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Color name
CMYK 69 / 0 / 65 / 51

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 69 / 0 / 65 / 51 it is the complementary color CMYK 0 / 40 / 2 / 15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 69 / 0 / 65 / 51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 65 / 0 / 69 / 51, CMYK 57 / 0 / 59 / 44, CMYK 52 / 0 / 52 / 37, CMYK 47 / 0 / 46 / 30 and CMYK 43 / 0 / 42 / 23

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 69 / 0 / 65 / 51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 79 / 0 / 77 / 58, CMYK 94 / 0 / 93 / 65, CMYK 100 / 0 / 100 / 72 and CMYK 100 / 0 / 100 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 54 / 0 / 69 / 51, CMYK 35 / 0 / 69 / 51, CMYK 18 / 0 / 69 / 51 and CMYK 0 / 2 / 69 / 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 69 / 0 / 47 / 51, CMYK 69 / 0 / 28 / 51, CMYK 69 / 0 / 10 / 51 and CMYK 69 / 10 / 0 / 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 69 / 0 / 65 / 51 shade matches the following richer shades: CMYK 69 / 0 / 65 / 51, CMYK 82 / 0 / 77 / 46 and CMYK 92 / 0 / 87 / 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 53 / 0 / 50 / 57, CMYK 33 / 0 / 31 / 62, CMYK 7 / 0 / 6 / 67 and CMYK 0 / 22 / 1 / 64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 35 / 0 / 69 / 51, CMYK 54 / 0 / 69 / 51, CMYK 69 / 0 / 65 / 51, CMYK 69 / 0 / 47 / 51 and CMYK 69 / 0 / 29 / 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 66 / 76, CMYK 68 / 0 / 65 / 64, CMYK 69 / 0 / 65 / 51, CMYK 68 / 0 / 65 / 39 and CMYK 69 / 0 / 65 / 27

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 69 / 18 / 0 / 51 and CMYK 0 / 69 / 45 / 51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 65 / 69 / 0 / 51 and CMYK 0 / 65 / 69 / 51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 69 / 18 / 0 / 51, CMYK 0 / 69 / 4 / 51 and CMYK 0 / 52 / 69 / 51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 69 / 0 / 65 / 51 shade: CMYK 69 / 0 / 65 / 51, CMYK 69 / 38 / 0 / 51, CMYK 0 / 69 / 4 / 51 and CMYK 0 / 31 / 69 / 51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 65 / 51

HEX #277D2C

RGB 39 125 44

HSL 123.49, 0.52%, 0.32%

LAB 46.02, -42.62, 35.89

 

Complementary color

CMYK 0 / 40 / 2 / 15

HEX #D882D3

RGB 216 130 211

HSL 303.49, 0.52%, 0.68%

LAB 65.96, 45.08, -27.87

 

CMYK 65 / 0 / 69 / 51

HEX #2C7D27

RGB 44 125 39

HSL 116.51, 0.52%, 0.32%

LAB 46.11, -42.04, 38.34

 

CMYK 57 / 0 / 59 / 44

HEX #3D8F3A

RGB 61 143 58

HSL 117.88, 0.42%, 0.39%

LAB 52.89, -42.58, 37.2

 

CMYK 52 / 0 / 52 / 37

HEX #4EA14D

RGB 78 161 77

HSL 119.29, 0.35%, 0.47%

LAB 59.57, -42.76, 35.89

 

CMYK 47 / 0 / 46 / 30

HEX #5FB360

RGB 95 179 96

HSL 120.71, 0.36%, 0.54%

LAB 66.15, -42.74, 34.55

 

CMYK 43 / 0 / 42 / 23

HEX #70C573

RGB 112 197 115

HSL 122.12, 0.42%, 0.61%

LAB 72.64, -42.6, 33.26

 

CMYK 69 / 0 / 65 / 51

HEX #277D2C

RGB 39 125 44

HSL 123.49, 0.52%, 0.32%

LAB 46.02, -42.62, 35.89

 

CMYK 79 / 0 / 77 / 58

HEX #166B19

RGB 22 107 25

HSL 122.12, 0.66%, 0.25%

LAB 39.17, -41.35, 36.85

 

CMYK 94 / 0 / 93 / 65

HEX #055906

RGB 5 89 6

HSL 120.71, 0.89%, 0.18%

LAB 32.24, -38.95, 36.68

 

CMYK 100 / 0 / 100 / 72

HEX #004700

RGB 0 71 0

HSL 120, 1%, 0.14%

LAB 25.28, -34.3, 32.84

 

CMYK 100 / 0 / 100 / 79

HEX #003500

RGB 0 53 0

HSL 120, 1%, 0.1%

LAB 18.13, -28.35, 25.18

 

CMYK 69 / 0 / 65 / 51

HEX #277C2C

RGB 39 124 44

HSL 123.53, 0.52%, 0.32%

LAB 45.67, -42.25, 35.51

 

CMYK 54 / 0 / 69 / 51

HEX #397C27

RGB 57 124 39

HSL 107.29, 0.52%, 0.32%

LAB 46.22, -38.11, 38.59

 

CMYK 35 / 0 / 69 / 51

HEX #507C27

RGB 80 124 39

HSL 91.06, 0.52%, 0.32%

LAB 47.32, -30.16, 40.1

 

CMYK 18 / 0 / 69 / 51

HEX #667C27

RGB 102 124 39

HSL 75.53, 0.52%, 0.32%

LAB 48.74, -21.1, 42.03

 

CMYK 0 / 2 / 69 / 51

HEX #7C7A27

RGB 124 122 39

HSL 58.59, 0.52%, 0.32%

LAB 49.92, -10.15, 43.81

 

CMYK 69 / 0 / 65 / 51

HEX #277C2C

RGB 39 124 44

HSL 123.53, 0.52%, 0.32%

LAB 45.67, -42.25, 35.51

 

CMYK 69 / 0 / 47 / 51

HEX #277C42

RGB 39 124 66

HSL 139.06, 0.52%, 0.32%

LAB 45.96, -38.94, 24.41

 

CMYK 69 / 0 / 28 / 51

HEX #277C59

RGB 39 124 89

HSL 155.29, 0.52%, 0.32%

LAB 46.4, -34.14, 11.87

 

CMYK 69 / 0 / 10 / 51

HEX #277C70

RGB 39 124 112

HSL 171.53, 0.52%, 0.32%

LAB 47, -28.1, -0.83

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 69 / 0 / 65 / 51

HEX #277C2C

RGB 39 124 44

HSL 123.53, 0.52%, 0.32%

LAB 45.67, -42.25, 35.51

 

CMYK 82 / 0 / 77 / 46

HEX #198920

RGB 25 137 32

HSL 123.75, 0.69%, 0.32%

LAB 49.74, -50.45, 44.85

 

CMYK 92 / 0 / 87 / 41

HEX #0C9614

RGB 12 150 20

HSL 123.48, 0.85%, 0.32%

LAB 53.96, -56.56, 52.48

 

CMYK 69 / 0 / 65 / 51

HEX #277C2C

RGB 39 124 44

HSL 123.53, 0.52%, 0.32%

LAB 45.67, -42.25, 35.51

 

CMYK 53 / 0 / 50 / 57

HEX #346E37

RGB 52 110 55

HSL 123.1, 0.36%, 0.32%

LAB 41.47, -31.52, 24.9

 

CMYK 33 / 0 / 31 / 62

HEX #416143

RGB 65 97 67

HSL 123.75, 0.2%, 0.32%

LAB 37.98, -18.53, 13.48

 

CMYK 7 / 0 / 6 / 67

HEX #4E544F

RGB 78 84 79

HSL 130, 0.04%, 0.32%

LAB 35.05, -3.49, 2.09

 

CMYK 0 / 22 / 1 / 64

HEX #5B475A

RGB 91 71 90

HSL 303, 0.12%, 0.32%

LAB 32.85, 12.27, -7.98

 

CMYK 35 / 0 / 69 / 51

HEX #507C27

RGB 80 124 39

HSL 91.06, 0.52%, 0.32%

LAB 47.32, -30.16, 40.1

 

CMYK 54 / 0 / 69 / 51

HEX #397C27

RGB 57 124 39

HSL 107.29, 0.52%, 0.32%

LAB 46.22, -38.11, 38.59

 

CMYK 69 / 0 / 65 / 51

HEX #277C2B

RGB 39 124 43

HSL 122.82, 0.52%, 0.32%

LAB 45.66, -42.37, 35.97

 

CMYK 69 / 0 / 47 / 51

HEX #277C42

RGB 39 124 66

HSL 139.06, 0.52%, 0.32%

LAB 45.96, -38.94, 24.41

 

CMYK 69 / 0 / 29 / 51

HEX #277C58

RGB 39 124 88

HSL 154.59, 0.52%, 0.32%

LAB 46.38, -34.38, 12.42

 

CMYK 69 / 0 / 66 / 76

HEX #133D15

RGB 19 61 21

HSL 122.86, 0.53%, 0.16%

LAB 22.05, -24.33, 20.11

 

CMYK 68 / 0 / 65 / 64

HEX #1D5C20

RGB 29 92 32

HSL 122.86, 0.52%, 0.24%

LAB 34.02, -33.48, 28.13

 

CMYK 69 / 0 / 65 / 51

HEX #277C2C

RGB 39 124 44

HSL 123.53, 0.52%, 0.32%

LAB 45.67, -42.25, 35.51

 

CMYK 68 / 0 / 65 / 39

HEX #319B37

RGB 49 155 55

HSL 123.4, 0.52%, 0.4%

LAB 56.46, -50.3, 42.59

 

CMYK 69 / 0 / 65 / 27

HEX #3ABA42

RGB 58 186 66

HSL 123.75, 0.52%, 0.48%

LAB 66.83, -58.22, 49.35

 

CMYK 69 / 0 / 65 / 51

HEX #277D2C

RGB 39 125 44

HSL 123.49, 0.52%, 0.32%

LAB 46.02, -42.62, 35.89

 

CMYK 69 / 18 / 0 / 51

HEX #27667C

RGB 39 102 124

HSL 195.53, 0.52%, 0.32%

LAB 40.23, -12.57, -18.2

 

CMYK 0 / 69 / 45 / 51

HEX #7C2744

RGB 124 39 68

HSL 339.53, 0.52%, 0.32%

LAB 29.8, 39.28, 2.33

 

CMYK 69 / 0 / 65 / 51

HEX #277D2C

RGB 39 125 44

HSL 123.49, 0.52%, 0.32%

LAB 46.02, -42.62, 35.89

 

CMYK 65 / 69 / 0 / 51

HEX #2B277C

RGB 43 39 124

HSL 242.82, 0.52%, 0.32%

LAB 21.65, 29.44, -47.71

 

CMYK 0 / 65 / 69 / 51

HEX #7C2B27

RGB 124 43 39

HSL 2.82, 0.52%, 0.32%

LAB 29.81, 34.92, 21.35

 

CMYK 69 / 0 / 65 / 51

HEX #277D2C

RGB 39 125 44

HSL 123.49, 0.52%, 0.32%

LAB 46.02, -42.62, 35.89

 

CMYK 69 / 18 / 0 / 51

HEX #27667C

RGB 39 102 124

HSL 195.53, 0.52%, 0.32%

LAB 40.23, -12.57, -18.2

 

CMYK 0 / 69 / 4 / 51

HEX #7C2777

RGB 124 39 119

HSL 303.53, 0.52%, 0.32%

LAB 31.96, 46.64, -27.41

 

CMYK 0 / 52 / 69 / 51

HEX #7C3C27

RGB 124 60 39

HSL 14.82, 0.52%, 0.32%

LAB 33.27, 25.96, 25.53

 

CMYK 69 / 0 / 65 / 51

HEX #277D2C

RGB 39 125 44

HSL 123.49, 0.52%, 0.32%

LAB 46.02, -42.62, 35.89

 

CMYK 69 / 38 / 0 / 51

HEX #274D7C

RGB 39 77 124

HSL 213.18, 0.52%, 0.32%

LAB 32.25, 2.91, -30.66

 

CMYK 0 / 69 / 4 / 51

HEX #7C2777

RGB 124 39 119

HSL 303.53, 0.52%, 0.32%

LAB 31.96, 46.64, -27.41

 

CMYK 0 / 31 / 69 / 51

HEX #7C5527

RGB 124 85 39

HSL 32.47, 0.52%, 0.32%

LAB 39.46, 11.27, 32.64

 

Description

Color code: CMYK 69 / 0 / 65 / 51 | qconv.com Color code: CMYK 69 / 0 / 65 / 51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 125 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 125 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 65 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 65% 51% C M Y K

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Provide designers and agencies with accurate color values.

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