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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3F4A40 it is the complementary color #C0B5BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3F4A40. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3F4A40 shade: #444A3B, #555C4E, #666E61, #778074 and #889287

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3F4A40. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3F4A40 shade: #3F4A40, #2E382D, #1D261A, #0C1407 and #000200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3F4A40 shade: #3F4A40, #414A3F, #444A3F, #474A3F and #4A4A3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3F4A40 shade: #3F4A40, #3F4A43, #3F4A46, #3F4A49 and #3F484A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3F4A40 shade matches the following richer shades: #3F4A40, #345537, #29602E, #1D6B24 and #12761B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3F4A40 shade: #3F4A40, #4A3F49, #553452, #60285B and #6B1D64

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3F4A40 shade: #444A3F, #414A3F, #3F4A40, #3F4A43 and #3F4A46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3F4A40 shade: #191D19, #2C342D, #3F4A40, #526053 and #657666

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3F4A40 shade: #3F4A40, #3F474A and #4A3F42

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3F4A40 shade: #3F4A40, #403F4A and #4A403F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3F4A40 shade: #3F4A40, #3F474A, #4A3F49 and #4A423F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3F4A40 shade: #3F4A40, #3F434A, #4A3F49 and #4A453F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

Complementary color

CMYK 0 / 6 / 1 / 25

HEX #C0B5BF

RGB 192 181 191

HSL 305.45, 0.08%, 0.73%

LAB 74.83, 5.72, -3.67

 

CMYK 8 / 0 / 20 / 71

HEX #444A3B

RGB 68 74 59

HSL 84, 0.11%, 0.26%

LAB 30.5, -5.62, 8.15

 

CMYK 8 / 0 / 15 / 64

HEX #555C4E

RGB 85 92 78

HSL 90, 0.08%, 0.33%

LAB 38.08, -5.66, 7.13

 

CMYK 7 / 0 / 12 / 57

HEX #666E61

RGB 102 110 97

HSL 96.92, 0.06%, 0.41%

LAB 45.41, -5.7, 6.21

 

CMYK 7 / 0 / 9 / 50

HEX #778074

RGB 119 128 116

HSL 105, 0.05%, 0.48%

LAB 52.53, -5.74, 5.37

 

CMYK 7 / 0 / 8 / 43

HEX #889287

RGB 136 146 135

HSL 114.55, 0.05%, 0.55%

LAB 59.47, -5.78, 4.58

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 18 / 0 / 20 / 78

HEX #2E382D

RGB 46 56 45

HSL 114.55, 0.11%, 0.2%

LAB 22.3, -6.81, 5.5

 

CMYK 24 / 0 / 32 / 85

HEX #1D261A

RGB 29 38 26

HSL 105, 0.19%, 0.13%

LAB 13.96, -6.95, 6.69

 

CMYK 40 / 0 / 65 / 92

HEX #0C1407

RGB 12 20 7

HSL 96.92, 0.48%, 0.05%

LAB 5.36, -5.09, 5.07

 

CMYK 100 / 0 / 100 / 99

HEX #000200

RGB 0 2 0

HSL 120, 1%, 0%

LAB 0.39, -0.8, 0.57

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 12 / 0 / 15 / 71

HEX #414A3F

RGB 65 74 63

HSL 109.09, 0.08%, 0.27%

LAB 30.35, -6.1, 5.35

 

CMYK 8 / 0 / 15 / 71

HEX #444A3F

RGB 68 74 63

HSL 92.73, 0.08%, 0.27%

LAB 30.61, -4.83, 5.75

 

CMYK 4 / 0 / 15 / 71

HEX #474A3F

RGB 71 74 63

HSL 76.36, 0.08%, 0.27%

LAB 30.87, -3.55, 6.16

 

CMYK 0 / 0 / 15 / 71

HEX #4A4A3F

RGB 74 74 63

HSL 60, 0.08%, 0.27%

LAB 31.14, -2.25, 6.58

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 15 / 0 / 9 / 71

HEX #3F4A43

RGB 63 74 67

HSL 141.82, 0.08%, 0.27%

LAB 30.3, -6.04, 2.69

 

CMYK 15 / 0 / 5 / 71

HEX #3F4A46

RGB 63 74 70

HSL 158.18, 0.08%, 0.27%

LAB 30.39, -5.36, 0.89

 

CMYK 15 / 0 / 1 / 71

HEX #3F4A49

RGB 63 74 73

HSL 174.55, 0.08%, 0.27%

LAB 30.49, -4.64, -0.9

 

CMYK 15 / 3 / 0 / 71

HEX #3F484A

RGB 63 72 74

HSL 190.91, 0.08%, 0.27%

LAB 29.88, -3.15, -2.44

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 39 / 0 / 35 / 67

HEX #345537

RGB 52 85 55

HSL 125.45, 0.24%, 0.27%

LAB 32.93, -19.21, 13.8

 

CMYK 57 / 0 / 52 / 62

HEX #29602E

RGB 41 96 46

HSL 125.45, 0.4%, 0.27%

LAB 36.05, -29.91, 23.07

 

CMYK 73 / 0 / 66 / 58

HEX #1D6B24

RGB 29 107 36

HSL 125.38, 0.57%, 0.27%

LAB 39.42, -38.87, 32.24

 

CMYK 85 / 0 / 77 / 54

HEX #12761B

RGB 18 118 27

HSL 125.4, 0.74%, 0.27%

LAB 43.01, -45.52, 39.94

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 0 / 15 / 1 / 71

HEX #4A3F49

RGB 74 63 73

HSL 305.45, 0.08%, 0.27%

LAB 28.09, 6.84, -4.32

 

CMYK 0 / 39 / 4 / 67

HEX #553452

RGB 85 52 82

HSL 305.45, 0.24%, 0.27%

LAB 26.72, 20.28, -12.16

 

CMYK 0 / 58 / 5 / 62

HEX #60285B

RGB 96 40 91

HSL 305.36, 0.41%, 0.27%

LAB 26.04, 32.98, -19.01

 

CMYK 0 / 73 / 7 / 58

HEX #6B1D64

RGB 107 29 100

HSL 305.38, 0.57%, 0.27%

LAB 26.52, 42.95, -24.01

 

CMYK 8 / 0 / 15 / 71

HEX #444A3F

RGB 68 74 63

HSL 92.73, 0.08%, 0.27%

LAB 30.61, -4.83, 5.75

 

CMYK 12 / 0 / 15 / 71

HEX #414A3F

RGB 65 74 63

HSL 109.09, 0.08%, 0.27%

LAB 30.35, -6.1, 5.35

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 15 / 0 / 9 / 71

HEX #3F4A43

RGB 63 74 67

HSL 141.82, 0.08%, 0.27%

LAB 30.3, -6.04, 2.69

 

CMYK 15 / 0 / 5 / 71

HEX #3F4A46

RGB 63 74 70

HSL 158.18, 0.08%, 0.27%

LAB 30.39, -5.36, 0.89

 

CMYK 14 / 0 / 14 / 89

HEX #191D19

RGB 25 29 25

HSL 120, 0.07%, 0.11%

LAB 10.23, -2.91, 2.12

 

CMYK 15 / 0 / 13 / 80

HEX #2C342D

RGB 44 52 45

HSL 127.5, 0.08%, 0.19%

LAB 20.75, -5.11, 3.29

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 15 / 0 / 14 / 62

HEX #526053

RGB 82 96 83

HSL 124.29, 0.08%, 0.35%

LAB 39.21, -8.22, 5.63

 

CMYK 14 / 0 / 14 / 54

HEX #657666

RGB 101 118 102

HSL 123.53, 0.08%, 0.43%

LAB 47.86, -9.67, 6.72

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 15 / 4 / 0 / 71

HEX #3F474A

RGB 63 71 74

HSL 196.36, 0.08%, 0.27%

LAB 29.56, -2.52, -2.91

 

CMYK 0 / 15 / 11 / 71

HEX #4A3F42

RGB 74 63 66

HSL 343.64, 0.08%, 0.27%

LAB 27.86, 5.35, -0.08

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 14 / 15 / 0 / 71

HEX #403F4A

RGB 64 63 74

HSL 245.45, 0.08%, 0.27%

LAB 27.13, 3.03, -6.52

 

CMYK 0 / 14 / 15 / 71

HEX #4A403F

RGB 74 64 63

HSL 5.45, 0.08%, 0.27%

LAB 28.06, 4.1, 2.19

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 15 / 4 / 0 / 71

HEX #3F474A

RGB 63 71 74

HSL 196.36, 0.08%, 0.27%

LAB 29.56, -2.52, -2.91

 

CMYK 0 / 15 / 1 / 71

HEX #4A3F49

RGB 74 63 73

HSL 305.45, 0.08%, 0.27%

LAB 28.09, 6.84, -4.32

 

CMYK 0 / 11 / 15 / 71

HEX #4A423F

RGB 74 66 63

HSL 16.36, 0.08%, 0.27%

LAB 28.67, 2.81, 3.06

 

CMYK 15 / 0 / 14 / 71

HEX #3F4A40

RGB 63 74 64

HSL 125.45, 0.08%, 0.27%

LAB 30.22, -6.71, 4.5

 

CMYK 15 / 9 / 0 / 71

HEX #3F434A

RGB 63 67 74

HSL 218.18, 0.08%, 0.27%

LAB 28.29, 0.04, -4.79

 

CMYK 0 / 15 / 1 / 71

HEX #4A3F49

RGB 74 63 73

HSL 305.45, 0.08%, 0.27%

LAB 28.09, 6.84, -4.32

 

CMYK 0 / 7 / 15 / 71

HEX #4A453F

RGB 74 69 63

HSL 32.73, 0.08%, 0.27%

LAB 29.59, 0.89, 4.38

 

Description

Color code: HEX #3F4A40 | qconv.com Color code: HEX #3F4A40 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 63 red, 74 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
63 74 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 14 yellow and 71 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 14% 71% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

61% - Arzt in Basel: Sprec...
Link: http://www.doc24.ch

75% - test : 今日出来ることも明日やろう
Link: http://blog.livedoor.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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