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Color name
CMYK 40 / 0 / 67 / 55

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 67 / 55 it is the complementary color CMYK 14 / 35 / 0 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 67 / 55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 36 / 0 / 71 / 55, CMYK 32 / 0 / 61 / 48, CMYK 28 / 0 / 53 / 41, CMYK 26 / 0 / 47 / 34 and CMYK 24 / 0 / 42 / 27

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 67 / 55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 40 / 0 / 67 / 55, CMYK 46 / 0 / 80 / 62, CMYK 56 / 0 / 100 / 69, CMYK 70 / 0 / 100 / 76 and CMYK 98 / 0 / 100 / 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 39 / 0 / 67 / 55, CMYK 22 / 0 / 67 / 55, CMYK 4 / 0 / 67 / 55, CMYK 0 / 14 / 67 / 55 and CMYK 0 / 32 / 67 / 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 39 / 0 / 67 / 55, CMYK 58 / 0 / 67 / 55, CMYK 67 / 0 / 58 / 55, CMYK 67 / 0 / 39 / 55 and CMYK 67 / 0 / 22 / 55

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 40 / 0 / 67 / 55 shade matches the following richer shades: CMYK 39 / 0 / 67 / 55, CMYK 48 / 0 / 80 / 50, CMYK 54 / 0 / 91 / 45 and CMYK 60 / 0 / 99 / 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 39 / 0 / 67 / 55, CMYK 30 / 0 / 51 / 60, CMYK 18 / 0 / 29 / 65, CMYK 1 / 0 / 3 / 70 and CMYK 10 / 25 / 0 / 66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 4 / 0 / 67 / 55, CMYK 21 / 0 / 67 / 55, CMYK 39 / 0 / 67 / 55, CMYK 57 / 0 / 67 / 55 and CMYK 67 / 0 / 59 / 55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 40 / 0 / 67 / 80, CMYK 40 / 0 / 67 / 67, CMYK 39 / 0 / 67 / 55, CMYK 40 / 0 / 67 / 43 and CMYK 40 / 0 / 67 / 31

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 40 / 0 / 67 / 55, CMYK 67 / 0 / 14 / 55 and CMYK 0 / 67 / 12 / 55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 40 / 0 / 67 / 55, CMYK 67 / 39 / 0 / 55 and CMYK 0 / 67 / 39 / 55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 40 / 0 / 67 / 55, CMYK 67 / 0 / 14 / 55, CMYK 28 / 67 / 0 / 55 and CMYK 0 / 67 / 53 / 55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 40 / 0 / 67 / 55 shade: CMYK 40 / 0 / 67 / 55, CMYK 67 / 5 / 0 / 55, CMYK 28 / 67 / 0 / 55 and CMYK 0 / 61 / 67 / 55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

Complementary color

CMYK 14 / 35 / 0 / 15

HEX #BA8CD9

RGB 186 140 217

HSL 275.84, 0.5%, 0.7%

LAB 65.12, 31.62, -32.76

 

CMYK 36 / 0 / 71 / 55

HEX #4A7321

RGB 74 115 33

HSL 90, 0.55%, 0.29%

LAB 43.98, -28.74, 39.1

 

CMYK 32 / 0 / 61 / 48

HEX #5B8534

RGB 91 133 52

HSL 91.11, 0.44%, 0.36%

LAB 50.98, -28.96, 38.28

 

CMYK 28 / 0 / 53 / 41

HEX #6C9747

RGB 108 151 71

HSL 92.25, 0.36%, 0.44%

LAB 57.82, -29.03, 37.15

 

CMYK 26 / 0 / 47 / 34

HEX #7DA95A

RGB 125 169 90

HSL 93.42, 0.31%, 0.51%

LAB 64.54, -29, 35.93

 

CMYK 24 / 0 / 42 / 27

HEX #8EBB6D

RGB 142 187 109

HSL 94.62, 0.36%, 0.58%

LAB 71.14, -28.92, 34.73

 

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

CMYK 46 / 0 / 80 / 62

HEX #346113

RGB 52 97 19

HSL 94.62, 0.67%, 0.23%

LAB 36.61, -29.8, 36.98

 

CMYK 56 / 0 / 100 / 69

HEX #234F00

RGB 35 79 0

HSL 93.42, 1%, 0.15%

LAB 29.28, -29.02, 36.7

 

CMYK 70 / 0 / 100 / 76

HEX #123D00

RGB 18 61 0

HSL 102.3, 1%, 0.12%

LAB 21.82, -26.89, 29.5

 

CMYK 98 / 0 / 100 / 83

HEX #012B00

RGB 1 43 0

HSL 118.6, 1%, 0.08%

LAB 14.03, -24.57, 20.05

 

CMYK 39 / 0 / 67 / 55

HEX #457226

RGB 69 114 38

HSL 95.53, 0.5%, 0.3%

LAB 43.42, -29.74, 36.17

 

CMYK 22 / 0 / 67 / 55

HEX #597226

RGB 89 114 38

HSL 79.74, 0.5%, 0.3%

LAB 44.66, -21.64, 37.87

 

CMYK 4 / 0 / 67 / 55

HEX #6E7226

RGB 110 114 38

HSL 63.16, 0.5%, 0.3%

LAB 46.3, -12.25, 40.11

 

CMYK 0 / 14 / 67 / 55

HEX #726226

RGB 114 98 38

HSL 47.37, 0.5%, 0.3%

LAB 41.93, -1.26, 35.55

 

CMYK 0 / 32 / 67 / 55

HEX #724D26

RGB 114 77 38

HSL 30.79, 0.5%, 0.3%

LAB 36.03, 11.32, 28.96

 

CMYK 39 / 0 / 67 / 55

HEX #457226

RGB 69 114 38

HSL 95.53, 0.5%, 0.3%

LAB 43.42, -29.74, 36.17

 

CMYK 58 / 0 / 67 / 55

HEX #307226

RGB 48 114 38

HSL 112.11, 0.5%, 0.3%

LAB 42.46, -36.73, 34.85

 

CMYK 67 / 0 / 58 / 55

HEX #267230

RGB 38 114 48

HSL 127.89, 0.5%, 0.3%

LAB 42.25, -38.04, 29.52

 

CMYK 67 / 0 / 39 / 55

HEX #267245

RGB 38 114 69

HSL 144.47, 0.5%, 0.3%

LAB 42.58, -34.36, 18.29

 

CMYK 67 / 0 / 22 / 55

HEX #267259

RGB 38 114 89

HSL 160.26, 0.5%, 0.3%

LAB 43.02, -29.73, 7.11

 

CMYK 39 / 0 / 67 / 55

HEX #457226

RGB 69 114 38

HSL 95.53, 0.5%, 0.3%

LAB 43.42, -29.74, 36.17

 

CMYK 48 / 0 / 80 / 50

HEX #427F19

RGB 66 127 25

HSL 95.88, 0.67%, 0.3%

LAB 47.5, -37.59, 45.54

 

CMYK 54 / 0 / 91 / 45

HEX #408B0D

RGB 64 139 13

HSL 95.71, 0.83%, 0.3%

LAB 51.36, -43.64, 52.2

 

CMYK 60 / 0 / 99 / 41

HEX #3D9701

RGB 61 151 1

HSL 96, 0.99%, 0.3%

LAB 55.2, -49.32, 57.36

 

CMYK 39 / 0 / 67 / 55

HEX #457226

RGB 69 114 38

HSL 95.53, 0.5%, 0.3%

LAB 43.42, -29.74, 36.17

 

CMYK 30 / 0 / 51 / 60

HEX #476632

RGB 71 102 50

HSL 95.77, 0.34%, 0.3%

LAB 39.7, -21.66, 25.7

 

CMYK 18 / 0 / 29 / 65

HEX #49593F

RGB 73 89 63

HSL 96.92, 0.17%, 0.3%

LAB 35.83, -11.68, 13.07

 

CMYK 1 / 0 / 3 / 70

HEX #4C4D4B

RGB 76 77 75

HSL 90, 0.01%, 0.3%

LAB 32.6, -0.84, 1.04

 

CMYK 10 / 25 / 0 / 66

HEX #4E4157

RGB 78 65 87

HSL 275.45, 0.14%, 0.3%

LAB 29.63, 10.38, -11.06

 

CMYK 4 / 0 / 67 / 55

HEX #6E7226

RGB 110 114 38

HSL 63.16, 0.5%, 0.3%

LAB 46.3, -12.25, 40.11

 

CMYK 21 / 0 / 67 / 55

HEX #5A7226

RGB 90 114 38

HSL 78.95, 0.5%, 0.3%

LAB 44.73, -21.21, 37.97

 

CMYK 39 / 0 / 67 / 55

HEX #467226

RGB 70 114 38

HSL 94.74, 0.5%, 0.3%

LAB 43.47, -29.36, 36.24

 

CMYK 57 / 0 / 67 / 55

HEX #317226

RGB 49 114 38

HSL 111.32, 0.5%, 0.3%

LAB 42.5, -36.44, 34.9

 

CMYK 67 / 0 / 59 / 55

HEX #26722F

RGB 38 114 47

HSL 127.11, 0.5%, 0.3%

LAB 42.23, -38.19, 30.02

 

CMYK 40 / 0 / 67 / 80

HEX #1F3411

RGB 31 52 17

HSL 96, 0.51%, 0.14%

LAB 19.17, -16.05, 19.2

 

CMYK 40 / 0 / 67 / 67

HEX #32531B

RGB 50 83 27

HSL 95.36, 0.51%, 0.22%

LAB 31.68, -23.21, 28.28

 

CMYK 39 / 0 / 67 / 55

HEX #457226

RGB 69 114 38

HSL 95.53, 0.5%, 0.3%

LAB 43.42, -29.74, 36.17

 

CMYK 40 / 0 / 67 / 43

HEX #579130

RGB 87 145 48

HSL 95.88, 0.5%, 0.38%

LAB 54.54, -36.35, 43.99

 

CMYK 40 / 0 / 67 / 31

HEX #6AB03A

RGB 106 176 58

HSL 95.59, 0.5%, 0.46%

LAB 65.29, -42.33, 51.54

 

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

CMYK 67 / 0 / 14 / 55

HEX #267262

RGB 38 114 98

HSL 167.37, 0.5%, 0.3%

LAB 43.25, -27.33, 2.06

 

CMYK 0 / 67 / 12 / 55

HEX #722664

RGB 114 38 100

HSL 311.05, 0.5%, 0.3%

LAB 29.12, 41.04, -19.85

 

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

CMYK 67 / 39 / 0 / 55

HEX #264672

RGB 38 70 114

HSL 214.74, 0.5%, 0.3%

LAB 29.43, 3.56, -28.86

 

CMYK 0 / 67 / 39 / 55

HEX #722646

RGB 114 38 70

HSL 334.74, 0.5%, 0.3%

LAB 27.86, 36.61, -2.05

 

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

CMYK 67 / 0 / 14 / 55

HEX #267262

RGB 38 114 98

HSL 167.37, 0.5%, 0.3%

LAB 43.25, -27.33, 2.06

 

CMYK 28 / 67 / 0 / 55

HEX #522672

RGB 82 38 114

HSL 274.74, 0.5%, 0.3%

LAB 24.94, 35.21, -35.81

 

CMYK 0 / 67 / 53 / 55

HEX #722636

RGB 114 38 54

HSL 347.37, 0.5%, 0.3%

LAB 27.38, 34.83, 7.96

 

CMYK 40 / 0 / 67 / 55

HEX #457326

RGB 69 115 38

HSL 95.84, 0.5%, 0.3%

LAB 43.75, -30.2, 36.53

 

CMYK 67 / 5 / 0 / 55

HEX #266C72

RGB 38 108 114

HSL 184.74, 0.5%, 0.3%

LAB 41.77, -19.44, -9.79

 

CMYK 28 / 67 / 0 / 55

HEX #522672

RGB 82 38 114

HSL 274.74, 0.5%, 0.3%

LAB 24.94, 35.21, -35.81

 

CMYK 0 / 61 / 67 / 55

HEX #722C26

RGB 114 44 38

HSL 4.74, 0.5%, 0.3%

LAB 28.16, 30.48, 19.55

 

Description

Color code: CMYK 40 / 0 / 67 / 55 | qconv.com Color code: CMYK 40 / 0 / 67 / 55 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 69 red, 115 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
69 115 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 67 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 67% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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