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Color name
CMYK 0 / 19 / 67 / 55

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 19 / 67 / 55 it is the complementary color CMYK 35 / 25 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 19 / 67 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 23 / 73 / 53, CMYK 0 / 19 / 62 / 46, CMYK 0 / 16 / 54 / 40, CMYK 0 / 14 / 47 / 33 and CMYK 0 / 12 / 42 / 26

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 19 / 67 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 0 / 23 / 81 / 62, CMYK 0 / 30 / 100 / 68, CMYK 0 / 39 / 100 / 75 and CMYK 0 / 55 / 100 / 82

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 0 / 37 / 67 / 55, CMYK 0 / 55 / 67 / 55 and CMYK 0 / 67 / 67 / 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 0 / 1 / 67 / 55, CMYK 17 / 0 / 67 / 55, CMYK 35 / 0 / 67 / 55 and CMYK 53 / 0 / 67 / 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 19 / 67 / 55 shade matches the following richer shades: CMYK 0 / 19 / 67 / 55, CMYK 0 / 23 / 80 / 50, CMYK 0 / 26 / 91 / 45 and CMYK 0 / 28 / 99 / 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 0 / 15 / 51 / 60, CMYK 0 / 8 / 29 / 65, CMYK 0 / 1 / 3 / 70 and CMYK 25 / 18 / 0 / 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 56 / 67 / 55, CMYK 0 / 38 / 67 / 55, CMYK 0 / 20 / 67 / 55, CMYK 0 / 2 / 67 / 55 and CMYK 16 / 0 / 67 / 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 80, CMYK 0 / 19 / 67 / 67, CMYK 0 / 19 / 67 / 55, CMYK 0 / 19 / 67 / 43 and CMYK 0 / 19 / 67 / 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 61 / 0 / 67 / 55 and CMYK 46 / 67 / 0 / 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 67 / 0 / 20 / 55 and CMYK 20 / 67 / 0 / 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 61 / 0 / 67 / 55, CMYK 67 / 46 / 0 / 55 and CMYK 6 / 67 / 0 / 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 19 / 67 / 55 shade: CMYK 0 / 19 / 67 / 55, CMYK 67 / 0 / 54 / 55, CMYK 67 / 46 / 0 / 55 and CMYK 0 / 67 / 13 / 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

Complementary color

CMYK 35 / 25 / 0 / 15

HEX #8CA2D9

RGB 140 162 217

HSL 222.86, 0.5%, 0.7%

LAB 66.84, 5.55, -30.41

 

CMYK 0 / 23 / 73 / 53

HEX #785D21

RGB 120 93 33

HSL 41.38, 0.57%, 0.3%

LAB 41.11, 4.22, 37.31

 

CMYK 0 / 19 / 62 / 46

HEX #896F34

RGB 137 111 52

HSL 41.65, 0.45%, 0.37%

LAB 48.18, 2.97, 36.09

 

CMYK 0 / 16 / 54 / 40

HEX #9A8147

RGB 154 129 71

HSL 41.93, 0.37%, 0.44%

LAB 55.1, 1.99, 34.73

 

CMYK 0 / 14 / 47 / 33

HEX #AB935A

RGB 171 147 90

HSL 42.22, 0.33%, 0.51%

LAB 61.88, 1.2, 33.38

 

CMYK 0 / 12 / 42 / 26

HEX #BCA56D

RGB 188 165 109

HSL 42.53, 0.37%, 0.58%

LAB 68.54, 0.55, 32.08

 

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

CMYK 0 / 23 / 81 / 62

HEX #624B13

RGB 98 75 19

HSL 42.53, 0.68%, 0.23%

LAB 33.3, 3.58, 35.07

 

CMYK 0 / 30 / 100 / 68

HEX #513900

RGB 81 57 0

HSL 42.22, 1%, 0.16%

LAB 25.79, 5.41, 35.22

 

CMYK 0 / 39 / 100 / 75

HEX #402700

RGB 64 39 0

HSL 36.56, 1%, 0.13%

LAB 18.1, 8.16, 26.34

 

CMYK 0 / 55 / 100 / 82

HEX #2F1500

RGB 47 21 0

HSL 26.81, 1%, 0.09%

LAB 10.11, 11.18, 15.37

 

CMYK 0 / 19 / 67 / 55

HEX #725C26

RGB 114 92 38

HSL 42.63, 0.5%, 0.3%

LAB 40.2, 2.28, 33.65

 

CMYK 0 / 37 / 67 / 55

HEX #724826

RGB 114 72 38

HSL 26.84, 0.5%, 0.3%

LAB 34.71, 14.35, 27.43

 

CMYK 0 / 55 / 67 / 55

HEX #723326

RGB 114 51 38

HSL 10.26, 0.5%, 0.3%

LAB 29.63, 26.7, 21.36

 

CMYK 0 / 67 / 67 / 55

HEX #722626

RGB 114 38 38

HSL 0, 0.5%, 0.3%

LAB 27.03, 33.5, 18.12

 

CMYK 0 / 19 / 67 / 55

HEX #725C26

RGB 114 92 38

HSL 42.63, 0.5%, 0.3%

LAB 40.2, 2.28, 33.65

 

CMYK 0 / 1 / 67 / 55

HEX #727126

RGB 114 113 38

HSL 59.21, 0.5%, 0.3%

LAB 46.35, -9.85, 40.27

 

CMYK 17 / 0 / 67 / 55

HEX #5F7226

RGB 95 114 38

HSL 75, 0.5%, 0.3%

LAB 45.09, -19.03, 38.47

 

CMYK 35 / 0 / 67 / 55

HEX #4A7226

RGB 74 114 38

HSL 91.58, 0.5%, 0.3%

LAB 43.7, -27.82, 36.55

 

CMYK 53 / 0 / 67 / 55

HEX #367226

RGB 54 114 38

HSL 107.37, 0.5%, 0.3%

LAB 42.7, -34.92, 35.17

 

CMYK 0 / 19 / 67 / 55

HEX #725C26

RGB 114 92 38

HSL 42.63, 0.5%, 0.3%

LAB 40.2, 2.28, 33.65

 

CMYK 0 / 23 / 80 / 50

HEX #7F6219

RGB 127 98 25

HSL 42.94, 0.67%, 0.3%

LAB 43.24, 4.22, 43.18

 

CMYK 0 / 26 / 91 / 45

HEX #8B670D

RGB 139 103 13

HSL 42.86, 0.83%, 0.3%

LAB 45.93, 6.64, 49.95

 

CMYK 0 / 28 / 99 / 41

HEX #976C01

RGB 151 108 1

HSL 42.8, 0.99%, 0.3%

LAB 48.64, 9.19, 55.27

 

CMYK 0 / 19 / 67 / 55

HEX #725C26

RGB 114 92 38

HSL 42.63, 0.5%, 0.3%

LAB 40.2, 2.28, 33.65

 

CMYK 0 / 15 / 51 / 60

HEX #665732

RGB 102 87 50

HSL 42.69, 0.34%, 0.3%

LAB 37.61, 0.66, 23.67

 

CMYK 0 / 8 / 29 / 65

HEX #59523F

RGB 89 82 63

HSL 43.85, 0.17%, 0.3%

LAB 35.04, -0.56, 12.22

 

CMYK 0 / 1 / 3 / 70

HEX #4D4C4B

RGB 77 76 75

HSL 30, 0.01%, 0.3%

LAB 32.38, 0.2, 0.73

 

CMYK 25 / 18 / 0 / 66

HEX #414757

RGB 65 71 87

HSL 223.64, 0.14%, 0.3%

LAB 30.2, 1.62, -10.31

 

CMYK 0 / 56 / 67 / 55

HEX #723226

RGB 114 50 38

HSL 9.47, 0.5%, 0.3%

LAB 29.41, 27.25, 21.09

 

CMYK 0 / 38 / 67 / 55

HEX #724726

RGB 114 71 38

HSL 26.05, 0.5%, 0.3%

LAB 34.44, 14.95, 27.12

 

CMYK 0 / 20 / 67 / 55

HEX #725B26

RGB 114 91 38

HSL 41.84, 0.5%, 0.3%

LAB 39.91, 2.88, 33.34

 

CMYK 0 / 2 / 67 / 55

HEX #727026

RGB 114 112 38

HSL 58.42, 0.5%, 0.3%

LAB 46.05, -9.29, 39.96

 

CMYK 16 / 0 / 67 / 55

HEX #607226

RGB 96 114 38

HSL 74.21, 0.5%, 0.3%

LAB 45.17, -18.59, 38.57

 

CMYK 0 / 19 / 67 / 80

HEX #342A11

RGB 52 42 17

HSL 42.86, 0.51%, 0.14%

LAB 17.58, 0.81, 17.8

 

CMYK 0 / 19 / 67 / 67

HEX #53431B

RGB 83 67 27

HSL 42.86, 0.51%, 0.22%

LAB 29.24, 1.53, 26.33

 

CMYK 0 / 19 / 67 / 55

HEX #725C26

RGB 114 92 38

HSL 42.63, 0.5%, 0.3%

LAB 40.2, 2.28, 33.65

 

CMYK 0 / 19 / 67 / 43

HEX #917530

RGB 145 117 48

HSL 42.68, 0.5%, 0.38%

LAB 50.64, 2.92, 41.06

 

CMYK 0 / 19 / 67 / 31

HEX #B08E3A

RGB 176 142 58

HSL 42.71, 0.5%, 0.46%

LAB 60.68, 3.53, 48.14

 

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

CMYK 61 / 0 / 67 / 55

HEX #2D7226

RGB 45 114 38

HSL 114.47, 0.5%, 0.3%

LAB 42.36, -37.57, 34.7

 

CMYK 46 / 67 / 0 / 55

HEX #3D2672

RGB 61 38 114

HSL 258.16, 0.5%, 0.3%

LAB 22.28, 30.2, -40.23

 

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

CMYK 67 / 0 / 20 / 55

HEX #26725B

RGB 38 114 91

HSL 161.84, 0.5%, 0.3%

LAB 43.07, -29.22, 5.98

 

CMYK 20 / 67 / 0 / 55

HEX #5B2672

RGB 91 38 114

HSL 281.84, 0.5%, 0.3%

LAB 26.23, 37.5, -33.66

 

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

CMYK 61 / 0 / 67 / 55

HEX #2D7226

RGB 45 114 38

HSL 114.47, 0.5%, 0.3%

LAB 42.36, -37.57, 34.7

 

CMYK 67 / 46 / 0 / 55

HEX #263D72

RGB 38 61 114

HSL 221.84, 0.5%, 0.3%

LAB 26.63, 9.69, -33.31

 

CMYK 6 / 67 / 0 / 55

HEX #6B2672

RGB 107 38 114

HSL 294.47, 0.5%, 0.3%

LAB 28.71, 41.68, -29.56

 

CMYK 0 / 19 / 67 / 55

HEX #735D26

RGB 115 93 38

HSL 42.86, 0.5%, 0.3%

LAB 40.6, 2.16, 34.12

 

CMYK 67 / 0 / 54 / 55

HEX #267235

RGB 38 114 53

HSL 131.84, 0.5%, 0.3%

LAB 42.31, -37.28, 26.94

 

CMYK 67 / 46 / 0 / 55

HEX #263D72

RGB 38 61 114

HSL 221.84, 0.5%, 0.3%

LAB 26.63, 9.69, -33.31

 

CMYK 0 / 67 / 13 / 55

HEX #722663

RGB 114 38 99

HSL 311.84, 0.5%, 0.3%

LAB 29.07, 40.87, -19.28

 

Description

Color code: CMYK 0 / 19 / 67 / 55 | qconv.com Color code: CMYK 0 / 19 / 67 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 93 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 93 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 67 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 67% 55% C M Y K

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Provide designers and agencies with accurate color values.

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