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Color name
CMYK 13 / 0 / 67 / 55

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 13 / 0 / 67 / 55 it is the complementary color CMYK 29 / 35 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 13 / 0 / 67 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 9 / 0 / 71 / 55, CMYK 8 / 0 / 61 / 48, CMYK 8 / 0 / 53 / 41, CMYK 8 / 0 / 47 / 34 and CMYK 7 / 0 / 42 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 13 / 0 / 67 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 14 / 0 / 80 / 62, CMYK 16 / 0 / 100 / 69, CMYK 20 / 0 / 100 / 76 and CMYK 26 / 0 / 100 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 0 / 4 / 67 / 55, CMYK 0 / 23 / 67 / 55, CMYK 0 / 41 / 67 / 55 and CMYK 0 / 59 / 67 / 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 31 / 0 / 67 / 55, CMYK 49 / 0 / 67 / 55, CMYK 67 / 0 / 67 / 55 and CMYK 67 / 0 / 48 / 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 13 / 0 / 67 / 55 shade matches the following richer shades: CMYK 13 / 0 / 67 / 55, CMYK 16 / 0 / 80 / 50, CMYK 18 / 0 / 91 / 45 and CMYK 19 / 0 / 99 / 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 10 / 0 / 51 / 60, CMYK 6 / 0 / 29 / 65, CMYK 0 / 0 / 3 / 70 and CMYK 21 / 25 / 0 / 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 0 / 24 / 67 / 55, CMYK 0 / 5 / 67 / 55, CMYK 12 / 0 / 67 / 55, CMYK 30 / 0 / 67 / 55 and CMYK 48 / 0 / 67 / 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 80, CMYK 13 / 0 / 67 / 67, CMYK 13 / 0 / 67 / 55, CMYK 13 / 0 / 67 / 43 and CMYK 13 / 0 / 67 / 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 67 / 0 / 41 / 55 and CMYK 14 / 67 / 0 / 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 67 / 12 / 0 / 55 and CMYK 0 / 67 / 12 / 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 67 / 0 / 41 / 55, CMYK 54 / 67 / 0 / 55 and CMYK 0 / 67 / 25 / 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 13 / 0 / 67 / 55 shade: CMYK 13 / 0 / 67 / 55, CMYK 67 / 0 / 21 / 55, CMYK 54 / 67 / 0 / 55 and CMYK 0 / 67 / 46 / 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 67 / 55

HEX #647326

RGB 100 115 38

HSL 71.69, 0.5%, 0.3%

LAB 45.79, -17.34, 39.32

 

Complementary color

CMYK 29 / 35 / 0 / 15

HEX #9B8CD9

RGB 155 140 217

HSL 251.69, 0.5%, 0.7%

LAB 62.28, 22.38, -37.41

 

CMYK 9 / 0 / 71 / 55

HEX #697321

RGB 105 115 33

HSL 67.32, 0.55%, 0.29%

LAB 46.14, -15.43, 42

 

CMYK 8 / 0 / 61 / 48

HEX #7A8534

RGB 122 133 52

HSL 68.15, 0.44%, 0.36%

LAB 53.12, -16.05, 41.27

 

CMYK 8 / 0 / 53 / 41

HEX #8B9747

RGB 139 151 71

HSL 69, 0.36%, 0.44%

LAB 59.96, -16.5, 40.2

 

CMYK 8 / 0 / 47 / 34

HEX #9CA95A

RGB 156 169 90

HSL 69.87, 0.31%, 0.51%

LAB 66.66, -16.83, 39.02

 

CMYK 7 / 0 / 42 / 27

HEX #ADBB6D

RGB 173 187 109

HSL 70.77, 0.36%, 0.58%

LAB 73.24, -17.07, 37.82

 

CMYK 13 / 0 / 67 / 55

HEX #647326

RGB 100 115 38

HSL 71.69, 0.5%, 0.3%

LAB 45.79, -17.34, 39.32

 

CMYK 14 / 0 / 80 / 62

HEX #536113

RGB 83 97 19

HSL 70.77, 0.67%, 0.23%

LAB 38.61, -16.65, 39.6

 

CMYK 16 / 0 / 100 / 69

HEX #424F00

RGB 66 79 0

HSL 69.87, 1%, 0.15%

LAB 31.23, -15.7, 39.04

 

CMYK 20 / 0 / 100 / 76

HEX #313D00

RGB 49 61 0

HSL 71.8, 1%, 0.12%

LAB 23.64, -13.99, 31.95

 

CMYK 26 / 0 / 100 / 83

HEX #202B00

RGB 32 43 0

HSL 75.35, 1%, 0.08%

LAB 15.67, -12.23, 22.5

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 0 / 4 / 67 / 55

HEX #726D26

RGB 114 109 38

HSL 56.05, 0.5%, 0.3%

LAB 45.16, -7.6, 39.01

 

CMYK 0 / 23 / 67 / 55

HEX #725826

RGB 114 88 38

HSL 39.47, 0.5%, 0.3%

LAB 39.07, 4.67, 32.39

 

CMYK 0 / 41 / 67 / 55

HEX #724326

RGB 114 67 38

HSL 22.89, 0.5%, 0.3%

LAB 33.42, 17.36, 25.92

 

CMYK 0 / 59 / 67 / 55

HEX #722F26

RGB 114 47 38

HSL 7.11, 0.5%, 0.3%

LAB 28.77, 28.89, 20.31

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 31 / 0 / 67 / 55

HEX #4F7226

RGB 79 114 38

HSL 87.63, 0.5%, 0.3%

LAB 44, -25.83, 36.96

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 0 / 67 / 55

HEX #267226

RGB 38 114 38

HSL 120, 0.5%, 0.3%

LAB 42.13, -39.34, 34.39

 

CMYK 67 / 0 / 48 / 55

HEX #26723B

RGB 38 114 59

HSL 136.58, 0.5%, 0.3%

LAB 42.4, -36.27, 23.75

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 16 / 0 / 80 / 50

HEX #6B7F19

RGB 107 127 25

HSL 71.76, 0.67%, 0.3%

LAB 49.95, -21.28, 48.7

 

CMYK 18 / 0 / 91 / 45

HEX #728B0D

RGB 114 139 13

HSL 71.9, 0.83%, 0.3%

LAB 54.1, -24.69, 55.6

 

CMYK 19 / 0 / 99 / 41

HEX #7A9701

RGB 122 151 1

HSL 71.6, 0.99%, 0.3%

LAB 58.3, -27.38, 61.1

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 10 / 0 / 51 / 60

HEX #5C6632

RGB 92 102 50

HSL 71.54, 0.34%, 0.3%

LAB 41.23, -12.69, 27.91

 

CMYK 6 / 0 / 29 / 65

HEX #54593F

RGB 84 89 63

HSL 71.54, 0.17%, 0.3%

LAB 36.72, -6.98, 14.43

 

CMYK 0 / 0 / 3 / 70

HEX #4D4D4B

RGB 77 77 75

HSL 60, 0.01%, 0.3%

LAB 32.69, -0.43, 1.18

 

CMYK 21 / 25 / 0 / 66

HEX #454157

RGB 69 65 87

HSL 250.91, 0.14%, 0.3%

LAB 28.73, 6.99, -12.52

 

CMYK 0 / 24 / 67 / 55

HEX #725726

RGB 114 87 38

HSL 38.68, 0.5%, 0.3%

LAB 38.78, 5.27, 32.08

 

CMYK 0 / 5 / 67 / 55

HEX #726C26

RGB 114 108 38

HSL 55.26, 0.5%, 0.3%

LAB 44.86, -7.04, 38.7

 

CMYK 12 / 0 / 67 / 55

HEX #647226

RGB 100 114 38

HSL 71.05, 0.5%, 0.3%

LAB 45.47, -16.8, 38.99

 

CMYK 30 / 0 / 67 / 55

HEX #507226

RGB 80 114 38

HSL 86.84, 0.5%, 0.3%

LAB 44.06, -25.42, 37.05

 

CMYK 48 / 0 / 67 / 55

HEX #3B7226

RGB 59 114 38

HSL 103.42, 0.5%, 0.3%

LAB 42.92, -33.29, 35.48

 

CMYK 13 / 0 / 67 / 80

HEX #2D3411

RGB 45 52 17

HSL 72, 0.51%, 0.14%

LAB 20.26, -9.38, 20.74

 

CMYK 13 / 0 / 67 / 67

HEX #48531B

RGB 72 83 27

HSL 71.79, 0.51%, 0.22%

LAB 33.23, -13.51, 30.42

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 13 / 0 / 67 / 43

HEX #7E9130

RGB 126 145 48

HSL 71.75, 0.5%, 0.38%

LAB 56.98, -20.86, 47.31

 

CMYK 13 / 0 / 67 / 31

HEX #99B03A

RGB 153 176 58

HSL 71.69, 0.5%, 0.46%

LAB 68.12, -24.32, 55.36

 

CMYK 13 / 0 / 67 / 55

HEX #647326

RGB 100 115 38

HSL 71.69, 0.5%, 0.3%

LAB 45.79, -17.34, 39.32

 

CMYK 67 / 0 / 41 / 55

HEX #267243

RGB 38 114 67

HSL 142.89, 0.5%, 0.3%

LAB 42.54, -34.77, 19.39

 

CMYK 14 / 67 / 0 / 55

HEX #622672

RGB 98 38 114

HSL 287.37, 0.5%, 0.3%

LAB 27.29, 39.32, -31.9

 

CMYK 13 / 0 / 67 / 55

HEX #647326

RGB 100 115 38

HSL 71.69, 0.5%, 0.3%

LAB 45.79, -17.34, 39.32

 

CMYK 67 / 12 / 0 / 55

HEX #266472

RGB 38 100 114

HSL 191.05, 0.5%, 0.3%

LAB 39.14, -15.02, -13.77

 

CMYK 0 / 67 / 12 / 55

HEX #722664

RGB 114 38 100

HSL 311.05, 0.5%, 0.3%

LAB 29.12, 41.04, -19.85

 

CMYK 13 / 0 / 67 / 55

HEX #647326

RGB 100 115 38

HSL 71.69, 0.5%, 0.3%

LAB 45.79, -17.34, 39.32

 

CMYK 67 / 0 / 41 / 55

HEX #267243

RGB 38 114 67

HSL 142.89, 0.5%, 0.3%

LAB 42.54, -34.77, 19.39

 

CMYK 54 / 67 / 0 / 55

HEX #342672

RGB 52 38 114

HSL 251.05, 0.5%, 0.3%

LAB 21.32, 28.28, -41.82

 

CMYK 0 / 67 / 25 / 55

HEX #722655

RGB 114 38 85

HSL 322.89, 0.5%, 0.3%

LAB 28.43, 38.66, -11.13

 

CMYK 13 / 0 / 67 / 55

HEX #647326

RGB 100 115 38

HSL 71.69, 0.5%, 0.3%

LAB 45.79, -17.34, 39.32

 

CMYK 67 / 0 / 21 / 55

HEX #26725A

RGB 38 114 90

HSL 161.05, 0.5%, 0.3%

LAB 43.04, -29.48, 6.54

 

CMYK 54 / 67 / 0 / 55

HEX #342672

RGB 52 38 114

HSL 251.05, 0.5%, 0.3%

LAB 21.32, 28.28, -41.82

 

CMYK 0 / 67 / 46 / 55

HEX #72263E

RGB 114 38 62

HSL 341.05, 0.5%, 0.3%

LAB 27.6, 35.66, 2.92

 

Description

Color code: CMYK 13 / 0 / 67 / 55 | qconv.com Color code: CMYK 13 / 0 / 67 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 115 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 115 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 67 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 67% 55% C M Y K

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Provide designers and agencies with accurate color values.

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