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Color name
CMYK 27 / 0 / 91 / 9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 27 / 0 / 91 / 9 it is the complementary color CMYK 63 / 90 / 0 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 27 / 0 / 91 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 25 / 0 / 93 / 9, CMYK 24 / 0 / 86 / 2, CMYK 18 / 0 / 79 / 0, CMYK 12 / 0 / 71 / 0 and CMYK 5 / 0 / 64 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 27 / 0 / 91 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 29 / 0 / 99 / 16, CMYK 31 / 0 / 100 / 23, CMYK 34 / 0 / 100 / 30 and CMYK 37 / 0 / 100 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 3 / 0 / 91 / 9, CMYK 0 / 22 / 91 / 9, CMYK 0 / 46 / 91 / 9 and CMYK 0 / 71 / 91 / 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 52 / 0 / 91 / 9, CMYK 76 / 0 / 91 / 9, CMYK 91 / 0 / 81 / 9 and CMYK 91 / 0 / 57 / 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 27 / 0 / 91 / 9 shade matches the following richer shades: CMYK 27 / 0 / 91 / 9 and CMYK 30 / 0 / 100 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 24 / 0 / 80 / 17, CMYK 20 / 0 / 68 / 25, CMYK 15 / 0 / 51 / 33 and CMYK 9 / 0 / 31 / 41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 0 / 23 / 91 / 9, CMYK 2 / 0 / 91 / 9, CMYK 26 / 0 / 91 / 9, CMYK 50 / 0 / 91 / 9 and CMYK 74 / 0 / 91 / 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 38, CMYK 27 / 0 / 91 / 24, CMYK 27 / 0 / 91 / 9, CMYK 22 / 0 / 75 / 7 and CMYK 18 / 0 / 60 / 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 91 / 0 / 47 / 9 and CMYK 11 / 91 / 0 / 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 91 / 26 / 0 / 9 and CMYK 0 / 91 / 26 / 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 91 / 0 / 47 / 9, CMYK 65 / 91 / 0 / 9 and CMYK 0 / 91 / 44 / 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 27 / 0 / 91 / 9 shade: CMYK 27 / 0 / 91 / 9, CMYK 91 / 0 / 20 / 9, CMYK 65 / 91 / 0 / 9 and CMYK 0 / 91 / 71 / 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 0 / 91 / 9

HEX #A9E815

RGB 169 232 21

HSL 77.91, 0.83%, 0.5%

LAB 85.1, -45.06, 80.89

 

Complementary color

CMYK 63 / 90 / 0 / 8

HEX #5617EA

RGB 86 23 234

HSL 257.91, 0.83%, 0.5%

LAB 35.07, 72.22, -91.28

 

CMYK 25 / 0 / 93 / 9

HEX #AEE810

RGB 174 232 16

HSL 76.11, 0.87%, 0.49%

LAB 85.38, -43.26, 81.84

 

CMYK 24 / 0 / 86 / 2

HEX #BFFA23

RGB 191 250 35

HSL 76.47, 0.96%, 0.56%

LAB 91.49, -44.22, 84.39

 

CMYK 18 / 0 / 79 / 0

HEX #D0FF36

RGB 208 255 54

HSL 74.03, 1%, 0.61%

LAB 93.97, -39.35, 82.66

 

CMYK 12 / 0 / 71 / 0

HEX #E1FF49

RGB 225 255 73

HSL 69.89, 1%, 0.64%

LAB 95.16, -31.94, 78.53

 

CMYK 5 / 0 / 64 / 0

HEX #F2FF5C

RGB 242 255 92

HSL 64.79, 1%, 0.68%

LAB 96.48, -24.21, 73.44

 

CMYK 27 / 0 / 91 / 9

HEX #A9E815

RGB 169 232 21

HSL 77.91, 0.83%, 0.5%

LAB 85.1, -45.06, 80.89

 

CMYK 29 / 0 / 99 / 16

HEX #98D602

RGB 152 214 2

HSL 77.55, 0.98%, 0.42%

LAB 78.91, -43.99, 77.56

 

CMYK 31 / 0 / 100 / 23

HEX #87C400

RGB 135 196 0

HSL 78.67, 1%, 0.38%

LAB 72.65, -42.69, 72.54

 

CMYK 34 / 0 / 100 / 30

HEX #76B200

RGB 118 178 0

HSL 80.22, 1%, 0.35%

LAB 66.28, -41.34, 67.24

 

CMYK 37 / 0 / 100 / 37

HEX #65A000

RGB 101 160 0

HSL 82.13, 1%, 0.31%

LAB 59.81, -39.95, 61.85

 

CMYK 27 / 0 / 91 / 9

HEX #AAE915

RGB 170 233 21

HSL 77.83, 0.83%, 0.5%

LAB 85.44, -45.11, 81.19

 

CMYK 3 / 0 / 91 / 9

HEX #E3E915

RGB 227 233 21

HSL 61.7, 0.83%, 0.5%

LAB 89.23, -22.42, 85.79

 

CMYK 0 / 22 / 91 / 9

HEX #E9B615

RGB 233 182 21

HSL 45.57, 0.83%, 0.5%

LAB 76.58, 5.84, 76.34

 

CMYK 0 / 46 / 91 / 9

HEX #E97D15

RGB 233 125 21

HSL 29.43, 0.83%, 0.5%

LAB 63.38, 35.86, 66.56

 

CMYK 0 / 71 / 91 / 9

HEX #E94415

RGB 233 68 21

HSL 13.3, 0.83%, 0.5%

LAB 53.51, 61.52, 59.6

 

CMYK 27 / 0 / 91 / 9

HEX #AAE915

RGB 170 233 21

HSL 77.83, 0.83%, 0.5%

LAB 85.44, -45.11, 81.19

 

CMYK 52 / 0 / 91 / 9

HEX #71E915

RGB 113 233 21

HSL 93.96, 0.83%, 0.5%

LAB 82.83, -63.94, 77.97

 

CMYK 76 / 0 / 91 / 9

HEX #37E915

RGB 55 233 21

HSL 110.38, 0.83%, 0.5%

LAB 81.37, -76.08, 76.17

 

CMYK 91 / 0 / 81 / 9

HEX #15E92C

RGB 21 233 44

HSL 126.51, 0.83%, 0.5%

LAB 81.08, -78.39, 71.17

 

CMYK 91 / 0 / 57 / 9

HEX #15E965

RGB 21 233 101

HSL 142.64, 0.83%, 0.5%

LAB 81.5, -73.15, 50.57

 

CMYK 27 / 0 / 91 / 9

HEX #AAE915

RGB 170 233 21

HSL 77.83, 0.83%, 0.5%

LAB 85.44, -45.11, 81.19

 

CMYK 30 / 0 / 100 / 1

HEX #B2FD01

RGB 178 253 1

HSL 77.86, 0.99%, 0.5%

LAB 91.56, -50.8, 87.99

 

CMYK 27 / 0 / 91 / 9

HEX #AAE915

RGB 170 233 21

HSL 77.83, 0.83%, 0.5%

LAB 85.44, -45.11, 81.19

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 20 / 0 / 68 / 25

HEX #99C03E

RGB 153 192 62

HSL 78, 0.51%, 0.5%

LAB 72.77, -31.73, 58.58

 

CMYK 15 / 0 / 51 / 33

HEX #91AB53

RGB 145 171 83

HSL 77.73, 0.35%, 0.5%

LAB 66.34, -23.03, 41.94

 

CMYK 9 / 0 / 31 / 41

HEX #889668

RGB 136 150 104

HSL 78.26, 0.18%, 0.5%

LAB 59.93, -13.21, 22.66

 

CMYK 0 / 23 / 91 / 9

HEX #E9B415

RGB 233 180 21

HSL 45, 0.83%, 0.5%

LAB 76.08, 6.89, 75.96

 

CMYK 2 / 0 / 91 / 9

HEX #E5E915

RGB 229 233 21

HSL 61.13, 0.83%, 0.5%

LAB 89.39, -21.59, 85.98

 

CMYK 26 / 0 / 91 / 9

HEX #ADE915

RGB 173 233 21

HSL 76.98, 0.83%, 0.5%

LAB 85.61, -43.98, 81.4

 

CMYK 50 / 0 / 91 / 9

HEX #74E915

RGB 116 233 21

HSL 93.11, 0.83%, 0.5%

LAB 82.94, -63.1, 78.11

 

CMYK 74 / 0 / 91 / 9

HEX #3CE915

RGB 60 233 21

HSL 108.96, 0.83%, 0.5%

LAB 81.45, -75.37, 76.27

 

CMYK 27 / 0 / 91 / 38

HEX #739D0E

RGB 115 157 14

HSL 77.62, 0.84%, 0.34%

LAB 59.7, -32.88, 60.02

 

CMYK 27 / 0 / 91 / 24

HEX #8EC312

RGB 142 195 18

HSL 77.97, 0.83%, 0.42%

LAB 72.78, -39.3, 70.71

 

CMYK 27 / 0 / 91 / 9

HEX #AAE915

RGB 170 233 21

HSL 77.83, 0.83%, 0.5%

LAB 85.44, -45.11, 81.19

 

CMYK 22 / 0 / 75 / 7

HEX #B7EC3B

RGB 183 236 59

HSL 77.97, 0.82%, 0.58%

LAB 87.18, -40.27, 74.44

 

CMYK 18 / 0 / 60 / 6

HEX #C5F061

RGB 197 240 97

HSL 78.04, 0.83%, 0.66%

LAB 89.42, -34.37, 62.94

 

CMYK 27 / 0 / 91 / 9

HEX #A9E815

RGB 169 232 21

HSL 77.91, 0.83%, 0.5%

LAB 85.1, -45.06, 80.89

 

CMYK 91 / 0 / 47 / 9

HEX #15E97B

RGB 21 233 123

HSL 148.87, 0.83%, 0.5%

LAB 81.77, -69.9, 40.55

 

CMYK 11 / 91 / 0 / 9

HEX #D015E9

RGB 208 21 233

HSL 292.92, 0.83%, 0.5%

LAB 51.64, 86.19, -62.9

 

CMYK 27 / 0 / 91 / 9

HEX #A9E815

RGB 169 232 21

HSL 77.91, 0.83%, 0.5%

LAB 85.1, -45.06, 80.89

 

CMYK 91 / 26 / 0 / 9

HEX #15ADE9

RGB 21 173 233

HSL 196.98, 0.83%, 0.5%

LAB 66.47, -15.17, -40.11

 

CMYK 0 / 91 / 26 / 9

HEX #E915AD

RGB 233 21 173

HSL 316.98, 0.83%, 0.5%

LAB 52.81, 82.45, -26.22

 

CMYK 27 / 0 / 91 / 9

HEX #A9E815

RGB 169 232 21

HSL 77.91, 0.83%, 0.5%

LAB 85.1, -45.06, 80.89

 

CMYK 91 / 0 / 47 / 9

HEX #15E97B

RGB 21 233 123

HSL 148.87, 0.83%, 0.5%

LAB 81.77, -69.9, 40.55

 

CMYK 65 / 91 / 0 / 9

HEX #5115E9

RGB 81 21 233

HSL 256.98, 0.83%, 0.5%

LAB 34.33, 72.13, -91.94

 

CMYK 0 / 91 / 44 / 9

HEX #E91583

RGB 233 21 131

HSL 328.87, 0.83%, 0.5%

LAB 51.27, 78.3, -3.54

 

CMYK 27 / 0 / 91 / 9

HEX #A9E815

RGB 169 232 21

HSL 77.91, 0.83%, 0.5%

LAB 85.1, -45.06, 80.89

 

CMYK 91 / 0 / 20 / 9

HEX #15E9BB

RGB 21 233 187

HSL 166.98, 0.83%, 0.5%

LAB 82.93, -56.72, 9.41

 

CMYK 65 / 91 / 0 / 9

HEX #5115E9

RGB 81 21 233

HSL 256.98, 0.83%, 0.5%

LAB 34.33, 72.13, -91.94

 

CMYK 0 / 91 / 71 / 9

HEX #E91543

RGB 233 21 67

HSL 346.98, 0.83%, 0.5%

LAB 49.82, 74.3, 33.37

 

Description

Color code: CMYK 27 / 0 / 91 / 9 | qconv.com Color code: CMYK 27 / 0 / 91 / 9 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 169 red, 232 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
169 232 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, none magenta, 91 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 0% 91% 9% C M Y K

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Provide designers and agencies with accurate color values.

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