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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C16ED6 it is the complementary color #3E9129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C16ED6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C16ED6 shade: #C66ED1, #D780E4, #E892F7, #F9A4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C16ED6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C16ED6 shade: #C16ED6, #B05CC3, #9F4AB0, #8E389D and #7D268A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C16ED6 shade: #C16FD6, #D66FCF, #D66FB3, #D66F98 and #D66F7C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C16ED6 shade: #C16FD6, #A66FD6, #8A6FD6 and #6F6FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C16ED6 shade matches the following richer shades: #C16FD6, #CA60E5 and #D352F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C16ED6 shade: #C16FD6, #B87EC7, #B08DB8, #A79CAA and #9EAB9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C16ED6 shade: #896FD6, #A46FD6, #C06FD6, #D66FD1 and #D66FB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C16ED6 shade: #A235BE, #B44FCD, #C16FD6, #CF8FDF and #DDB0E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C16ED6 shade: #C16ED6, #D66F71 and #6FD697

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C16ED6 shade: #C16ED6, #D6C06F and #6FD6C0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C16ED6 shade: #C16ED6, #D66F71, #86D66F and #6FD6D4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C16ED6 shade: #C16ED6, #D68C6F, #86D66F and #6FB9D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

Complementary color

CMYK 57 / 0 / 72 / 43

HEX #3E9129

RGB 62 145 41

HSL 107.88, 0.56%, 0.36%

LAB 53.42, -44.88, 45.42

 

CMYK 5 / 47 / 0 / 18

HEX #C66ED1

RGB 198 110 209

HSL 293.33, 0.52%, 0.63%

LAB 59.67, 49.68, -36.67

 

CMYK 6 / 44 / 0 / 11

HEX #D780E4

RGB 215 128 228

HSL 292.2, 0.65%, 0.7%

LAB 66.13, 48.95, -37.07

 

CMYK 6 / 41 / 0 / 3

HEX #E892F7

RGB 232 146 247

HSL 291.09, 0.86%, 0.77%

LAB 72.51, 48.21, -37.41

 

CMYK 2 / 36 / 0 / 0

HEX #F9A4FF

RGB 249 164 255

HSL 296.04, 1%, 0.82%

LAB 78.41, 45.44, -32.47

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

CMYK 10 / 53 / 0 / 24

HEX #B05CC3

RGB 176 92 195

HSL 288.93, 0.46%, 0.56%

LAB 52.76, 49.95, -39.75

 

CMYK 10 / 58 / 0 / 31

HEX #9F4AB0

RGB 159 74 176

HSL 290, 0.41%, 0.49%

LAB 46.18, 50.55, -39.24

 

CMYK 10 / 64 / 0 / 38

HEX #8E389D

RGB 142 56 157

HSL 291.09, 0.47%, 0.42%

LAB 39.6, 50.91, -38.53

 

CMYK 9 / 72 / 0 / 46

HEX #7D268A

RGB 125 38 138

HSL 292.2, 0.57%, 0.35%

LAB 33.09, 50.78, -37.47

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 0 / 48 / 3 / 16

HEX #D66FCF

RGB 214 111 207

HSL 304.08, 0.56%, 0.64%

LAB 61.8, 53.42, -32.08

 

CMYK 0 / 48 / 16 / 16

HEX #D66FB3

RGB 214 111 179

HSL 320.39, 0.56%, 0.64%

LAB 60.71, 48.83, -17.85

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 48 / 42 / 16

HEX #D66F7C

RGB 214 111 124

HSL 352.43, 0.56%, 0.64%

LAB 59.09, 41.62, 11.48

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 22 / 48 / 0 / 16

HEX #A66FD6

RGB 166 111 214

HSL 272.04, 0.56%, 0.64%

LAB 56.42, 41.21, -44.87

 

CMYK 36 / 48 / 0 / 16

HEX #8A6FD6

RGB 138 111 214

HSL 255.73, 0.56%, 0.64%

LAB 53.63, 33.76, -49.47

 

CMYK 48 / 48 / 0 / 16

HEX #6F6FD6

RGB 111 111 214

HSL 240, 0.56%, 0.64%

LAB 51.39, 27.22, -53.18

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 12 / 58 / 0 / 10

HEX #CA60E5

RGB 202 96 229

HSL 287.82, 0.72%, 0.64%

LAB 58.58, 61.41, -49.6

 

CMYK 14 / 66 / 0 / 4

HEX #D352F4

RGB 211 82 244

HSL 287.78, 0.88%, 0.64%

LAB 58.43, 72.35, -58.15

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 8 / 37 / 0 / 22

HEX #B87EC7

RGB 184 126 199

HSL 287.67, 0.39%, 0.64%

LAB 60.99, 34.99, -29.1

 

CMYK 4 / 23 / 0 / 28

HEX #B08DB8

RGB 176 141 184

HSL 288.84, 0.23%, 0.64%

LAB 63.13, 20.97, -17.43

 

CMYK 2 / 8 / 0 / 33

HEX #A79CAA

RGB 167 156 170

HSL 287.14, 0.08%, 0.64%

LAB 65.67, 6.65, -5.84

 

CMYK 8 / 0 / 9 / 33

HEX #9EAB9B

RGB 158 171 155

HSL 108.75, 0.09%, 0.64%

LAB 68.58, -7.62, 6.68

 

CMYK 36 / 48 / 0 / 16

HEX #896FD6

RGB 137 111 214

HSL 255.15, 0.56%, 0.64%

LAB 53.54, 33.51, -49.62

 

CMYK 23 / 48 / 0 / 16

HEX #A46FD6

RGB 164 111 214

HSL 270.87, 0.56%, 0.64%

LAB 56.2, 40.66, -45.22

 

CMYK 10 / 48 / 0 / 16

HEX #C06FD6

RGB 192 111 214

HSL 287.18, 0.56%, 0.64%

LAB 59.37, 48.44, -40.02

 

CMYK 0 / 48 / 2 / 16

HEX #D66FD1

RGB 214 111 209

HSL 302.91, 0.56%, 0.64%

LAB 61.89, 53.77, -33.07

 

CMYK 0 / 48 / 15 / 16

HEX #D66FB6

RGB 214 111 182

HSL 318.64, 0.56%, 0.64%

LAB 60.82, 49.3, -19.4

 

CMYK 15 / 72 / 0 / 25

HEX #A235BE

RGB 162 53 190

HSL 287.74, 0.56%, 0.48%

LAB 44.15, 63.06, -50.65

 

CMYK 12 / 61 / 0 / 20

HEX #B44FCD

RGB 180 79 205

HSL 288.1, 0.56%, 0.56%

LAB 51.5, 59.18, -47.44

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 7 / 36 / 0 / 13

HEX #CF8FDF

RGB 207 143 223

HSL 288, 0.56%, 0.72%

LAB 68.2, 37.66, -31.16

 

CMYK 5 / 24 / 0 / 9

HEX #DDB0E8

RGB 221 176 232

HSL 288.21, 0.55%, 0.8%

LAB 77.43, 25.99, -21.81

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

CMYK 0 / 48 / 47 / 16

HEX #D66F71

RGB 214 111 113

HSL 358.83, 0.56%, 0.64%

LAB 58.84, 40.49, 17.49

 

CMYK 48 / 0 / 29 / 16

HEX #6FD697

RGB 111 214 151

HSL 143.3, 0.56%, 0.64%

LAB 78.29, -44.03, 22.08

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

CMYK 0 / 10 / 48 / 16

HEX #D6C06F

RGB 214 192 111

HSL 47.18, 0.56%, 0.64%

LAB 77.96, -2.85, 43.42

 

CMYK 48 / 0 / 10 / 16

HEX #6FD6C0

RGB 111 214 192

HSL 167.18, 0.56%, 0.64%

LAB 79.2, -35.29, 1.62

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

CMYK 0 / 48 / 47 / 16

HEX #D66F71

RGB 214 111 113

HSL 358.83, 0.56%, 0.64%

LAB 58.84, 40.49, 17.49

 

CMYK 37 / 0 / 48 / 16

HEX #86D66F

RGB 134 214 111

HSL 106.6, 0.56%, 0.64%

LAB 78.64, -43.69, 43.06

 

CMYK 48 / 0 / 1 / 16

HEX #6FD6D4

RGB 111 214 212

HSL 178.83, 0.56%, 0.64%

LAB 79.74, -30.38, -8.28

 

CMYK 10 / 49 / 0 / 16

HEX #C16ED6

RGB 193 110 214

HSL 287.88, 0.56%, 0.64%

LAB 59.29, 49.24, -40.13

 

CMYK 0 / 35 / 48 / 16

HEX #D68C6F

RGB 214 140 111

HSL 16.89, 0.56%, 0.64%

LAB 65.12, 24.97, 27.07

 

CMYK 37 / 0 / 48 / 16

HEX #86D66F

RGB 134 214 111

HSL 106.6, 0.56%, 0.64%

LAB 78.64, -43.69, 43.06

 

CMYK 48 / 14 / 0 / 16

HEX #6FB9D6

RGB 111 185 214

HSL 196.89, 0.56%, 0.64%

LAB 71.51, -15.29, -21.74

 

Description

Color code: HEX #C16ED6 | qconv.com Color code: HEX #C16ED6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 110 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 110 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 49 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 49% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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