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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 15 / 59 / 0 / 29 it is the complementary color CMYK 44 / 0 / 59 / 29. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 15 / 59 / 0 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 10 / 58 / 0 / 31, CMYK 10 / 53 / 0 / 24, CMYK 10 / 49 / 0 / 16, CMYK 10 / 45 / 0 / 9 and CMYK 10 / 42 / 0 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 15 / 59 / 0 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 59 / 0 / 29, CMYK 15 / 65 / 0 / 36, CMYK 16 / 73 / 0 / 44, CMYK 17 / 84 / 0 / 51 and CMYK 18 / 98 / 0 / 59

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 60 / 0 / 29, CMYK 0 / 60 / 1 / 29, CMYK 0 / 60 / 17 / 29, CMYK 0 / 60 / 33 / 29 and CMYK 0 / 60 / 49 / 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 60 / 0 / 29, CMYK 31 / 60 / 0 / 29, CMYK 47 / 60 / 0 / 29 and CMYK 60 / 60 / 0 / 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 15 / 59 / 0 / 29 shade matches the following richer shades: CMYK 15 / 60 / 0 / 29, CMYK 18 / 74 / 0 / 21, CMYK 22 / 86 / 0 / 13 and CMYK 24 / 95 / 0 / 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 60 / 0 / 29, CMYK 11 / 41 / 0 / 37, CMYK 4 / 17 / 0 / 45, CMYK 9 / 0 / 12 / 47 and CMYK 28 / 0 / 37 / 39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 48 / 60 / 0 / 29, CMYK 32 / 60 / 0 / 29, CMYK 16 / 60 / 0 / 29, CMYK 0 / 60 / 0 / 29 and CMYK 0 / 60 / 16 / 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 59 / 0 / 52, CMYK 15 / 60 / 0 / 41, CMYK 15 / 60 / 0 / 29, CMYK 12 / 47 / 0 / 24 and CMYK 9 / 35 / 0 / 20

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 59 / 0 / 29, CMYK 0 / 60 / 55 / 29 and CMYK 60 / 0 / 40 / 29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 59 / 0 / 29, CMYK 0 / 16 / 60 / 29 and CMYK 60 / 0 / 16 / 29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 59 / 0 / 29, CMYK 0 / 60 / 55 / 29, CMYK 44 / 0 / 60 / 29 and CMYK 60 / 0 / 4 / 29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 15 / 59 / 0 / 29 shade: CMYK 15 / 59 / 0 / 29, CMYK 0 / 46 / 60 / 29, CMYK 44 / 0 / 60 / 29 and CMYK 60 / 14 / 0 / 29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

Complementary color

CMYK 44 / 0 / 59 / 29

HEX #65B54A

RGB 101 181 74

HSL 104.86, 0.42%, 0.5%

LAB 66.76, -44.55, 46.08

 

CMYK 10 / 58 / 0 / 31

HEX #9F4AB0

RGB 159 74 176

HSL 290, 0.41%, 0.49%

LAB 46.18, 50.55, -39.24

 

CMYK 10 / 53 / 0 / 24

HEX #B05CC3

RGB 176 92 195

HSL 288.93, 0.46%, 0.56%

LAB 52.76, 49.95, -39.75

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

CMYK 10 / 45 / 0 / 9

HEX #D280E9

RGB 210 128 233

HSL 286.86, 0.7%, 0.71%

LAB 65.77, 48.49, -40.44

 

CMYK 10 / 42 / 0 / 1

HEX #E392FC

RGB 227 146 252

HSL 285.85, 0.95%, 0.78%

LAB 72.17, 47.73, -40.71

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 15 / 65 / 0 / 36

HEX #8938A2

RGB 137 56 162

HSL 285.85, 0.49%, 0.43%

LAB 39.17, 50.69, -42.28

 

CMYK 16 / 73 / 0 / 44

HEX #78268F

RGB 120 38 143

HSL 286.86, 0.58%, 0.35%

LAB 32.62, 50.65, -41.36

 

CMYK 17 / 84 / 0 / 51

HEX #67147C

RGB 103 20 124

HSL 287.88, 0.72%, 0.28%

LAB 26.27, 49.69, -39.86

 

CMYK 18 / 98 / 0 / 59

HEX #560269

RGB 86 2 105

HSL 288.93, 0.96%, 0.21%

LAB 20.21, 47.43, -37.58

 

CMYK 15 / 60 / 0 / 29

HEX #9A49B5

RGB 154 73 181

HSL 285, 0.43%, 0.5%

LAB 45.59, 50.75, -43.15

 

CMYK 0 / 60 / 1 / 29

HEX #B549B3

RGB 181 73 179

HSL 301.11, 0.43%, 0.5%

LAB 49.31, 57.33, -35.86

 

CMYK 0 / 60 / 17 / 29

HEX #B54996

RGB 181 73 150

HSL 317.22, 0.43%, 0.5%

LAB 48, 52.61, -20.77

 

CMYK 0 / 60 / 33 / 29

HEX #B54979

RGB 181 73 121

HSL 333.33, 0.43%, 0.5%

LAB 46.93, 48.62, -4.92

 

CMYK 0 / 60 / 49 / 29

HEX #B5495C

RGB 181 73 92

HSL 349.44, 0.43%, 0.5%

LAB 46.13, 45.46, 11.6

 

CMYK 15 / 60 / 0 / 29

HEX #9A49B5

RGB 154 73 181

HSL 285, 0.43%, 0.5%

LAB 45.59, 50.75, -43.15

 

CMYK 31 / 60 / 0 / 29

HEX #7D49B5

RGB 125 73 181

HSL 268.89, 0.43%, 0.5%

LAB 41.94, 43.53, -49.2

 

CMYK 47 / 60 / 0 / 29

HEX #6049B5

RGB 96 73 181

HSL 252.78, 0.43%, 0.5%

LAB 38.88, 36.9, -54.29

 

CMYK 60 / 60 / 0 / 29

HEX #4949B5

RGB 73 73 181

HSL 240, 0.43%, 0.5%

LAB 36.96, 32.4, -57.49

 

CMYK 15 / 60 / 0 / 29

HEX #9A49B5

RGB 154 73 181

HSL 285, 0.43%, 0.5%

LAB 45.59, 50.75, -43.15

 

CMYK 18 / 74 / 0 / 21

HEX #A435C9

RGB 164 53 201

HSL 285, 0.58%, 0.5%

LAB 45.16, 65.58, -55.42

 

CMYK 22 / 86 / 0 / 13

HEX #AE20DE

RGB 174 32 222

HSL 284.84, 0.75%, 0.5%

LAB 46.05, 77.3, -65.98

 

CMYK 24 / 95 / 0 / 5

HEX #B80CF2

RGB 184 12 242

HSL 284.87, 0.91%, 0.5%

LAB 48.09, 85.27, -73.92

 

CMYK 15 / 60 / 0 / 29

HEX #9A49B5

RGB 154 73 181

HSL 285, 0.43%, 0.5%

LAB 45.59, 50.75, -43.15

 

CMYK 11 / 41 / 0 / 37

HEX #8F5EA0

RGB 143 94 160

HSL 284.55, 0.26%, 0.5%

LAB 47.47, 31.89, -27.93

 

CMYK 4 / 17 / 0 / 45

HEX #85738B

RGB 133 115 139

HSL 285, 0.09%, 0.5%

LAB 50.82, 11.67, -10.5

 

CMYK 9 / 0 / 12 / 47

HEX #7B8777

RGB 123 135 119

HSL 105, 0.06%, 0.5%

LAB 54.94, -7.58, 7.11

 

CMYK 28 / 0 / 37 / 39

HEX #719C62

RGB 113 156 98

HSL 104.48, 0.23%, 0.5%

LAB 60.04, -25.96, 25.81

 

CMYK 48 / 60 / 0 / 29

HEX #5F49B5

RGB 95 73 181

HSL 252.22, 0.43%, 0.5%

LAB 38.78, 36.69, -54.45

 

CMYK 32 / 60 / 0 / 29

HEX #7B49B5

RGB 123 73 181

HSL 267.78, 0.43%, 0.5%

LAB 41.71, 43.05, -49.59

 

CMYK 16 / 60 / 0 / 29

HEX #9849B5

RGB 152 73 181

HSL 283.89, 0.43%, 0.5%

LAB 45.33, 50.24, -43.59

 

CMYK 0 / 60 / 0 / 29

HEX #B549B5

RGB 181 73 181

HSL 300, 0.43%, 0.5%

LAB 49.41, 57.68, -36.87

 

CMYK 0 / 60 / 16 / 29

HEX #B54998

RGB 181 73 152

HSL 316.11, 0.43%, 0.5%

LAB 48.08, 52.92, -21.84

 

CMYK 15 / 59 / 0 / 52

HEX #68327A

RGB 104 50 122

HSL 285, 0.42%, 0.34%

LAB 30.95, 36.5, -31.1

 

CMYK 15 / 60 / 0 / 41

HEX #813D97

RGB 129 61 151

HSL 285.33, 0.42%, 0.42%

LAB 38.27, 43.92, -37.15

 

CMYK 15 / 60 / 0 / 29

HEX #9A49B5

RGB 154 73 181

HSL 285, 0.43%, 0.5%

LAB 45.59, 50.75, -43.15

 

CMYK 12 / 47 / 0 / 24

HEX #AA67C1

RGB 170 103 193

HSL 284.67, 0.42%, 0.58%

LAB 54.13, 42.09, -36.49

 

CMYK 9 / 35 / 0 / 20

HEX #BA84CC

RGB 186 132 204

HSL 285, 0.41%, 0.66%

LAB 62.76, 33.32, -29.16

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 0 / 60 / 55 / 29

HEX #B54951

RGB 181 73 81

HSL 355.56, 0.43%, 0.5%

LAB 45.88, 44.49, 17.97

 

CMYK 60 / 0 / 40 / 29

HEX #49B56D

RGB 73 181 109

HSL 140, 0.43%, 0.5%

LAB 66.19, -47.12, 27.69

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 0 / 16 / 60 / 29

HEX #B59849

RGB 181 152 73

HSL 43.89, 0.43%, 0.5%

LAB 63.97, 1.28, 44.82

 

CMYK 60 / 0 / 16 / 29

HEX #49B598

RGB 73 181 152

HSL 163.89, 0.43%, 0.5%

LAB 67.07, -37.98, 5.6

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 0 / 60 / 55 / 29

HEX #B54951

RGB 181 73 81

HSL 355.56, 0.43%, 0.5%

LAB 45.88, 44.49, 17.97

 

CMYK 44 / 0 / 60 / 29

HEX #66B549

RGB 102 181 73

HSL 103.89, 0.43%, 0.5%

LAB 66.79, -44.34, 46.59

 

CMYK 60 / 0 / 4 / 29

HEX #49B5AD

RGB 73 181 173

HSL 175.56, 0.43%, 0.5%

LAB 67.64, -32.57, -5.17

 

CMYK 15 / 59 / 0 / 29

HEX #9A4AB5

RGB 154 74 181

HSL 284.86, 0.42%, 0.5%

LAB 45.78, 50.26, -42.86

 

CMYK 0 / 46 / 60 / 29

HEX #B56249

RGB 181 98 73

HSL 13.89, 0.43%, 0.5%

LAB 50.73, 31.11, 28.98

 

CMYK 44 / 0 / 60 / 29

HEX #66B549

RGB 102 181 73

HSL 103.89, 0.43%, 0.5%

LAB 66.79, -44.34, 46.59

 

CMYK 60 / 14 / 0 / 29

HEX #499CB5

RGB 73 156 181

HSL 193.89, 0.43%, 0.5%

LAB 60.36, -17.68, -20.56

 

Description

Color code: CMYK 15 / 59 / 0 / 29 | qconv.com Color code: CMYK 15 / 59 / 0 / 29 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 74 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 74 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 59 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 59% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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