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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #6FD6AD it is the complementary color #902952. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #6FD6AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #6FD6AD shade: #74D6A8, #85E8BB, #96FACE, #A7FFE1 and #B8FFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #6FD6AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #6FD6AD shade: #6FD6AD, #5EC49A, #4DB287, #3CA074 and #2B8E61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #6FD6AD shade: #6FD6AD, #6FD691, #6FD676, #85D66F and #A0D66F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #6FD6AD shade: #6FD6AD, #6FD6C9, #6FC8D6, #6FACD6 and #6F90D6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #6FD6AD shade matches the following richer shades: #6FD6AD, #60E5B0 and #52F4B3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #6FD6AD shade: #6FD6AD, #7EC7AA, #8DB8A7, #9CAAA4 and #AB9BA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #6FD6AD shade: #6FD676, #6FD692, #6FD6AD, #6FD6C8 and #6FC8D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #6FD6AD shade: #35BE87, #4FCD9B, #6FD6AD, #8FDFBF and #B0E8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #6FD6AD shade: #6FD6AD, #6F84D6 and #D6846F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #6FD6AD shade: #6FD6AD, #AD6FD6 and #D6AD6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #6FD6AD shade: #6FD6AD, #6F84D6, #D66F98 and #D6C26F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #6FD6AD shade: #6FD6AD, #7A6FD6, #D66F98 and #CCD66F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

Complementary color

CMYK 0 / 72 / 43 / 44

HEX #902952

RGB 144 41 82

HSL 336.12, 0.56%, 0.36%

LAB 34.24, 46.35, 0.08

 

CMYK 46 / 0 / 21 / 16

HEX #74D6A8

RGB 116 214 168

HSL 151.84, 0.54%, 0.65%

LAB 78.83, -39.38, 13.9

 

CMYK 43 / 0 / 19 / 9

HEX #85E8BB

RGB 133 232 187

HSL 152.73, 0.68%, 0.72%

LAB 85.14, -39.18, 12.91

 

CMYK 40 / 0 / 18 / 2

HEX #96FACE

RGB 150 250 206

HSL 153.6, 0.91%, 0.78%

LAB 91.38, -38.96, 11.98

 

CMYK 35 / 0 / 12 / 0

HEX #A7FFE1

RGB 167 255 225

HSL 159.55, 1%, 0.83%

LAB 93.96, -32.79, 5.98

 

CMYK 28 / 0 / 4 / 0

HEX #B8FFF4

RGB 184 255 244

HSL 170.7, 1%, 0.86%

LAB 95.26, -24.09, -1.81

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 52 / 0 / 21 / 23

HEX #5EC49A

RGB 94 196 154

HSL 155.29, 0.46%, 0.57%

LAB 72.36, -39.7, 12.14

 

CMYK 57 / 0 / 24 / 30

HEX #4DB287

RGB 77 178 135

HSL 154.46, 0.4%, 0.5%

LAB 65.88, -39.76, 13.27

 

CMYK 63 / 0 / 28 / 37

HEX #3CA074

RGB 60 160 116

HSL 153.6, 0.45%, 0.43%

LAB 59.31, -39.69, 14.51

 

CMYK 70 / 0 / 32 / 44

HEX #2B8E61

RGB 43 142 97

HSL 152.73, 0.54%, 0.36%

LAB 52.64, -39.42, 15.91

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 48 / 0 / 32 / 16

HEX #6FD691

RGB 111 214 145

HSL 139.81, 0.56%, 0.64%

LAB 78.18, -45.15, 25.07

 

CMYK 48 / 0 / 45 / 16

HEX #6FD676

RGB 111 214 118

HSL 124.08, 0.56%, 0.64%

LAB 77.75, -49.58, 38.28

 

CMYK 38 / 0 / 48 / 16

HEX #85D66F

RGB 133 214 111

HSL 107.18, 0.56%, 0.64%

LAB 78.59, -44.01, 42.99

 

CMYK 25 / 0 / 48 / 16

HEX #A0D66F

RGB 160 214 111

HSL 91.46, 0.56%, 0.64%

LAB 80.02, -34.82, 45.07

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 48 / 0 / 6 / 16

HEX #6FD6C9

RGB 111 214 201

HSL 172.43, 0.56%, 0.64%

LAB 79.44, -33.13, -2.85

 

CMYK 48 / 7 / 0 / 16

HEX #6FC8D6

RGB 111 200 214

HSL 188.16, 0.56%, 0.64%

LAB 75.79, -22.99, -15.26

 

CMYK 48 / 20 / 0 / 16

HEX #6FACD6

RGB 111 172 214

HSL 204.47, 0.56%, 0.64%

LAB 67.83, -8.33, -27.37

 

CMYK 48 / 33 / 0 / 16

HEX #6F90D6

RGB 111 144 214

HSL 220.78, 0.56%, 0.64%

LAB 60.05, 7.5, -39.45

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 58 / 0 / 23 / 10

HEX #60E5B0

RGB 96 229 176

HSL 156.09, 0.72%, 0.64%

LAB 82.73, -48.77, 15.08

 

CMYK 66 / 0 / 27 / 4

HEX #52F4B3

RGB 82 244 179

HSL 155.93, 0.88%, 0.64%

LAB 86.87, -56.73, 19.26

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 37 / 0 / 15 / 22

HEX #7EC7AA

RGB 126 199 170

HSL 156.16, 0.39%, 0.64%

LAB 74.94, -29.28, 7.36

 

CMYK 23 / 0 / 9 / 28

HEX #8DB8A7

RGB 141 184 167

HSL 156.28, 0.23%, 0.64%

LAB 71.37, -17.89, 3.96

 

CMYK 8 / 0 / 4 / 33

HEX #9CAAA4

RGB 156 170 164

HSL 154.29, 0.08%, 0.64%

LAB 68.39, -6.08, 1.4

 

CMYK 0 / 9 / 6 / 33

HEX #AB9BA1

RGB 171 155 161

HSL 337.5, 0.09%, 0.64%

LAB 65.49, 6.94, -1

 

CMYK 48 / 0 / 45 / 16

HEX #6FD676

RGB 111 214 118

HSL 124.08, 0.56%, 0.64%

LAB 77.75, -49.58, 38.28

 

CMYK 48 / 0 / 32 / 16

HEX #6FD692

RGB 111 214 146

HSL 140.39, 0.56%, 0.64%

LAB 78.2, -44.96, 24.57

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 48 / 0 / 7 / 16

HEX #6FD6C8

RGB 111 214 200

HSL 171.84, 0.56%, 0.64%

LAB 79.41, -33.37, -2.35

 

CMYK 48 / 7 / 0 / 16

HEX #6FC8D6

RGB 111 200 214

HSL 188.16, 0.56%, 0.64%

LAB 75.79, -22.99, -15.26

 

CMYK 72 / 0 / 29 / 25

HEX #35BE87

RGB 53 190 135

HSL 155.91, 0.56%, 0.48%

LAB 68.99, -49.2, 17.51

 

CMYK 61 / 0 / 24 / 20

HEX #4FCD9B

RGB 79 205 155

HSL 156.19, 0.56%, 0.56%

LAB 74.63, -46.58, 14.73

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 36 / 0 / 14 / 13

HEX #8FDFBF

RGB 143 223 191

HSL 156, 0.56%, 0.72%

LAB 83.11, -31.49, 7.97

 

CMYK 24 / 0 / 9 / 9

HEX #B0E8D2

RGB 176 232 210

HSL 156.43, 0.55%, 0.8%

LAB 87.77, -22.25, 4.91

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 48 / 38 / 0 / 16

HEX #6F84D6

RGB 111 132 214

HSL 227.77, 0.56%, 0.64%

LAB 56.82, 14.59, -44.54

 

CMYK 0 / 38 / 48 / 16

HEX #D6846F

RGB 214 132 111

HSL 12.23, 0.56%, 0.64%

LAB 63.3, 29.27, 24.65

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 19 / 48 / 0 / 16

HEX #AD6FD6

RGB 173 111 214

HSL 276.12, 0.56%, 0.64%

LAB 57.18, 43.14, -43.61

 

CMYK 0 / 19 / 48 / 16

HEX #D6AD6F

RGB 214 173 111

HSL 36.12, 0.56%, 0.64%

LAB 73.11, 7.17, 37.38

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 48 / 38 / 0 / 16

HEX #6F84D6

RGB 111 132 214

HSL 227.77, 0.56%, 0.64%

LAB 56.82, 14.59, -44.54

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 0 / 9 / 48 / 16

HEX #D6C26F

RGB 214 194 111

HSL 48.35, 0.56%, 0.64%

LAB 78.48, -3.89, 44.06

 

CMYK 48 / 0 / 19 / 16

HEX #6FD6AD

RGB 111 214 173

HSL 156.12, 0.56%, 0.64%

LAB 78.75, -39.58, 11.1

 

CMYK 43 / 48 / 0 / 16

HEX #7A6FD6

RGB 122 111 214

HSL 246.41, 0.56%, 0.64%

LAB 52.24, 29.79, -51.76

 

CMYK 0 / 48 / 29 / 16

HEX #D66F98

RGB 214 111 152

HSL 336.12, 0.56%, 0.64%

LAB 59.83, 44.97, -3.66

 

CMYK 5 / 0 / 48 / 16

HEX #CCD66F

RGB 204 214 111

HSL 65.83, 0.56%, 0.64%

LAB 82.95, -18.07, 49.31

 

Description

Color code: HEX #6FD6AD | qconv.com Color code: HEX #6FD6AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 19 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 19% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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