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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #404995 it is the complementary color #BFB66A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #404995. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #404995 shade: #454990, #565BA3, #676DB6, #787FC9 and #8991DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #404995. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #404995 shade: #404995, #2F3782, #1E256F, #0D135C and #000149

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #404995 shade: #404995, #4E4095, #654095, #7C4095 and #934095

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #404995 shade: #404995 and #404095

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #404995 shade matches the following richer shades: #404995, #2E3BA7, #1D2EB8 and #0C20C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #404995 shade: #404995, #515684, #626473, #747261 and #857F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #404995 shade: #407795, #406195, #404A95, #4D4095 and #634095

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #404995 shade: #272D5C, #333B79, #404995, #4C57B2 and #6972BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #404995 shade: #404995, #95408E and #6C9540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #404995 shade: #404995, #95404A and #4A9540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #404995 shade: #404995, #95408E, #958B40 and #409547

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #404995 shade: #404995, #954075, #958B40 and #409561

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

Complementary color

CMYK 0 / 5 / 45 / 25

HEX #BFB66A

RGB 191 182 106

HSL 53.65, 0.4%, 0.58%

LAB 73.27, -7.55, 39.69

 

CMYK 52 / 49 / 0 / 44

HEX #454990

RGB 69 73 144

HSL 236.8, 0.35%, 0.42%

LAB 34.07, 19.18, -39.96

 

CMYK 47 / 44 / 0 / 36

HEX #565BA3

RGB 86 91 163

HSL 236.1, 0.31%, 0.49%

LAB 41.38, 17.91, -39.67

 

CMYK 43 / 40 / 0 / 29

HEX #676DB6

RGB 103 109 182

HSL 235.44, 0.35%, 0.56%

LAB 48.51, 16.87, -39.44

 

CMYK 40 / 37 / 0 / 21

HEX #787FC9

RGB 120 127 201

HSL 234.81, 0.43%, 0.63%

LAB 55.47, 16, -39.28

 

CMYK 38 / 34 / 0 / 14

HEX #8991DC

RGB 137 145 220

HSL 234.22, 0.54%, 0.7%

LAB 62.28, 15.26, -39.18

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 64 / 58 / 0 / 49

HEX #2F3782

RGB 47 55 130

HSL 234.22, 0.47%, 0.35%

LAB 26.59, 21.61, -43.45

 

CMYK 73 / 67 / 0 / 56

HEX #1E256F

RGB 30 37 111

HSL 234.81, 0.57%, 0.28%

LAB 19, 24.01, -43.76

 

CMYK 86 / 79 / 0 / 64

HEX #0D135C

RGB 13 19 92

HSL 235.44, 0.75%, 0.21%

LAB 11.44, 26.97, -43.69

 

CMYK 100 / 99 / 0 / 71

HEX #000149

RGB 0 1 73

HSL 239.18, 1%, 0.14%

LAB 4.54, 28.32, -42.09

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 48 / 57 / 0 / 42

HEX #4E4095

RGB 78 64 149

HSL 249.88, 0.4%, 0.42%

LAB 32.82, 28.7, -44.98

 

CMYK 32 / 57 / 0 / 42

HEX #654095

RGB 101 64 149

HSL 266.12, 0.4%, 0.42%

LAB 35.21, 34.38, -41.02

 

CMYK 17 / 57 / 0 / 42

HEX #7C4095

RGB 124 64 149

HSL 282.35, 0.4%, 0.42%

LAB 38.06, 40.57, -36.31

 

CMYK 1 / 57 / 0 / 42

HEX #934095

RGB 147 64 149

HSL 298.59, 0.4%, 0.42%

LAB 41.28, 46.94, -31.01

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 57 / 57 / 0 / 42

HEX #404095

RGB 64 64 149

HSL 240, 0.4%, 0.42%

LAB 31.64, 25.66, -46.95

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 72 / 65 / 0 / 35

HEX #2E3BA7

RGB 46 59 167

HSL 233.55, 0.57%, 0.42%

LAB 30.64, 32.36, -59.54

 

CMYK 84 / 75 / 0 / 28

HEX #1D2EB8

RGB 29 46 184

HSL 233.42, 0.73%, 0.42%

LAB 28.58, 44.95, -73.11

 

CMYK 94 / 84 / 0 / 21

HEX #0C20C9

RGB 12 32 201

HSL 233.65, 0.89%, 0.42%

LAB 27.65, 57.06, -84.69

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 39 / 35 / 0 / 48

HEX #515684

RGB 81 86 132

HSL 234.12, 0.24%, 0.42%

LAB 37.97, 10.19, -26.4

 

CMYK 15 / 13 / 0 / 55

HEX #626473

RGB 98 100 115

HSL 232.94, 0.08%, 0.42%

LAB 42.69, 2.59, -8.69

 

CMYK 0 / 2 / 16 / 55

HEX #747261

RGB 116 114 97

HSL 53.68, 0.09%, 0.42%

LAB 47.77, -2.4, 9.71

 

CMYK 0 / 5 / 40 / 48

HEX #857F50

RGB 133 127 80

HSL 53.21, 0.25%, 0.42%

LAB 52.67, -5.13, 26.37

 

CMYK 57 / 20 / 0 / 42

HEX #407795

RGB 64 119 149

HSL 201.18, 0.4%, 0.42%

LAB 47.56, -9.07, -21.79

 

CMYK 57 / 35 / 0 / 42

HEX #406195

RGB 64 97 149

HSL 216.71, 0.4%, 0.42%

LAB 40.91, 4.22, -32.15

 

CMYK 57 / 50 / 0 / 42

HEX #404A95

RGB 64 74 149

HSL 232.94, 0.4%, 0.42%

LAB 34.31, 19.1, -42.65

 

CMYK 48 / 57 / 0 / 42

HEX #4D4095

RGB 77 64 149

HSL 249.18, 0.4%, 0.42%

LAB 32.73, 28.47, -45.13

 

CMYK 34 / 57 / 0 / 42

HEX #634095

RGB 99 64 149

HSL 264.71, 0.4%, 0.42%

LAB 34.98, 33.87, -41.4

 

CMYK 58 / 51 / 0 / 64

HEX #272D5C

RGB 39 45 92

HSL 233.21, 0.4%, 0.26%

LAB 20.36, 12.82, -29.09

 

CMYK 58 / 51 / 0 / 53

HEX #333B79

RGB 51 59 121

HSL 233.14, 0.41%, 0.34%

LAB 27.33, 16.44, -36.58

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 57 / 51 / 0 / 30

HEX #4C57B2

RGB 76 87 178

HSL 233.53, 0.4%, 0.5%

LAB 40.52, 23.08, -49.96

 

CMYK 45 / 40 / 0 / 25

HEX #6972BF

RGB 105 114 191

HSL 233.72, 0.4%, 0.58%

LAB 50.45, 17.02, -41.56

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 0 / 57 / 5 / 42

HEX #95408E

RGB 149 64 142

HSL 304.94, 0.4%, 0.42%

LAB 41.23, 46.23, -26.82

 

CMYK 28 / 0 / 57 / 42

HEX #6C9540

RGB 108 149 64

HSL 88.94, 0.4%, 0.42%

LAB 57.13, -28.83, 39.79

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 0 / 57 / 50 / 42

HEX #95404A

RGB 149 64 74

HSL 352.94, 0.4%, 0.42%

LAB 38.81, 36.69, 11.8

 

CMYK 50 / 0 / 57 / 42

HEX #4A9540

RGB 74 149 64

HSL 112.94, 0.4%, 0.42%

LAB 55.4, -40.62, 37.34

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 0 / 57 / 5 / 42

HEX #95408E

RGB 149 64 142

HSL 304.94, 0.4%, 0.42%

LAB 41.23, 46.23, -26.82

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 52 / 42

HEX #409547

RGB 64 149 71

HSL 124.94, 0.4%, 0.42%

LAB 55.11, -42.47, 33.38

 

CMYK 57 / 51 / 0 / 42

HEX #404995

RGB 64 73 149

HSL 233.65, 0.4%, 0.42%

LAB 34.03, 19.76, -43.09

 

CMYK 0 / 57 / 21 / 42

HEX #954075

RGB 149 64 117

HSL 322.59, 0.4%, 0.42%

LAB 40.15, 42.1, -13.16

 

CMYK 0 / 7 / 57 / 42

HEX #958B40

RGB 149 139 64

HSL 52.94, 0.4%, 0.42%

LAB 57.29, -6.38, 40.79

 

CMYK 57 / 0 / 35 / 42

HEX #409561

RGB 64 149 97

HSL 143.29, 0.4%, 0.42%

LAB 55.53, -38, 19.94

 

Description

Color code: HEX #404995 | qconv.com Color code: HEX #404995 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 73 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 73 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 51 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 51% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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