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Color name
HEX #A1D42A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A1D42A it is the complementary color #5E2BD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A1D42A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A1D42A shade: #A6D425, #B7E638, #C8F84B, #D9FF5E and #EAFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A1D42A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A1D42A shade: #A1D42A, #90C217, #7FB004, #6E9E00 and #5D8C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A1D42A shade: #A1D42A, #CFD42A, #D4AC2A, #D47D2A and #D44F2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A1D42A shade: #A1D42A, #73D42A, #45D42A, #2AD43C and #2AD46A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A1D42A shade matches the following richer shades: #A1D42A, #A9E915 and #B2FE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A1D42A shade: #A1D42A, #99C03E, #91AB53, #889767 and #80827C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A1D42A shade: #D4AD2A, #CFD42A, #A1D42A, #74D42A and #46D42A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A1D42A shade: #6D901C, #87B223, #A1D42A, #B0DB4C and #BFE26E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A1D42A shade: #A1D42A, #2AD47F and #C32AD4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A1D42A shade: #A1D42A, #2AA1D4 and #D42AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A1D42A shade: #A1D42A, #2AD47F, #5D2AD4 and #D42A7F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A1D42A shade: #A1D42A, #2AD4B2, #5D2AD4 and #D42A4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

Complementary color

CMYK 56 / 80 / 0 / 16

HEX #5E2BD5

RGB 94 43 213

HSL 258, 0.67%, 0.5%

LAB 35.81, 61.06, -77.98

 

CMYK 22 / 0 / 83 / 17

HEX #A6D425

RGB 166 212 37

HSL 75.77, 0.7%, 0.49%

LAB 79.23, -37.02, 72.94

 

CMYK 20 / 0 / 76 / 10

HEX #B7E638

RGB 183 230 56

HSL 76.21, 0.78%, 0.56%

LAB 85.48, -37.74, 73.76

 

CMYK 19 / 0 / 70 / 3

HEX #C8F84B

RGB 200 248 75

HSL 76.65, 0.93%, 0.63%

LAB 91.65, -38.32, 73.86

 

CMYK 15 / 0 / 63 / 0

HEX #D9FF5E

RGB 217 255 94

HSL 74.16, 1%, 0.68%

LAB 94.77, -33.82, 70.34

 

CMYK 8 / 0 / 56 / 0

HEX #EAFF71

RGB 234 255 113

HSL 68.87, 1%, 0.72%

LAB 96.08, -25.9, 64.26

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 26 / 0 / 88 / 24

HEX #90C217

RGB 144 194 23

HSL 77.54, 0.79%, 0.43%

LAB 72.61, -37.96, 69.77

 

CMYK 28 / 0 / 98 / 31

HEX #7FB004

RGB 127 176 4

HSL 77.09, 0.96%, 0.35%

LAB 66.19, -36.93, 66.89

 

CMYK 30 / 0 / 100 / 38

HEX #6E9E00

RGB 110 158 0

HSL 78.23, 1%, 0.31%

LAB 59.68, -35.62, 61.97

 

CMYK 34 / 0 / 100 / 45

HEX #5D8C00

RGB 93 140 0

HSL 80.14, 1%, 0.27%

LAB 53.04, -34.21, 56.45

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 2 / 0 / 80 / 17

HEX #CFD42A

RGB 207 212 42

HSL 61.76, 0.67%, 0.5%

LAB 82.12, -20.13, 75.32

 

CMYK 0 / 19 / 80 / 17

HEX #D4AC2A

RGB 212 172 42

HSL 45.88, 0.67%, 0.5%

LAB 72.01, 2.47, 66.63

 

CMYK 0 / 41 / 80 / 17

HEX #D47D2A

RGB 212 125 42

HSL 29.29, 0.67%, 0.5%

LAB 60.63, 27.74, 56.37

 

CMYK 0 / 63 / 80 / 17

HEX #D44F2A

RGB 212 79 42

HSL 13.06, 0.67%, 0.5%

LAB 51.56, 50.6, 47.83

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 46 / 0 / 80 / 17

HEX #73D42A

RGB 115 212 42

HSL 94.24, 0.67%, 0.5%

LAB 76.62, -54.92, 68.32

 

CMYK 67 / 0 / 80 / 17

HEX #45D42A

RGB 69 212 42

HSL 110.47, 0.67%, 0.5%

LAB 75.15, -66.6, 66.43

 

CMYK 80 / 0 / 72 / 17

HEX #2AD43C

RGB 42 212 60

HSL 126.35, 0.67%, 0.5%

LAB 74.77, -69.53, 60.11

 

CMYK 80 / 0 / 50 / 17

HEX #2AD46A

RGB 42 212 106

HSL 142.59, 0.67%, 0.5%

LAB 75.21, -64.08, 40.64

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 27 / 0 / 91 / 9

HEX #A9E915

RGB 169 233 21

HSL 78.11, 0.83%, 0.5%

LAB 85.39, -45.48, 81.12

 

CMYK 30 / 0 / 100 / 0

HEX #B2FE00

RGB 178 254 0

HSL 77.95, 1%, 0.5%

LAB 91.84, -51.22, 88.28

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 20 / 0 / 68 / 25

HEX #99C03E

RGB 153 192 62

HSL 78, 0.51%, 0.5%

LAB 72.77, -31.73, 58.58

 

CMYK 15 / 0 / 51 / 33

HEX #91AB53

RGB 145 171 83

HSL 77.73, 0.35%, 0.5%

LAB 66.34, -23.03, 41.94

 

CMYK 10 / 0 / 32 / 41

HEX #889767

RGB 136 151 103

HSL 78.75, 0.19%, 0.5%

LAB 60.2, -13.89, 23.57

 

CMYK 2 / 0 / 5 / 49

HEX #80827C

RGB 128 130 124

HSL 80, 0.02%, 0.5%

LAB 54.04, -1.92, 2.98

 

CMYK 0 / 18 / 80 / 17

HEX #D4AD2A

RGB 212 173 42

HSL 46.24, 0.67%, 0.5%

LAB 72.26, 1.94, 66.86

 

CMYK 2 / 0 / 80 / 17

HEX #CFD42A

RGB 207 212 42

HSL 61.76, 0.67%, 0.5%

LAB 82.12, -20.13, 75.32

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 45 / 0 / 80 / 17

HEX #74D42A

RGB 116 212 42

HSL 93.88, 0.67%, 0.5%

LAB 76.66, -54.61, 68.38

 

CMYK 67 / 0 / 80 / 17

HEX #46D42A

RGB 70 212 42

HSL 110.12, 0.67%, 0.5%

LAB 75.17, -66.4, 66.46

 

CMYK 24 / 0 / 81 / 44

HEX #6D901C

RGB 109 144 28

HSL 78.1, 0.67%, 0.34%

LAB 55.36, -28.73, 52.76

 

CMYK 24 / 0 / 80 / 30

HEX #87B223

RGB 135 178 35

HSL 78.04, 0.67%, 0.42%

LAB 67.36, -33.85, 62.21

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 20 / 0 / 65 / 14

HEX #B0DB4C

RGB 176 219 76

HSL 78.04, 0.67%, 0.58%

LAB 82.06, -34.32, 63.2

 

CMYK 15 / 0 / 51 / 11

HEX #BFE26E

RGB 191 226 110

HSL 78.1, 0.67%, 0.66%

LAB 85.3, -29.02, 52.36

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 80 / 0 / 40 / 17

HEX #2AD47F

RGB 42 212 127

HSL 150, 0.67%, 0.5%

LAB 75.52, -60.49, 30.51

 

CMYK 8 / 80 / 0 / 17

HEX #C32AD4

RGB 195 42 212

HSL 294, 0.67%, 0.5%

LAB 49.51, 76.75, -54.51

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 80 / 24 / 0 / 17

HEX #2AA1D4

RGB 42 161 212

HSL 198, 0.67%, 0.5%

LAB 62.28, -14.6, -35.03

 

CMYK 0 / 80 / 24 / 17

HEX #D42AA1

RGB 212 42 161

HSL 318, 0.67%, 0.5%

LAB 49.77, 72.88, -24.16

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 80 / 0 / 40 / 17

HEX #2AD47F

RGB 42 212 127

HSL 150, 0.67%, 0.5%

LAB 75.52, -60.49, 30.51

 

CMYK 56 / 80 / 0 / 17

HEX #5D2AD4

RGB 93 42 212

HSL 258, 0.67%, 0.5%

LAB 35.47, 61.09, -77.97

 

CMYK 0 / 80 / 40 / 17

HEX #D42A7F

RGB 212 42 127

HSL 330, 0.67%, 0.5%

LAB 48.49, 69.16, -5.66

 

CMYK 24 / 0 / 80 / 17

HEX #A1D42A

RGB 161 212 42

HSL 78, 0.67%, 0.5%

LAB 78.94, -38.78, 71.3

 

CMYK 80 / 0 / 16 / 17

HEX #2AD4B2

RGB 42 212 178

HSL 168, 0.67%, 0.5%

LAB 76.55, -49.18, 5.06

 

CMYK 56 / 80 / 0 / 17

HEX #5D2AD4

RGB 93 42 212

HSL 258, 0.67%, 0.5%

LAB 35.47, 61.09, -77.97

 

CMYK 0 / 80 / 64 / 17

HEX #D42A4C

RGB 212 42 76

HSL 348, 0.67%, 0.5%

LAB 47.2, 65.28, 23.78

 

Description

Color code: HEX #A1D42A | qconv.com Color code: HEX #A1D42A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 161 red, 212 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
161 212 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 80 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 80% 17% C M Y K

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Provide designers and agencies with accurate color values.

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