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Color name
CMYK 40 / 0 / 16 / 30

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 40 / 0 / 16 / 30 it is the complementary color CMYK 0 / 49 / 29 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 40 / 0 / 16 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 37 / 0 / 19 / 30, CMYK 35 / 0 / 17 / 23, CMYK 32 / 0 / 15 / 16, CMYK 30 / 0 / 13 / 9 and CMYK 28 / 0 / 12 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 40 / 0 / 16 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 44 / 0 / 19 / 37, CMYK 49 / 0 / 22 / 44, CMYK 55 / 0 / 26 / 51 and CMYK 64 / 0 / 31 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 40 / 0 / 27 / 30, CMYK 40 / 0 / 38 / 30, CMYK 31 / 0 / 40 / 30 and CMYK 21 / 0 / 40 / 30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 40 / 0 / 5 / 30, CMYK 40 / 6 / 0 / 30, CMYK 40 / 16 / 0 / 30 and CMYK 40 / 27 / 0 / 30

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 40 / 0 / 16 / 30 shade matches the following richer shades: CMYK 40 / 0 / 16 / 30, CMYK 55 / 0 / 22 / 23, CMYK 67 / 0 / 27 / 16, CMYK 78 / 0 / 31 / 9 and CMYK 86 / 0 / 35 / 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 22 / 0 / 9 / 37, CMYK 0 / 1 / 1 / 44, CMYK 0 / 23 / 14 / 37 and CMYK 0 / 41 / 25 / 30

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 38 / 30, CMYK 40 / 0 / 28 / 30, CMYK 40 / 0 / 17 / 30, CMYK 40 / 0 / 6 / 30 and CMYK 40 / 4 / 0 / 30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 49 / 0 / 20 / 47, CMYK 48 / 0 / 20 / 37, CMYK 40 / 0 / 16 / 30, CMYK 30 / 0 / 12 / 25 and CMYK 22 / 0 / 9 / 19

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 40 / 31 / 0 / 30 and CMYK 0 / 33 / 40 / 30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 17 / 40 / 0 / 30 and CMYK 0 / 17 / 40 / 30

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 40 / 31 / 0 / 30, CMYK 0 / 40 / 24 / 30 and CMYK 0 / 8 / 40 / 30

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 40 / 0 / 16 / 30 shade: CMYK 40 / 0 / 16 / 30, CMYK 37 / 40 / 0 / 30, CMYK 0 / 40 / 24 / 30 and CMYK 3 / 0 / 40 / 30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 16 / 30

HEX #6BB396

RGB 107 179 150

HSL 155.83, 0.32%, 0.56%

LAB 67.7, -29.33, 7.77

 

Complementary color

CMYK 0 / 49 / 29 / 42

HEX #944C69

RGB 148 76 105

HSL 335.83, 0.32%, 0.44%

LAB 41.98, 33.72, -3.01

 

CMYK 37 / 0 / 19 / 30

HEX #70B391

RGB 112 179 145

HSL 149.55, 0.31%, 0.57%

LAB 67.82, -28.95, 10.72

 

CMYK 35 / 0 / 17 / 23

HEX #81C5A4

RGB 129 197 164

HSL 150.88, 0.37%, 0.64%

LAB 74.37, -28.7, 9.8

 

CMYK 32 / 0 / 15 / 16

HEX #92D7B7

RGB 146 215 183

HSL 152.17, 0.46%, 0.71%

LAB 80.81, -28.46, 8.94

 

CMYK 30 / 0 / 13 / 9

HEX #A3E9CA

RGB 163 233 202

HSL 153.43, 0.61%, 0.78%

LAB 87.16, -28.23, 8.12

 

CMYK 28 / 0 / 12 / 2

HEX #B4FBDD

RGB 180 251 221

HSL 154.65, 0.9%, 0.85%

LAB 93.41, -28.03, 7.35

 

CMYK 40 / 0 / 16 / 30

HEX #6BB396

RGB 107 179 150

HSL 155.83, 0.32%, 0.56%

LAB 67.7, -29.33, 7.77

 

CMYK 44 / 0 / 19 / 37

HEX #5AA183

RGB 90 161 131

HSL 154.65, 0.28%, 0.49%

LAB 61.05, -29.55, 8.73

 

CMYK 49 / 0 / 22 / 44

HEX #498F70

RGB 73 143 112

HSL 153.43, 0.32%, 0.42%

LAB 54.27, -29.75, 9.78

 

CMYK 55 / 0 / 26 / 51

HEX #387D5D

RGB 56 125 93

HSL 152.17, 0.38%, 0.35%

LAB 47.36, -29.9, 10.95

 

CMYK 64 / 0 / 31 / 58

HEX #276B4A

RGB 39 107 74

HSL 150.88, 0.47%, 0.29%

LAB 40.31, -29.9, 12.29

 

CMYK 40 / 0 / 16 / 30

HEX #6AB295

RGB 106 178 149

HSL 155.83, 0.32%, 0.56%

LAB 67.33, -29.34, 7.79

 

CMYK 40 / 0 / 27 / 30

HEX #6AB282

RGB 106 178 130

HSL 140, 0.32%, 0.56%

LAB 66.91, -33.25, 17.61

 

CMYK 40 / 0 / 38 / 30

HEX #6AB26F

RGB 106 178 111

HSL 124.17, 0.32%, 0.56%

LAB 66.56, -36.65, 27.36

 

CMYK 31 / 0 / 40 / 30

HEX #7AB26A

RGB 122 178 106

HSL 106.67, 0.32%, 0.56%

LAB 67.29, -32.17, 31.1

 

CMYK 21 / 0 / 40 / 30

HEX #8DB26A

RGB 141 178 106

HSL 90.83, 0.32%, 0.56%

LAB 68.42, -25.32, 32.78

 

CMYK 40 / 0 / 16 / 30

HEX #6AB295

RGB 106 178 149

HSL 155.83, 0.32%, 0.56%

LAB 67.33, -29.34, 7.79

 

CMYK 40 / 0 / 5 / 30

HEX #6AB2A9

RGB 106 178 169

HSL 172.5, 0.32%, 0.56%

LAB 67.85, -24.72, -2.5

 

CMYK 40 / 6 / 0 / 30

HEX #6AA8B2

RGB 106 168 178

HSL 188.33, 0.32%, 0.56%

LAB 65.19, -17.32, -11.45

 

CMYK 40 / 16 / 0 / 30

HEX #6A95B2

RGB 106 149 178

HSL 204.17, 0.32%, 0.56%

LAB 59.68, -7.03, -19.77

 

CMYK 40 / 27 / 0 / 30

HEX #6A82B2

RGB 106 130 178

HSL 220, 0.32%, 0.56%

LAB 54.28, 3.87, -28.08

 

CMYK 40 / 0 / 16 / 30

HEX #6AB295

RGB 106 178 149

HSL 155.83, 0.32%, 0.56%

LAB 67.33, -29.34, 7.79

 

CMYK 55 / 0 / 22 / 23

HEX #58C499

RGB 88 196 153

HSL 156.11, 0.48%, 0.56%

LAB 72.13, -41.29, 12.33

 

CMYK 67 / 0 / 27 / 16

HEX #46D79C

RGB 70 215 156

HSL 155.59, 0.64%, 0.56%

LAB 77.46, -52.05, 18.12

 

CMYK 78 / 0 / 31 / 9

HEX #34E9A0

RGB 52 233 160

HSL 155.8, 0.8%, 0.56%

LAB 82.67, -60.55, 23.17

 

CMYK 86 / 0 / 35 / 2

HEX #22FBA3

RGB 34 251 163

HSL 155.67, 0.96%, 0.56%

LAB 87.96, -67.96, 28.8

 

CMYK 40 / 0 / 16 / 30

HEX #6AB295

RGB 106 178 149

HSL 155.83, 0.32%, 0.56%

LAB 67.33, -29.34, 7.79

 

CMYK 22 / 0 / 9 / 37

HEX #7DA092

RGB 125 160 146

HSL 156, 0.16%, 0.56%

LAB 62.99, -15.01, 3.35

 

CMYK 0 / 1 / 1 / 44

HEX #8F8E8E

RGB 143 142 142

HSL 0, 0%, 0.56%

LAB 59.1, 0.37, 0.12

 

CMYK 0 / 23 / 14 / 37

HEX #A17C8B

RGB 161 124 139

HSL 335.68, 0.16%, 0.56%

LAB 55.94, 16.81, -2.58

 

CMYK 0 / 41 / 25 / 30

HEX #B36A87

RGB 179 106 135

HSL 336.16, 0.32%, 0.56%

LAB 53.64, 32.97, -3.39

 

CMYK 40 / 0 / 38 / 30

HEX #6AB26E

RGB 106 178 110

HSL 123.33, 0.32%, 0.56%

LAB 66.54, -36.81, 27.86

 

CMYK 40 / 0 / 28 / 30

HEX #6AB281

RGB 106 178 129

HSL 139.17, 0.32%, 0.56%

LAB 66.89, -33.44, 18.13

 

CMYK 40 / 0 / 17 / 30

HEX #6AB294

RGB 106 178 148

HSL 155, 0.32%, 0.56%

LAB 67.31, -29.56, 8.31

 

CMYK 40 / 0 / 6 / 30

HEX #6AB2A7

RGB 106 178 167

HSL 170.83, 0.32%, 0.56%

LAB 67.8, -25.2, -1.48

 

CMYK 40 / 4 / 0 / 30

HEX #6AAAB2

RGB 106 170 178

HSL 186.67, 0.32%, 0.56%

LAB 65.77, -18.37, -10.58

 

CMYK 49 / 0 / 20 / 47

HEX #45866B

RGB 69 134 107

HSL 155.08, 0.32%, 0.4%

LAB 51.13, -27.6, 8.18

 

CMYK 48 / 0 / 20 / 37

HEX #53A181

RGB 83 161 129

HSL 155.38, 0.32%, 0.48%

LAB 60.71, -31.88, 9.33

 

CMYK 40 / 0 / 16 / 30

HEX #6AB295

RGB 106 178 149

HSL 155.83, 0.32%, 0.56%

LAB 67.33, -29.34, 7.79

 

CMYK 30 / 0 / 12 / 25

HEX #86C0A9

RGB 134 192 169

HSL 156.21, 0.32%, 0.64%

LAB 73.31, -23.71, 5.6

 

CMYK 22 / 0 / 9 / 19

HEX #A1CEBC

RGB 161 206 188

HSL 156, 0.31%, 0.72%

LAB 79.24, -18.4, 4.12

 

CMYK 40 / 0 / 16 / 30

HEX #6BB396

RGB 107 179 150

HSL 155.83, 0.32%, 0.56%

LAB 67.7, -29.33, 7.77

 

CMYK 40 / 31 / 0 / 30

HEX #6A7AB2

RGB 106 122 178

HSL 226.67, 0.32%, 0.56%

LAB 52.06, 8.62, -31.54

 

CMYK 0 / 33 / 40 / 30

HEX #B2786A

RGB 178 120 106

HSL 11.67, 0.32%, 0.56%

LAB 56.03, 20.96, 16.92

 

CMYK 40 / 0 / 16 / 30

HEX #6BB396

RGB 107 179 150

HSL 155.83, 0.32%, 0.56%

LAB 67.7, -29.33, 7.77

 

CMYK 17 / 40 / 0 / 30

HEX #946AB2

RGB 148 106 178

HSL 275, 0.32%, 0.56%

LAB 51.63, 30.56, -31.93

 

CMYK 0 / 17 / 40 / 30

HEX #B2946A

RGB 178 148 106

HSL 35, 0.32%, 0.56%

LAB 63.08, 5.33, 26.4

 

CMYK 40 / 0 / 16 / 30

HEX #6BB396

RGB 107 179 150

HSL 155.83, 0.32%, 0.56%

LAB 67.7, -29.33, 7.77

 

CMYK 40 / 31 / 0 / 30

HEX #6A7AB2

RGB 106 122 178

HSL 226.67, 0.32%, 0.56%

LAB 52.06, 8.62, -31.54

 

CMYK 0 / 40 / 24 / 30

HEX #B26A88

RGB 178 106 136

HSL 335, 0.32%, 0.56%

LAB 53.55, 32.76, -4.14

 

CMYK 0 / 8 / 40 / 30

HEX #B2A36A

RGB 178 163 106

HSL 47.5, 0.32%, 0.56%

LAB 67.05, -2.84, 31.58

 

CMYK 40 / 0 / 16 / 30

HEX #6BB396

RGB 107 179 150

HSL 155.83, 0.32%, 0.56%

LAB 67.7, -29.33, 7.77

 

CMYK 37 / 40 / 0 / 30

HEX #706AB2

RGB 112 106 178

HSL 245, 0.32%, 0.56%

LAB 48.22, 19.95, -37.53

 

CMYK 0 / 40 / 24 / 30

HEX #B26A88

RGB 178 106 136

HSL 335, 0.32%, 0.56%

LAB 53.55, 32.76, -4.14

 

CMYK 3 / 0 / 40 / 30

HEX #ACB26A

RGB 172 178 106

HSL 65, 0.32%, 0.56%

LAB 70.63, -13.21, 36.05

 

Description

Color code: CMYK 40 / 0 / 16 / 30 | qconv.com Color code: CMYK 40 / 0 / 16 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 107 red, 179 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
107 179 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 16 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 16% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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