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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #406DA5 it is the complementary color #BF925A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #406DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #406DA5 shade: #456DA0, #567FB3, #6791C6, #78A3D9 and #89B5EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #406DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #406DA5 shade: #406DA5, #2F5B92, #1E497F, #0D376C and #002559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #406DA5 shade: #406DA5, #4052A5, #4940A5, #6440A5 and #8040A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #406DA5 shade: #406DA5, #4052A5 and #4040A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #406DA5 shade matches the following richer shades: #406DA5, #2D6BB7, #1B69CA and #0867DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #406DA5 shade: #406DA5, #526F92, #657180, #77736D and #8A755A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #406DA5 shade: #40A3A5, #4088A5, #406DA5, #4052A5 and #4840A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #406DA5 shade: #294569, #345987, #406DA5, #5281BC and #7097C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #406DA5 shade: #406DA5, #8B40A5 and #96A540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #406DA5 shade: #406DA5, #A5406D and #6DA540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #406DA5 shade: #406DA5, #8B40A5, #A57740 and #59A540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #406DA5 shade: #406DA5, #A540A0, #A57740 and #40A545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

Complementary color

CMYK 0 / 24 / 53 / 25

HEX #BF925A

RGB 191 146 90

HSL 33.27, 0.44%, 0.55%

LAB 63.65, 10.26, 36.02

 

CMYK 57 / 32 / 0 / 37

HEX #456DA0

RGB 69 109 160

HSL 213.63, 0.4%, 0.45%

LAB 45.28, 1.61, -31.81

 

CMYK 52 / 29 / 0 / 30

HEX #567FB3

RGB 86 127 179

HSL 213.55, 0.38%, 0.52%

LAB 52.3, 0.82, -31.83

 

CMYK 48 / 27 / 0 / 22

HEX #6791C6

RGB 103 145 198

HSL 213.47, 0.45%, 0.59%

LAB 59.17, 0.2, -31.88

 

CMYK 45 / 25 / 0 / 15

HEX #78A3D9

RGB 120 163 217

HSL 213.4, 0.56%, 0.66%

LAB 65.9, -0.3, -31.96

 

CMYK 42 / 23 / 0 / 7

HEX #89B5EC

RGB 137 181 236

HSL 213.33, 0.72%, 0.73%

LAB 72.51, -0.73, -32.07

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 68 / 38 / 0 / 43

HEX #2F5B92

RGB 47 91 146

HSL 213.33, 0.51%, 0.38%

LAB 38.13, 3.52, -34.79

 

CMYK 76 / 43 / 0 / 50

HEX #1E497F

RGB 30 73 127

HSL 213.4, 0.62%, 0.31%

LAB 30.82, 5.25, -34.82

 

CMYK 88 / 49 / 0 / 58

HEX #0D376C

RGB 13 55 108

HSL 213.47, 0.79%, 0.24%

LAB 23.34, 7.74, -34.81

 

CMYK 100 / 58 / 0 / 65

HEX #002559

RGB 0 37 89

HSL 215.06, 1%, 0.17%

LAB 15.72, 11.28, -34.69

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 61 / 50 / 0 / 35

HEX #4052A5

RGB 64 82 165

HSL 229.31, 0.44%, 0.45%

LAB 37.56, 19.45, -47.06

 

CMYK 56 / 61 / 0 / 35

HEX #4940A5

RGB 73 64 165

HSL 245.35, 0.44%, 0.45%

LAB 33.56, 32.75, -53.49

 

CMYK 39 / 61 / 0 / 35

HEX #6440A5

RGB 100 64 165

HSL 261.39, 0.44%, 0.45%

LAB 36.16, 38.47, -49.15

 

CMYK 22 / 61 / 0 / 35

HEX #8040A5

RGB 128 64 165

HSL 278.02, 0.44%, 0.45%

LAB 39.53, 45.22, -43.55

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 61 / 50 / 0 / 35

HEX #4052A5

RGB 64 82 165

HSL 229.31, 0.44%, 0.45%

LAB 37.56, 19.45, -47.06

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 75 / 42 / 0 / 28

HEX #2D6BB7

RGB 45 107 183

HSL 213.04, 0.61%, 0.45%

LAB 44.93, 6.89, -45.9

 

CMYK 87 / 48 / 0 / 21

HEX #1B69CA

RGB 27 105 202

HSL 213.26, 0.76%, 0.45%

LAB 45.08, 13.73, -56.67

 

CMYK 96 / 53 / 0 / 14

HEX #0867DC

RGB 8 103 220

HSL 213.11, 0.93%, 0.45%

LAB 45.52, 21.24, -66.25

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 44 / 24 / 0 / 43

HEX #526F92

RGB 82 111 146

HSL 212.81, 0.28%, 0.45%

LAB 45.96, -0.81, -22.41

 

CMYK 21 / 12 / 0 / 50

HEX #657180

RGB 101 113 128

HSL 213.33, 0.12%, 0.45%

LAB 47.15, -1, -9.77

 

CMYK 0 / 3 / 8 / 53

HEX #77736D

RGB 119 115 109

HSL 36, 0.04%, 0.45%

LAB 48.62, 0.38, 3.86

 

CMYK 0 / 15 / 35 / 46

HEX #8A755A

RGB 138 117 90

HSL 33.75, 0.21%, 0.45%

LAB 50.53, 3.99, 17.95

 

CMYK 61 / 1 / 0 / 35

HEX #40A3A5

RGB 64 163 165

HSL 181.19, 0.44%, 0.45%

LAB 61.66, -27.71, -9.62

 

CMYK 61 / 18 / 0 / 35

HEX #4088A5

RGB 64 136 165

HSL 197.23, 0.44%, 0.45%

LAB 53.4, -13.56, -22.13

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 61 / 50 / 0 / 35

HEX #4052A5

RGB 64 82 165

HSL 229.31, 0.44%, 0.45%

LAB 37.56, 19.45, -47.06

 

CMYK 56 / 61 / 0 / 35

HEX #4840A5

RGB 72 64 165

HSL 244.75, 0.44%, 0.45%

LAB 33.48, 32.56, -53.62

 

CMYK 61 / 34 / 0 / 59

HEX #294569

RGB 41 69 105

HSL 213.75, 0.44%, 0.29%

LAB 28.77, 1.51, -24.19

 

CMYK 61 / 34 / 0 / 47

HEX #345987

RGB 52 89 135

HSL 213.25, 0.44%, 0.37%

LAB 37.16, 1.78, -29.64

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 56 / 31 / 0 / 26

HEX #5281BC

RGB 82 129 188

HSL 213.4, 0.44%, 0.53%

LAB 53.09, 1.61, -35.78

 

CMYK 44 / 24 / 0 / 22

HEX #7097C7

RGB 112 151 199

HSL 213.1, 0.44%, 0.61%

LAB 61.4, -0.68, -28.95

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 16 / 61 / 0 / 35

HEX #8B40A5

RGB 139 64 165

HSL 284.55, 0.44%, 0.45%

LAB 41.01, 48, -41.11

 

CMYK 9 / 0 / 61 / 35

HEX #96A540

RGB 150 165 64

HSL 68.91, 0.44%, 0.45%

LAB 64.78, -19.65, 49.19

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 0 / 61 / 34 / 35

HEX #A5406D

RGB 165 64 109

HSL 333.27, 0.44%, 0.45%

LAB 42.42, 46.15, -4.54

 

CMYK 34 / 0 / 61 / 35

HEX #6DA540

RGB 109 165 64

HSL 93.27, 0.44%, 0.45%

LAB 62.11, -35.92, 45.49

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 16 / 61 / 0 / 35

HEX #8B40A5

RGB 139 64 165

HSL 284.55, 0.44%, 0.45%

LAB 41.01, 48, -41.11

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 46 / 0 / 61 / 35

HEX #59A540

RGB 89 165 64

HSL 105.15, 0.44%, 0.45%

LAB 61.14, -42.72, 44.13

 

CMYK 61 / 34 / 0 / 35

HEX #406DA5

RGB 64 109 165

HSL 213.27, 0.44%, 0.45%

LAB 45.28, 2.25, -34.76

 

CMYK 0 / 61 / 3 / 35

HEX #A540A0

RGB 165 64 160

HSL 302.97, 0.44%, 0.45%

LAB 44.52, 53.81, -32.33

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 61 / 0 / 58 / 35

HEX #40A545

RGB 64 165 69

HSL 122.97, 0.44%, 0.45%

LAB 60.28, -49.04, 40.56

 

Description

Color code: HEX #406DA5 | qconv.com Color code: HEX #406DA5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 109 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 109 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 34 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 34% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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