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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3A7226 it is the complementary color #C58DD9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3A7226. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3A7226 shade: #3F7221, #508434, #619647, #72A85A and #83BA6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3A7226. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3A7226 shade: #3A7226, #296013, #184E00, #073C00 and #002A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3A7226 shade: #3A7226, #4F7226, #637226, #726D26 and #725826

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3A7226 shade: #3A7226, #267226, #26723B, #267250 and #267264

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3A7226 shade matches the following richer shades: #3A7226, #347F19, #2E8B0D and #289701

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3A7226 shade: #3A7226, #406632, #46593F, #4B4D4B and #514157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3A7226 shade: #637226, #4F7226, #3A7226, #267226 and #26723A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3A7226 shade: #1A3411, #2A531B, #3A7226, #4A9130 and #59B03A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3A7226 shade: #3A7226, #26726D and #722659

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3A7226 shade: #3A7226, #263A72 and #72263A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3A7226 shade: #3A7226, #26726D, #5E2672 and #72262B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3A7226 shade: #3A7226, #266072, #5E2672 and #723826

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

Complementary color

CMYK 9 / 35 / 0 / 15

HEX #C58DD9

RGB 197 141 217

HSL 284.21, 0.5%, 0.7%

LAB 66.47, 34.46, -30.6

 

CMYK 45 / 0 / 71 / 55

HEX #3F7221

RGB 63 114 33

HSL 97.78, 0.55%, 0.29%

LAB 43.06, -32.39, 37.96

 

CMYK 39 / 0 / 61 / 48

HEX #508434

RGB 80 132 52

HSL 99, 0.43%, 0.36%

LAB 50.04, -32.6, 37.05

 

CMYK 35 / 0 / 53 / 41

HEX #619647

RGB 97 150 71

HSL 100.25, 0.36%, 0.43%

LAB 56.89, -32.61, 35.87

 

CMYK 32 / 0 / 46 / 34

HEX #72A85A

RGB 114 168 90

HSL 101.54, 0.31%, 0.51%

LAB 63.61, -32.52, 34.63

 

CMYK 30 / 0 / 41 / 27

HEX #83BA6D

RGB 131 186 109

HSL 102.86, 0.36%, 0.58%

LAB 70.21, -32.38, 33.4

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 57 / 0 / 80 / 62

HEX #296013

RGB 41 96 19

HSL 102.86, 0.67%, 0.23%

LAB 35.76, -33.11, 35.98

 

CMYK 69 / 0 / 100 / 69

HEX #184E00

RGB 24 78 0

HSL 101.54, 1%, 0.15%

LAB 28.49, -32.01, 35.88

 

CMYK 88 / 0 / 100 / 76

HEX #073C00

RGB 7 60 0

HSL 113, 1%, 0.12%

LAB 21.12, -29.15, 28.65

 

CMYK 100 / 0 / 100 / 84

HEX #002A00

RGB 0 42 0

HSL 120, 1%, 0.08%

LAB 13.57, -24.56, 19.44

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 31 / 0 / 67 / 55

HEX #4F7226

RGB 79 114 38

HSL 87.63, 0.5%, 0.3%

LAB 44, -25.83, 36.96

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 0 / 4 / 67 / 55

HEX #726D26

RGB 114 109 38

HSL 56.05, 0.5%, 0.3%

LAB 45.16, -7.6, 39.01

 

CMYK 0 / 23 / 67 / 55

HEX #725826

RGB 114 88 38

HSL 39.47, 0.5%, 0.3%

LAB 39.07, 4.67, 32.39

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 0 / 67 / 55

HEX #267226

RGB 38 114 38

HSL 120, 0.5%, 0.3%

LAB 42.13, -39.34, 34.39

 

CMYK 67 / 0 / 48 / 55

HEX #26723B

RGB 38 114 59

HSL 136.58, 0.5%, 0.3%

LAB 42.4, -36.27, 23.75

 

CMYK 67 / 0 / 30 / 55

HEX #267250

RGB 38 114 80

HSL 153.16, 0.5%, 0.3%

LAB 42.8, -31.95, 12.16

 

CMYK 67 / 0 / 12 / 55

HEX #267264

RGB 38 114 100

HSL 168.95, 0.5%, 0.3%

LAB 43.31, -26.77, 0.94

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 59 / 0 / 80 / 50

HEX #347F19

RGB 52 127 25

HSL 104.12, 0.67%, 0.3%

LAB 46.95, -41.91, 44.82

 

CMYK 67 / 0 / 91 / 45

HEX #2E8B0D

RGB 46 139 13

HSL 104.29, 0.83%, 0.3%

LAB 50.77, -48.43, 51.46

 

CMYK 74 / 0 / 99 / 41

HEX #289701

RGB 40 151 1

HSL 104.4, 0.99%, 0.3%

LAB 54.64, -54.04, 56.68

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 37 / 0 / 51 / 60

HEX #406632

RGB 64 102 50

HSL 103.85, 0.34%, 0.3%

LAB 39.28, -24.38, 25.08

 

CMYK 21 / 0 / 29 / 65

HEX #46593F

RGB 70 89 63

HSL 103.85, 0.17%, 0.3%

LAB 35.61, -12.91, 12.73

 

CMYK 3 / 0 / 3 / 70

HEX #4B4D4B

RGB 75 77 75

HSL 120, 0.01%, 0.3%

LAB 32.51, -1.25, 0.9

 

CMYK 7 / 25 / 0 / 66

HEX #514157

RGB 81 65 87

HSL 283.64, 0.14%, 0.3%

LAB 29.96, 11.54, -10.54

 

CMYK 13 / 0 / 67 / 55

HEX #637226

RGB 99 114 38

HSL 71.84, 0.5%, 0.3%

LAB 45.4, -17.25, 38.88

 

CMYK 31 / 0 / 67 / 55

HEX #4F7226

RGB 79 114 38

HSL 87.63, 0.5%, 0.3%

LAB 44, -25.83, 36.96

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 0 / 67 / 55

HEX #267226

RGB 38 114 38

HSL 120, 0.5%, 0.3%

LAB 42.13, -39.34, 34.39

 

CMYK 67 / 0 / 49 / 55

HEX #26723A

RGB 38 114 58

HSL 135.79, 0.5%, 0.3%

LAB 42.39, -36.45, 24.29

 

CMYK 50 / 0 / 67 / 80

HEX #1A3411

RGB 26 52 17

HSL 104.57, 0.51%, 0.14%

LAB 18.87, -18.14, 18.77

 

CMYK 49 / 0 / 67 / 67

HEX #2A531B

RGB 42 83 27

HSL 103.93, 0.51%, 0.22%

LAB 31.25, -26.25, 27.68

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 49 / 0 / 67 / 43

HEX #4A9130

RGB 74 145 48

HSL 103.92, 0.5%, 0.38%

LAB 53.94, -40.71, 43.17

 

CMYK 49 / 0 / 67 / 31

HEX #59B03A

RGB 89 176 58

HSL 104.24, 0.5%, 0.46%

LAB 64.55, -47.78, 50.51

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 0 / 4 / 55

HEX #26726D

RGB 38 114 109

HSL 176.05, 0.5%, 0.3%

LAB 43.58, -24.15, -4.07

 

CMYK 0 / 67 / 22 / 55

HEX #722659

RGB 114 38 89

HSL 319.74, 0.5%, 0.3%

LAB 28.6, 39.26, -13.49

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 49 / 0 / 55

HEX #263A72

RGB 38 58 114

HSL 224.21, 0.5%, 0.3%

LAB 25.72, 11.78, -34.77

 

CMYK 0 / 67 / 49 / 55

HEX #72263A

RGB 114 38 58

HSL 344.21, 0.5%, 0.3%

LAB 27.49, 35.23, 5.44

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 0 / 4 / 55

HEX #26726D

RGB 38 114 109

HSL 176.05, 0.5%, 0.3%

LAB 43.58, -24.15, -4.07

 

CMYK 18 / 67 / 0 / 55

HEX #5E2672

RGB 94 38 114

HSL 284.21, 0.5%, 0.3%

LAB 26.68, 38.28, -32.91

 

CMYK 0 / 67 / 62 / 55

HEX #72262B

RGB 114 38 43

HSL 356.05, 0.5%, 0.3%

LAB 27.12, 33.87, 14.96

 

CMYK 49 / 0 / 67 / 55

HEX #3A7226

RGB 58 114 38

HSL 104.21, 0.5%, 0.3%

LAB 42.87, -33.63, 35.41

 

CMYK 67 / 16 / 0 / 55

HEX #266072

RGB 38 96 114

HSL 194.21, 0.5%, 0.3%

LAB 37.83, -12.72, -15.78

 

CMYK 18 / 67 / 0 / 55

HEX #5E2672

RGB 94 38 114

HSL 284.21, 0.5%, 0.3%

LAB 26.68, 38.28, -32.91

 

CMYK 0 / 51 / 67 / 55

HEX #723826

RGB 114 56 38

HSL 14.21, 0.5%, 0.3%

LAB 30.75, 23.86, 22.73

 

Description

Color code: HEX #3A7226 | qconv.com Color code: HEX #3A7226 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 114 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 114 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 67 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 67% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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