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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #403F4A it is the complementary color #BFC0B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #403F4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #403F4A shade: #453F45, #565158, #67636B, #78757E and #898791

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #403F4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #403F4A shade: #403F4A, #2F2D37, #1E1B24 and #0D0911

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #403F4A shade: #403F4A, #433F4A, #463F4A, #493F4A and #4A3F48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #403F4A shade: #403F4A and #3F3F4A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #403F4A shade matches the following richer shades: #403F4A, #373455, #2E2960, #241D6B and #1B1276

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #403F4A shade: #403F4A, #494A3F, #525534, #5B6028 and #646B1D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #403F4A shade: #3F444A, #3F414A, #403F4A, #433F4A and #463F4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #403F4A shade: #19191D, #2D2C34, #403F4A, #535260 and #666576

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #403F4A shade: #403F4A, #4A3F47 and #424A3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #403F4A shade: #403F4A, #4A403F and #3F4A40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #403F4A shade: #403F4A, #4A3F47, #494A3F and #3F4A42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #403F4A shade: #403F4A, #4A3F43, #494A3F and #3F4A45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

Complementary color

CMYK 1 / 0 / 6 / 25

HEX #BFC0B5

RGB 191 192 181

HSL 65.45, 0.08%, 0.73%

LAB 77.35, -2.33, 5.41

 

CMYK 0 / 9 / 0 / 73

HEX #453F45

RGB 69 63 69

HSL 300, 0.05%, 0.26%

LAB 27.44, 3.87, -2.73

 

CMYK 2 / 8 / 0 / 65

HEX #565158

RGB 86 81 88

HSL 282.86, 0.04%, 0.33%

LAB 35.14, 3.54, -3.36

 

CMYK 4 / 7 / 0 / 58

HEX #67636B

RGB 103 99 107

HSL 270, 0.04%, 0.4%

LAB 42.56, 3.25, -3.96

 

CMYK 5 / 7 / 0 / 51

HEX #78757E

RGB 120 117 126

HSL 260, 0.04%, 0.48%

LAB 49.76, 2.99, -4.53

 

CMYK 6 / 7 / 0 / 43

HEX #898791

RGB 137 135 145

HSL 252, 0.04%, 0.55%

LAB 56.77, 2.75, -5.08

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 15 / 18 / 0 / 78

HEX #2F2D37

RGB 47 45 55

HSL 252, 0.1%, 0.2%

LAB 19.04, 3.38, -6.06

 

CMYK 17 / 25 / 0 / 86

HEX #1E1B24

RGB 30 27 36

HSL 260, 0.14%, 0.12%

LAB 10.46, 3.82, -5.63

 

CMYK 24 / 47 / 0 / 93

HEX #0D0911

RGB 13 9 17

HSL 270, 0.31%, 0.05%

LAB 2.9, 2.43, -3.19

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 9 / 15 / 0 / 71

HEX #433F4A

RGB 67 63 74

HSL 261.82, 0.08%, 0.27%

LAB 27.42, 4.23, -6.06

 

CMYK 5 / 15 / 0 / 71

HEX #463F4A

RGB 70 63 74

HSL 278.18, 0.08%, 0.27%

LAB 27.71, 5.43, -5.58

 

CMYK 1 / 15 / 0 / 71

HEX #493F4A

RGB 73 63 74

HSL 294.55, 0.08%, 0.27%

LAB 28.02, 6.66, -5.09

 

CMYK 0 / 15 / 3 / 71

HEX #4A3F48

RGB 74 63 72

HSL 310.91, 0.08%, 0.27%

LAB 28.06, 6.62, -3.72

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 15 / 15 / 0 / 71

HEX #3F3F4A

RGB 63 63 74

HSL 240, 0.08%, 0.27%

LAB 27.04, 2.64, -6.67

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 35 / 39 / 0 / 67

HEX #373455

RGB 55 52 85

HSL 245.45, 0.24%, 0.27%

LAB 23.42, 10.21, -19.54

 

CMYK 52 / 57 / 0 / 62

HEX #2E2960

RGB 46 41 96

HSL 245.45, 0.4%, 0.27%

LAB 20.09, 18.81, -32.14

 

CMYK 66 / 73 / 0 / 58

HEX #241D6B

RGB 36 29 107

HSL 245.38, 0.57%, 0.27%

LAB 17.06, 28.77, -44.31

 

CMYK 77 / 85 / 0 / 54

HEX #1B1276

RGB 27 18 118

HSL 245.4, 0.74%, 0.27%

LAB 15.35, 37.9, -54.3

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 1 / 0 / 15 / 71

HEX #494A3F

RGB 73 74 63

HSL 65.45, 0.08%, 0.27%

LAB 31.05, -2.69, 6.44

 

CMYK 4 / 0 / 39 / 67

HEX #525534

RGB 82 85 52

HSL 65.45, 0.24%, 0.27%

LAB 35.08, -7.17, 18.87

 

CMYK 5 / 0 / 58 / 62

HEX #5B6028

RGB 91 96 40

HSL 65.36, 0.41%, 0.27%

LAB 39.14, -10.81, 30.81

 

CMYK 7 / 0 / 73 / 58

HEX #646B1D

RGB 100 107 29

HSL 65.38, 0.57%, 0.27%

LAB 43.23, -13.62, 40.62

 

CMYK 15 / 8 / 0 / 71

HEX #3F444A

RGB 63 68 74

HSL 212.73, 0.08%, 0.27%

LAB 28.6, -0.6, -4.32

 

CMYK 15 / 12 / 0 / 71

HEX #3F414A

RGB 63 65 74

HSL 229.09, 0.08%, 0.27%

LAB 27.66, 1.33, -5.73

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 9 / 15 / 0 / 71

HEX #433F4A

RGB 67 63 74

HSL 261.82, 0.08%, 0.27%

LAB 27.42, 4.23, -6.06

 

CMYK 5 / 15 / 0 / 71

HEX #463F4A

RGB 70 63 74

HSL 278.18, 0.08%, 0.27%

LAB 27.71, 5.43, -5.58

 

CMYK 14 / 14 / 0 / 89

HEX #19191D

RGB 25 25 29

HSL 240, 0.07%, 0.11%

LAB 8.91, 1.08, -2.79

 

CMYK 13 / 15 / 0 / 80

HEX #2D2C34

RGB 45 44 52

HSL 247.5, 0.08%, 0.19%

LAB 18.4, 2.45, -4.98

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 14 / 15 / 0 / 62

HEX #535260

RGB 83 82 96

HSL 244.29, 0.08%, 0.35%

LAB 35.44, 3.59, -7.98

 

CMYK 14 / 14 / 0 / 54

HEX #666576

RGB 102 101 118

HSL 243.53, 0.08%, 0.43%

LAB 43.42, 4.13, -9.37

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 0 / 15 / 4 / 71

HEX #4A3F47

RGB 74 63 71

HSL 316.36, 0.08%, 0.27%

LAB 28.02, 6.4, -3.11

 

CMYK 11 / 0 / 15 / 71

HEX #424A3F

RGB 66 74 63

HSL 103.64, 0.08%, 0.27%

LAB 30.44, -5.68, 5.48

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 0 / 14 / 15 / 71

HEX #4A403F

RGB 74 64 63

HSL 5.45, 0.08%, 0.27%

LAB 28.06, 4.1, 2.19

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 0 / 15 / 4 / 71

HEX #4A3F47

RGB 74 63 71

HSL 316.36, 0.08%, 0.27%

LAB 28.02, 6.4, -3.11

 

CMYK 1 / 0 / 15 / 71

HEX #494A3F

RGB 73 74 63

HSL 65.45, 0.08%, 0.27%

LAB 31.05, -2.69, 6.44

 

CMYK 15 / 0 / 11 / 71

HEX #3F4A42

RGB 63 74 66

HSL 136.36, 0.08%, 0.27%

LAB 30.27, -6.27, 3.29

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 0 / 15 / 9 / 71

HEX #4A3F43

RGB 74 63 67

HSL 338.18, 0.08%, 0.27%

LAB 27.89, 5.55, -0.69

 

CMYK 1 / 0 / 15 / 71

HEX #494A3F

RGB 73 74 63

HSL 65.45, 0.08%, 0.27%

LAB 31.05, -2.69, 6.44

 

CMYK 15 / 0 / 7 / 71

HEX #3F4A45

RGB 63 74 69

HSL 152.73, 0.08%, 0.27%

LAB 30.36, -5.59, 1.49

 

Description

Color code: HEX #403F4A | qconv.com Color code: HEX #403F4A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 63 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 63 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 15 magenta, none yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 15% 0% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Planvine - Planvine
Link: http://planvine.com

33% - store.lds.org - Welc...
Link: http://store.lds.org

50% - Sell - European Comm...
Link: http://ec.europa.eu

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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