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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 90 / 0 / 13 / 9 it is the complementary color CMYK 0 / 90 / 77 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 90 / 0 / 13 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 88 / 0 / 15 / 9, CMYK 82 / 0 / 14 / 2, CMYK 76 / 0 / 8 / 0, CMYK 69 / 0 / 0 / 0 and CMYK 62 / 0 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 90 / 0 / 13 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 90 / 0 / 13 / 9, CMYK 97 / 0 / 14 / 16, CMYK 100 / 0 / 16 / 23, CMYK 100 / 0 / 19 / 30 and CMYK 100 / 0 / 21 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 91 / 0 / 13 / 9, CMYK 91 / 0 / 38 / 9, CMYK 91 / 0 / 62 / 9, CMYK 91 / 0 / 86 / 9 and CMYK 70 / 0 / 91 / 9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 91 / 0 / 13 / 9, CMYK 91 / 12 / 0 / 9, CMYK 91 / 36 / 0 / 9, CMYK 91 / 60 / 0 / 9 and CMYK 91 / 84 / 0 / 9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 90 / 0 / 13 / 9 shade matches the following richer shades: CMYK 91 / 0 / 13 / 9 and CMYK 99 / 0 / 14 / 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 91 / 0 / 13 / 9, CMYK 80 / 0 / 11 / 17, CMYK 66 / 0 / 9 / 25, CMYK 51 / 0 / 8 / 33 and CMYK 30 / 0 / 4 / 42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 91 / 0 / 62 / 9, CMYK 91 / 0 / 38 / 9, CMYK 91 / 0 / 14 / 9, CMYK 91 / 11 / 0 / 9 and CMYK 91 / 35 / 0 / 9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 90 / 0 / 13 / 39, CMYK 90 / 0 / 13 / 24, CMYK 91 / 0 / 13 / 9, CMYK 74 / 0 / 11 / 8 and CMYK 59 / 0 / 8 / 6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 90 / 0 / 13 / 9, CMYK 86 / 91 / 0 / 9 and CMYK 0 / 50 / 91 / 9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 90 / 0 / 13 / 9, CMYK 14 / 91 / 0 / 9 and CMYK 0 / 14 / 91 / 9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 90 / 0 / 13 / 9, CMYK 86 / 91 / 0 / 9, CMYK 0 / 91 / 77 / 9 and CMYK 5 / 0 / 91 / 9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 90 / 0 / 13 / 9 shade: CMYK 90 / 0 / 13 / 9, CMYK 59 / 91 / 0 / 9, CMYK 0 / 91 / 77 / 9 and CMYK 32 / 0 / 91 / 9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 0 / 13 / 9

HEX #17E8CA

RGB 23 232 202

HSL 171.39, 0.82%, 0.5%

LAB 83, -52.43, 1.62

 

Complementary color

CMYK 0 / 90 / 77 / 9

HEX #E81735

RGB 232 23 53

HSL 351.39, 0.82%, 0.5%

LAB 49.53, 73.28, 41.15

 

CMYK 88 / 0 / 15 / 9

HEX #1CE8C5

RGB 28 232 197

HSL 169.71, 0.82%, 0.51%

LAB 82.91, -53.48, 4.13

 

CMYK 82 / 0 / 14 / 2

HEX #2DFAD8

RGB 45 250 216

HSL 170.05, 0.95%, 0.58%

LAB 88.87, -54.79, 2.84

 

CMYK 76 / 0 / 8 / 0

HEX #3EFFEB

RGB 62 255 235

HSL 173.78, 1%, 0.62%

LAB 91.03, -50.45, -3.85

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFE

RGB 79 255 254

HSL 179.66, 1%, 0.65%

LAB 91.84, -43.48, -12.47

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 90 / 0 / 13 / 9

HEX #17E8CA

RGB 23 232 202

HSL 171.39, 0.82%, 0.5%

LAB 83, -52.43, 1.62

 

CMYK 97 / 0 / 14 / 16

HEX #06D6B7

RGB 6 214 183

HSL 171.06, 0.95%, 0.43%

LAB 77.01, -50.67, 3.01

 

CMYK 100 / 0 / 16 / 23

HEX #00C4A4

RGB 0 196 164

HSL 170.2, 1%, 0.38%

LAB 70.98, -48.52, 4.53

 

CMYK 100 / 0 / 19 / 30

HEX #00B291

RGB 0 178 145

HSL 168.88, 1%, 0.35%

LAB 64.87, -46.16, 6.16

 

CMYK 100 / 0 / 21 / 37

HEX #00A07E

RGB 0 160 126

HSL 167.25, 1%, 0.31%

LAB 58.65, -43.75, 7.85

 

CMYK 91 / 0 / 13 / 9

HEX #16E8CA

RGB 22 232 202

HSL 171.43, 0.83%, 0.5%

LAB 82.99, -52.47, 1.61

 

CMYK 91 / 0 / 38 / 9

HEX #16E891

RGB 22 232 145

HSL 155.14, 0.83%, 0.5%

LAB 81.8, -65.58, 29.63

 

CMYK 91 / 0 / 62 / 9

HEX #16E859

RGB 22 232 89

HSL 139.14, 0.83%, 0.5%

LAB 81.07, -74.28, 55.35

 

CMYK 91 / 0 / 86 / 9

HEX #16E820

RGB 22 232 32

HSL 122.86, 0.83%, 0.5%

LAB 80.73, -78.62, 73.61

 

CMYK 70 / 0 / 91 / 9

HEX #45E816

RGB 69 232 22

HSL 106.57, 0.83%, 0.5%

LAB 81.31, -73.59, 76.07

 

CMYK 91 / 0 / 13 / 9

HEX #16E8CA

RGB 22 232 202

HSL 171.43, 0.83%, 0.5%

LAB 82.99, -52.47, 1.61

 

CMYK 91 / 12 / 0 / 9

HEX #16CDE8

RGB 22 205 232

HSL 187.71, 0.83%, 0.5%

LAB 75.86, -31.76, -25.05

 

CMYK 91 / 36 / 0 / 9

HEX #1695E8

RGB 22 149 232

HSL 203.71, 0.83%, 0.5%

LAB 59.43, -2.03, -50.65

 

CMYK 91 / 60 / 0 / 9

HEX #165CE8

RGB 22 92 232

HSL 220, 0.83%, 0.5%

LAB 43.73, 33.48, -75.97

 

CMYK 91 / 84 / 0 / 9

HEX #1624E8

RGB 22 36 232

HSL 236, 0.83%, 0.5%

LAB 32.39, 64.76, -94.7

 

CMYK 91 / 0 / 13 / 9

HEX #16E8CA

RGB 22 232 202

HSL 171.43, 0.83%, 0.5%

LAB 82.99, -52.47, 1.61

 

CMYK 99 / 0 / 14 / 1

HEX #02FCD8

RGB 2 252 216

HSL 171.36, 0.98%, 0.5%

LAB 89.2, -57.42, 3.29

 

CMYK 91 / 0 / 13 / 9

HEX #16E8CA

RGB 22 232 202

HSL 171.43, 0.83%, 0.5%

LAB 82.99, -52.47, 1.61

 

CMYK 80 / 0 / 11 / 17

HEX #2BD3BB

RGB 43 211 187

HSL 171.43, 0.66%, 0.5%

LAB 76.49, -46.32, 0.14

 

CMYK 66 / 0 / 9 / 25

HEX #40BEAC

RGB 64 190 172

HSL 171.43, 0.5%, 0.5%

LAB 70.1, -38.54, -1.02

 

CMYK 51 / 0 / 8 / 33

HEX #54AA9D

RGB 84 170 157

HSL 170.93, 0.34%, 0.5%

LAB 64.22, -29.22, -1.27

 

CMYK 30 / 0 / 4 / 42

HEX #69958F

RGB 105 149 143

HSL 171.82, 0.17%, 0.5%

LAB 58.49, -16.28, -1.66

 

CMYK 91 / 0 / 62 / 9

HEX #16E859

RGB 22 232 89

HSL 139.14, 0.83%, 0.5%

LAB 81.07, -74.28, 55.35

 

CMYK 91 / 0 / 38 / 9

HEX #16E890

RGB 22 232 144

HSL 154.86, 0.83%, 0.5%

LAB 81.78, -65.77, 30.11

 

CMYK 91 / 0 / 14 / 9

HEX #16E8C8

RGB 22 232 200

HSL 170.86, 0.83%, 0.5%

LAB 82.94, -52.99, 2.59

 

CMYK 91 / 11 / 0 / 9

HEX #16CFE8

RGB 22 207 232

HSL 187.14, 0.83%, 0.5%

LAB 76.45, -32.72, -24.15

 

CMYK 91 / 35 / 0 / 9

HEX #1697E8

RGB 22 151 232

HSL 203.14, 0.83%, 0.5%

LAB 60.01, -3.19, -49.73

 

CMYK 90 / 0 / 13 / 39

HEX #0F9C88

RGB 15 156 136

HSL 171.49, 0.82%, 0.34%

LAB 57.71, -38.62, 0.86

 

CMYK 90 / 0 / 13 / 24

HEX #13C2A9

RGB 19 194 169

HSL 171.43, 0.82%, 0.42%

LAB 70.58, -45.66, 1.25

 

CMYK 91 / 0 / 13 / 9

HEX #16E8CA

RGB 22 232 202

HSL 171.43, 0.83%, 0.5%

LAB 82.99, -52.47, 1.61

 

CMYK 74 / 0 / 11 / 8

HEX #3CEBD2

RGB 60 235 210

HSL 171.43, 0.81%, 0.58%

LAB 84.5, -48.74, -0.36

 

CMYK 59 / 0 / 8 / 6

HEX #62EFDB

RGB 98 239 219

HSL 171.49, 0.82%, 0.66%

LAB 86.72, -42.7, -1.73

 

CMYK 90 / 0 / 13 / 9

HEX #17E8CA

RGB 23 232 202

HSL 171.39, 0.82%, 0.5%

LAB 83, -52.43, 1.62

 

CMYK 86 / 91 / 0 / 9

HEX #2116E8

RGB 33 22 232

HSL 243.14, 0.83%, 0.5%

LAB 31.17, 69.74, -96.73

 

CMYK 0 / 50 / 91 / 9

HEX #E87516

RGB 232 117 22

HSL 27.14, 0.83%, 0.5%

LAB 61.6, 39.54, 64.95

 

CMYK 90 / 0 / 13 / 9

HEX #17E8CA

RGB 23 232 202

HSL 171.39, 0.82%, 0.5%

LAB 83, -52.43, 1.62

 

CMYK 14 / 91 / 0 / 9

HEX #C816E8

RGB 200 22 232

HSL 290.86, 0.83%, 0.5%

LAB 50.31, 84.68, -64.56

 

CMYK 0 / 14 / 91 / 9

HEX #E8C816

RGB 232 200 22

HSL 50.86, 0.83%, 0.5%

LAB 81.03, -3.91, 79.51

 

CMYK 90 / 0 / 13 / 9

HEX #17E8CA

RGB 23 232 202

HSL 171.39, 0.82%, 0.5%

LAB 83, -52.43, 1.62

 

CMYK 86 / 91 / 0 / 9

HEX #2116E8

RGB 33 22 232

HSL 243.14, 0.83%, 0.5%

LAB 31.17, 69.74, -96.73

 

CMYK 0 / 91 / 77 / 9

HEX #E81636

RGB 232 22 54

HSL 350.86, 0.83%, 0.5%

LAB 49.49, 73.45, 40.54

 

CMYK 5 / 0 / 91 / 9

HEX #DDE816

RGB 221 232 22

HSL 63.14, 0.83%, 0.5%

LAB 88.52, -24.41, 84.91

 

CMYK 90 / 0 / 13 / 9

HEX #17E8CA

RGB 23 232 202

HSL 171.39, 0.82%, 0.5%

LAB 83, -52.43, 1.62

 

CMYK 59 / 91 / 0 / 9

HEX #6016E8

RGB 96 22 232

HSL 261.14, 0.83%, 0.5%

LAB 35.77, 72.65, -88.95

 

CMYK 0 / 91 / 77 / 9

HEX #E81636

RGB 232 22 54

HSL 350.86, 0.83%, 0.5%

LAB 49.49, 73.45, 40.54

 

CMYK 32 / 0 / 91 / 9

HEX #9EE816

RGB 158 232 22

HSL 81.14, 0.83%, 0.5%

LAB 84.5, -49.07, 80.02

 

Description

Color code: CMYK 90 / 0 / 13 / 9 | qconv.com Color code: CMYK 90 / 0 / 13 / 9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 23 red, 232 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
23 232 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, none magenta, 13 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 0% 13% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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