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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D66F98 it is the complementary color #299067. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D66F98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D66F98 shade: #DB6F93, #EC81A6, #FD93B9, #FFA5CC and #FFB7DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D66F98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D66F98 shade: #D66F98, #C55D85, #B44B72, #A3395F and #92274C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D66F98 shade: #D66F98, #D66F7C and #D66F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D66F98 shade: #D66F98, #D66FB4, #D66FD0, #C16FD6 and #A56FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D66F98 shade matches the following richer shades: #D66F98, #E56095 and #F45292

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D66F98 shade: #D66F98, #C77E9B, #B88D9E, #AA9CA1 and #9BABA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D66F98 shade: #D66FCF, #D66FB4, #D66F98, #D66F7D and #D67D6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D66F98 shade: #BE356C, #CD4F81, #D66F98, #DF8FAF and #E8B0C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D66F98 shade: #D66F98, #D6C26F and #6FC2D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D66F98 shade: #D66F98, #98D66F and #6F98D6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D66F98 shade: #D66F98, #D6C26F, #6FD6AD and #6F84D6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D66F98 shade: #D66F98, #CCD66F, #6FD6AD and #7A6FD6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

Complementary color

CMYK 72 / 0 / 28 / 44

HEX #299067

RGB 41 144 103

HSL 156.12, 0.56%, 0.36%

LAB 53.38, -39.24, 13.52

 

CMYK 0 / 49 / 33 / 14

HEX #DB6F93

RGB 219 111 147

HSL 340, 0.6%, 0.65%

LAB 60.37, 46.03, 0.11

 

CMYK 0 / 45 / 30 / 7

HEX #EC81A6

RGB 236 129 166

HSL 339.25, 0.74%, 0.72%

LAB 66.74, 45.17, -1.16

 

CMYK 0 / 42 / 27 / 1

HEX #FD93B9

RGB 253 147 185

HSL 338.49, 0.96%, 0.78%

LAB 73.06, 44.33, -2.27

 

CMYK 0 / 35 / 20 / 0

HEX #FFA5CC

RGB 255 165 204

HSL 334, 1%, 0.82%

LAB 77.6, 38.42, -5.99

 

CMYK 0 / 28 / 13 / 0

HEX #FFB7DF

RGB 255 183 223

HSL 326.67, 1%, 0.86%

LAB 82.08, 31.94, -9.62

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 53 / 32 / 23

HEX #C55D85

RGB 197 93 133

HSL 336.92, 0.47%, 0.57%

LAB 53.38, 45.78, -2.32

 

CMYK 0 / 58 / 37 / 29

HEX #B44B72

RGB 180 75 114

HSL 337.71, 0.41%, 0.5%

LAB 46.91, 46.51, -0.72

 

CMYK 0 / 65 / 42 / 36

HEX #A3395F

RGB 163 57 95

HSL 338.49, 0.48%, 0.43%

LAB 40.47, 47.04, 1.29

 

CMYK 0 / 73 / 48 / 43

HEX #92274C

RGB 146 39 76

HSL 339.25, 0.58%, 0.36%

LAB 34.16, 47.13, 3.89

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 48 / 42 / 16

HEX #D66F7C

RGB 214 111 124

HSL 352.43, 0.56%, 0.64%

LAB 59.09, 41.62, 11.48

 

CMYK 0 / 48 / 48 / 16

HEX #D66F6F

RGB 214 111 111

HSL 0, 0.56%, 0.64%

LAB 58.8, 40.3, 18.59

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 48 / 16 / 16

HEX #D66FB4

RGB 214 111 180

HSL 319.81, 0.56%, 0.64%

LAB 60.75, 48.99, -18.37

 

CMYK 0 / 48 / 3 / 16

HEX #D66FD0

RGB 214 111 208

HSL 303.5, 0.56%, 0.64%

LAB 61.84, 53.59, -32.57

 

CMYK 10 / 48 / 0 / 16

HEX #C16FD6

RGB 193 111 214

HSL 287.77, 0.56%, 0.64%

LAB 59.49, 48.72, -39.82

 

CMYK 23 / 48 / 0 / 16

HEX #A56FD6

RGB 165 111 214

HSL 271.46, 0.56%, 0.64%

LAB 56.31, 40.94, -45.05

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 58 / 35 / 10

HEX #E56095

RGB 229 96 149

HSL 336.09, 0.72%, 0.64%

LAB 59.15, 56.66, -2.66

 

CMYK 0 / 66 / 40 / 4

HEX #F45292

RGB 244 82 146

HSL 336.3, 0.88%, 0.64%

LAB 59.29, 66.65, -0.44

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 37 / 22 / 22

HEX #C77E9B

RGB 199 126 155

HSL 336.16, 0.39%, 0.64%

LAB 61.16, 32.27, -3.64

 

CMYK 0 / 23 / 14 / 28

HEX #B88D9E

RGB 184 141 158

HSL 336.28, 0.23%, 0.64%

LAB 63.1, 19, -2.68

 

CMYK 0 / 8 / 5 / 33

HEX #AA9CA1

RGB 170 156 161

HSL 338.57, 0.08%, 0.64%

LAB 65.67, 6.02, -0.76

 

CMYK 9 / 0 / 4 / 33

HEX #9BABA4

RGB 155 171 164

HSL 153.75, 0.09%, 0.64%

LAB 68.59, -6.97, 1.68

 

CMYK 0 / 48 / 3 / 16

HEX #D66FCF

RGB 214 111 207

HSL 304.08, 0.56%, 0.64%

LAB 61.8, 53.42, -32.08

 

CMYK 0 / 48 / 16 / 16

HEX #D66FB4

RGB 214 111 180

HSL 319.81, 0.56%, 0.64%

LAB 60.75, 48.99, -18.37

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 48 / 42 / 16

HEX #D66F7D

RGB 214 111 125

HSL 351.84, 0.56%, 0.64%

LAB 59.11, 41.72, 10.93

 

CMYK 0 / 42 / 48 / 16

HEX #D67D6F

RGB 214 125 111

HSL 8.16, 0.56%, 0.64%

LAB 61.75, 33, 22.58

 

CMYK 0 / 72 / 43 / 25

HEX #BE356C

RGB 190 53 108

HSL 335.91, 0.56%, 0.48%

LAB 45.05, 58.14, 0.44

 

CMYK 0 / 61 / 37 / 20

HEX #CD4F81

RGB 205 79 129

HSL 336.19, 0.56%, 0.56%

LAB 52.01, 54.44, -1.81

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 36 / 22 / 13

HEX #DF8FAF

RGB 223 143 175

HSL 336, 0.56%, 0.72%

LAB 68.33, 34.64, -4.06

 

CMYK 0 / 24 / 15 / 9

HEX #E8B0C6

RGB 232 176 198

HSL 336.43, 0.55%, 0.8%

LAB 77.45, 23.71, -3.22

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 9 / 48 / 16

HEX #D6C26F

RGB 214 194 111

HSL 48.35, 0.56%, 0.64%

LAB 78.48, -3.89, 44.06

 

CMYK 48 / 9 / 0 / 16

HEX #6FC2D6

RGB 111 194 214

HSL 191.65, 0.56%, 0.64%

LAB 74.07, -19.95, -17.85

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 29 / 0 / 48 / 16

HEX #98D66F

RGB 152 214 111

HSL 96.12, 0.56%, 0.64%

LAB 79.57, -37.65, 44.41

 

CMYK 48 / 29 / 0 / 16

HEX #6F98D6

RGB 111 152 214

HSL 216.12, 0.56%, 0.64%

LAB 62.25, 2.87, -36.02

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 9 / 48 / 16

HEX #D6C26F

RGB 214 194 111

HSL 48.35, 0.56%, 0.64%

LAB 78.48, -3.89, 44.06

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 48 / 38 / 0 / 16

HEX #6F84D6

RGB 111 132 214

HSL 227.77, 0.56%, 0.64%

LAB 56.82, 14.59, -44.54

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 5 / 0 / 48 / 16

HEX #CCD66F

RGB 204 214 111

HSL 65.83, 0.56%, 0.64%

LAB 82.95, -18.07, 49.31

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 43 / 48 / 0 / 16

HEX #7A6FD6

RGB 122 111 214

HSL 246.41, 0.56%, 0.64%

LAB 52.24, 29.79, -51.76

 

Description

Color code: HEX #D66F98 | qconv.com Color code: HEX #D66F98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 111 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 111 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 29 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 29% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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