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Color name
HEX #406ACD

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406ACD it is the complementary color #BF9532. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406ACD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406ACD shade: #456AC8, #567CDB, #678EEE, #78A0FF and #89B2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406ACD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406ACD shade: #406ACD, #2F58BA, #1E46A7, #0D3494 and #002281

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406ACD shade: #406ACD, #4044CD, #6240CD, #8840CD and #AE40CD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406ACD shade: #406ACD, #4044CD and #4040CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406ACD shade matches the following richer shades: #406ACD, #2D62E1 and #195AF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406ACD shade: #406ACD, #5372BA, #677AA7, #7A8293 and #8E8980

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406ACD shade: #40B6CD, #4090CD, #406ACD, #4045CD and #6140CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406ACD shade: #264795, #2E57B6, #406ACD, #6184D6 and #829DDE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406ACD shade: #406ACD, #BF40CD and #A3CD40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406ACD shade: #406ACD, #CD406A and #6ACD40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406ACD shade: #406ACD, #BF40CD, #CDA340 and #4ECD40

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406ACD shade: #406ACD, #CD40B1, #CDA340 and #40CD5C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

Complementary color

CMYK 0 / 22 / 74 / 25

HEX #BF9532

RGB 191 149 50

HSL 42.13, 0.59%, 0.47%

LAB 64, 5.92, 55.51

 

CMYK 66 / 47 / 0 / 22

HEX #456AC8

RGB 69 106 200

HSL 223.05, 0.54%, 0.53%

LAB 46.64, 17.33, -52.94

 

CMYK 61 / 43 / 0 / 14

HEX #567CDB

RGB 86 124 219

HSL 222.86, 0.65%, 0.6%

LAB 53.5, 15.71, -52.71

 

CMYK 57 / 40 / 0 / 7

HEX #678EEE

RGB 103 142 238

HSL 222.67, 0.8%, 0.67%

LAB 60.25, 14.39, -52.51

 

CMYK 53 / 37 / 0 / 0

HEX #78A0FF

RGB 120 160 255

HSL 222.22, 1%, 0.74%

LAB 66.79, 12.67, -51.41

 

CMYK 46 / 30 / 0 / 0

HEX #89B2FF

RGB 137 178 255

HSL 219.15, 1%, 0.77%

LAB 72.48, 6.24, -42.39

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 75 / 53 / 0 / 27

HEX #2F58BA

RGB 47 88 186

HSL 222.3, 0.6%, 0.46%

LAB 39.8, 20.53, -55.9

 

CMYK 82 / 58 / 0 / 35

HEX #1E46A7

RGB 30 70 167

HSL 222.48, 0.7%, 0.39%

LAB 32.8, 23.31, -56.03

 

CMYK 91 / 65 / 0 / 42

HEX #0D3494

RGB 13 52 148

HSL 222.67, 0.84%, 0.32%

LAB 25.8, 26.77, -55.96

 

CMYK 100 / 74 / 0 / 49

HEX #002281

RGB 0 34 129

HSL 224.19, 1%, 0.25%

LAB 18.92, 30.81, -55.44

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 69 / 67 / 0 / 20

HEX #4044CD

RGB 64 68 205

HSL 238.3, 0.59%, 0.53%

LAB 37.17, 42.21, -71.2

 

CMYK 52 / 69 / 0 / 20

HEX #6240CD

RGB 98 64 205

HSL 254.47, 0.59%, 0.53%

LAB 39.02, 49.38, -68.07

 

CMYK 34 / 69 / 0 / 20

HEX #8840CD

RGB 136 64 205

HSL 270.64, 0.59%, 0.53%

LAB 43.22, 56.33, -61.05

 

CMYK 15 / 69 / 0 / 20

HEX #AE40CD

RGB 174 64 205

HSL 286.81, 0.59%, 0.53%

LAB 48.35, 64.21, -52.52

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 69 / 67 / 0 / 20

HEX #4044CD

RGB 64 68 205

HSL 238.3, 0.59%, 0.53%

LAB 37.17, 42.21, -71.2

 

CMYK 69 / 69 / 0 / 20

HEX #4040CD

RGB 64 64 205

HSL 240, 0.59%, 0.53%

LAB 36.3, 44.58, -72.64

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 80 / 56 / 0 / 12

HEX #2D62E1

RGB 45 98 225

HSL 222.33, 0.75%, 0.53%

LAB 45.26, 28.5, -69.48

 

CMYK 90 / 63 / 0 / 4

HEX #195AF4

RGB 25 90 244

HSL 222.19, 0.91%, 0.53%

LAB 44.31, 39.36, -81.77

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 55 / 39 / 0 / 27

HEX #5372BA

RGB 83 114 186

HSL 221.94, 0.43%, 0.53%

LAB 48.78, 10.25, -41.41

 

CMYK 38 / 27 / 0 / 35

HEX #677AA7

RGB 103 122 167

HSL 222.19, 0.27%, 0.53%

LAB 51.37, 4.63, -26.25

 

CMYK 17 / 12 / 0 / 42

HEX #7A8293

RGB 122 130 147

HSL 220.8, 0.1%, 0.53%

LAB 54.25, 0.79, -10.13

 

CMYK 0 / 4 / 10 / 44

HEX #8E8980

RGB 142 137 128

HSL 38.57, 0.06%, 0.53%

LAB 57.27, 0.2, 5.48

 

CMYK 69 / 11 / 0 / 20

HEX #40B6CD

RGB 64 182 205

HSL 189.79, 0.59%, 0.53%

LAB 68.72, -25.25, -21.21

 

CMYK 69 / 30 / 0 / 20

HEX #4090CD

RGB 64 144 205

HSL 205.96, 0.59%, 0.53%

LAB 57.51, -4.77, -38.55

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 69 / 66 / 0 / 20

HEX #4045CD

RGB 64 69 205

HSL 237.87, 0.59%, 0.53%

LAB 37.4, 41.6, -70.84

 

CMYK 53 / 69 / 0 / 20

HEX #6140CD

RGB 97 64 205

HSL 254.04, 0.59%, 0.53%

LAB 38.93, 49.22, -68.23

 

CMYK 74 / 52 / 0 / 42

HEX #264795

RGB 38 71 149

HSL 222.16, 0.59%, 0.37%

LAB 32.01, 16.47, -46.43

 

CMYK 75 / 52 / 0 / 29

HEX #2E57B6

RGB 46 87 182

HSL 221.91, 0.6%, 0.45%

LAB 39.2, 19.55, -54.52

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 55 / 38 / 0 / 16

HEX #6184D6

RGB 97 132 214

HSL 222.05, 0.59%, 0.61%

LAB 55.99, 11.43, -45.91

 

CMYK 41 / 29 / 0 / 13

HEX #829DDE

RGB 130 157 222

HSL 222.39, 0.58%, 0.69%

LAB 65.07, 7.05, -35.97

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 7 / 69 / 0 / 20

HEX #BF40CD

RGB 191 64 205

HSL 294.04, 0.59%, 0.53%

LAB 50.86, 67.91, -48.36

 

CMYK 20 / 0 / 69 / 20

HEX #A3CD40

RGB 163 205 64

HSL 77.87, 0.59%, 0.53%

LAB 77.17, -33.71, 62.52

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 0 / 69 / 48 / 20

HEX #CD406A

RGB 205 64 106

HSL 342.13, 0.59%, 0.53%

LAB 49.11, 58.3, 7.86

 

CMYK 48 / 0 / 69 / 20

HEX #6ACD40

RGB 106 205 64

HSL 102.13, 0.59%, 0.53%

LAB 74.25, -53.57, 58.59

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 7 / 69 / 0 / 20

HEX #BF40CD

RGB 191 64 205

HSL 294.04, 0.59%, 0.53%

LAB 50.86, 67.91, -48.36

 

CMYK 0 / 20 / 69 / 20

HEX #CDA340

RGB 205 163 64

HSL 42.13, 0.59%, 0.53%

LAB 69.14, 5.18, 55.33

 

CMYK 62 / 0 / 69 / 20

HEX #4ECD40

RGB 78 205 64

HSL 114.04, 0.59%, 0.53%

LAB 73.32, -60.85, 57.32

 

CMYK 69 / 48 / 0 / 20

HEX #406ACD

RGB 64 106 205

HSL 222.13, 0.59%, 0.53%

LAB 46.72, 18.31, -55.69

 

CMYK 0 / 69 / 14 / 20

HEX #CD40B1

RGB 205 64 177

HSL 311.91, 0.59%, 0.53%

LAB 51.63, 66.67, -30.78

 

CMYK 0 / 20 / 69 / 20

HEX #CDA340

RGB 205 163 64

HSL 42.13, 0.59%, 0.53%

LAB 69.14, 5.18, 55.33

 

CMYK 69 / 0 / 55 / 20

HEX #40CD5C

RGB 64 205 92

HSL 131.91, 0.59%, 0.53%

LAB 73.24, -60.58, 45.02

 

Description

Color code: HEX #406ACD | qconv.com Color code: HEX #406ACD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 106 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 106 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 48 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 48% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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