #871B61

RGB 135 27 97

HSL 321.11, 0.67%, 0.32%

LAB 31.34, 50.49, -14.16

 

Description

Color code: HEX #87781C | qconv.com Color code: HEX #87781C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 120 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 120 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 79 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 79% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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