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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4071A5 it is the complementary color #BF8E5A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4071A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4071A5 shade: #4571A0, #5683B3, #6795C6, #78A7D9 and #89B9EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4071A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4071A5 shade: #4071A5, #2F5F92, #1E4D7F, #0D3B6C and #002959

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4071A5 shade: #4071A5, #4056A5, #4540A5, #6040A5 and #7C40A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4071A5 shade: #4071A5, #4056A5 and #4040A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4071A5 shade matches the following richer shades: #4071A5, #2D70B7, #1B70CA and #086FDC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4071A5 shade: #4071A5, #527192, #657280, #77726D and #8A735A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4071A5 shade: #40A5A1, #408DA5, #4072A5, #4057A5 and #4340A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4071A5 shade: #294869, #345C87, #4071A5, #5285BC and #709AC7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4071A5 shade: #4071A5, #8640A5 and #9BA540

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4071A5 shade: #4071A5, #A54072 and #72A540

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4071A5 shade: #4071A5, #8640A5, #A57240 and #5EA540

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4071A5 shade: #4071A5, #A540A5, #A57240 and #40A540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

Complementary color

CMYK 0 / 26 / 53 / 25

HEX #BF8E5A

RGB 191 142 90

HSL 30.89, 0.44%, 0.55%

LAB 62.64, 12.46, 34.77

 

CMYK 57 / 29 / 0 / 37

HEX #4571A0

RGB 69 113 160

HSL 210.99, 0.4%, 0.45%

LAB 46.46, -0.82, -29.95

 

CMYK 52 / 27 / 0 / 30

HEX #5683B3

RGB 86 131 179

HSL 210.97, 0.38%, 0.52%

LAB 53.46, -1.53, -30.03

 

CMYK 48 / 25 / 0 / 22

HEX #6795C6

RGB 103 149 198

HSL 210.95, 0.45%, 0.59%

LAB 60.3, -2.09, -30.13

 

CMYK 45 / 23 / 0 / 15

HEX #78A7D9

RGB 120 167 217

HSL 210.93, 0.56%, 0.66%

LAB 67.01, -2.54, -30.25

 

CMYK 42 / 22 / 0 / 7

HEX #89B9EC

RGB 137 185 236

HSL 210.91, 0.72%, 0.73%

LAB 73.59, -2.92, -30.4

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 68 / 35 / 0 / 43

HEX #2F5F92

RGB 47 95 146

HSL 210.91, 0.51%, 0.38%

LAB 39.35, 0.97, -32.86

 

CMYK 76 / 39 / 0 / 50

HEX #1E4D7F

RGB 30 77 127

HSL 210.93, 0.62%, 0.31%

LAB 32.07, 2.59, -32.83

 

CMYK 88 / 45 / 0 / 58

HEX #0D3B6C

RGB 13 59 108

HSL 210.95, 0.79%, 0.24%

LAB 24.63, 4.91, -32.75

 

CMYK 100 / 54 / 0 / 65

HEX #002959

RGB 0 41 89

HSL 212.36, 1%, 0.17%

LAB 17.02, 8.24, -32.57

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 61 / 48 / 0 / 35

HEX #4056A5

RGB 64 86 165

HSL 226.93, 0.44%, 0.45%

LAB 38.66, 16.85, -45.29

 

CMYK 58 / 61 / 0 / 35

HEX #4540A5

RGB 69 64 165

HSL 242.97, 0.44%, 0.45%

LAB 33.24, 32, -54.02

 

CMYK 42 / 61 / 0 / 35

HEX #6040A5

RGB 96 64 165

HSL 259.01, 0.44%, 0.45%

LAB 35.73, 37.56, -49.87

 

CMYK 25 / 61 / 0 / 35

HEX #7C40A5

RGB 124 64 165

HSL 275.64, 0.44%, 0.45%

LAB 39.02, 44.23, -44.41

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 61 / 48 / 0 / 35

HEX #4056A5

RGB 64 86 165

HSL 226.93, 0.44%, 0.45%

LAB 38.66, 16.85, -45.29

 

CMYK 61 / 61 / 0 / 35

HEX #4040A5

RGB 64 64 165

HSL 240, 0.44%, 0.45%

LAB 32.86, 31.11, -54.66

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 75 / 39 / 0 / 28

HEX #2D70B7

RGB 45 112 183

HSL 210.87, 0.61%, 0.45%

LAB 46.4, 3.76, -43.56

 

CMYK 87 / 45 / 0 / 21

HEX #1B70CA

RGB 27 112 202

HSL 210.86, 0.76%, 0.45%

LAB 47.09, 9.27, -53.44

 

CMYK 96 / 50 / 0 / 14

HEX #086FDC

RGB 8 111 220

HSL 210.85, 0.93%, 0.45%

LAB 47.74, 16.1, -62.66

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 44 / 23 / 0 / 43

HEX #527192

RGB 82 113 146

HSL 210.94, 0.28%, 0.45%

LAB 46.55, -2, -21.5

 

CMYK 21 / 11 / 0 / 50

HEX #657280

RGB 101 114 128

HSL 211.11, 0.12%, 0.45%

LAB 47.44, -1.59, -9.34

 

CMYK 0 / 4 / 8 / 53

HEX #77726D

RGB 119 114 109

HSL 30, 0.04%, 0.45%

LAB 48.34, 0.96, 3.45

 

CMYK 0 / 17 / 35 / 46

HEX #8A735A

RGB 138 115 90

HSL 31.25, 0.21%, 0.45%

LAB 49.98, 5.14, 17.2

 

CMYK 61 / 0 / 2 / 35

HEX #40A5A1

RGB 64 165 161

HSL 177.62, 0.44%, 0.45%

LAB 62.15, -29.83, -6.64

 

CMYK 61 / 15 / 0 / 35

HEX #408DA5

RGB 64 141 165

HSL 194.26, 0.44%, 0.45%

LAB 54.92, -16.3, -19.8

 

CMYK 61 / 31 / 0 / 35

HEX #4072A5

RGB 64 114 165

HSL 210.3, 0.44%, 0.45%

LAB 46.77, -0.8, -32.43

 

CMYK 61 / 47 / 0 / 35

HEX #4057A5

RGB 64 87 165

HSL 226.34, 0.44%, 0.45%

LAB 38.94, 16.2, -44.84

 

CMYK 59 / 61 / 0 / 35

HEX #4340A5

RGB 67 64 165

HSL 241.78, 0.44%, 0.45%

LAB 33.09, 31.64, -54.28

 

CMYK 61 / 31 / 0 / 59

HEX #294869

RGB 41 72 105

HSL 210.94, 0.44%, 0.29%

LAB 29.73, -0.46, -22.68

 

CMYK 61 / 32 / 0 / 47

HEX #345C87

RGB 52 92 135

HSL 211.08, 0.44%, 0.37%

LAB 38.08, -0.12, -28.19

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 56 / 29 / 0 / 26

HEX #5285BC

RGB 82 133 188

HSL 211.13, 0.44%, 0.53%

LAB 54.24, -0.75, -33.98

 

CMYK 44 / 23 / 0 / 22

HEX #709AC7

RGB 112 154 199

HSL 211.03, 0.44%, 0.61%

LAB 62.24, -2.38, -27.65

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 19 / 61 / 0 / 35

HEX #8640A5

RGB 134 64 165

HSL 281.58, 0.44%, 0.45%

LAB 40.33, 46.73, -42.23

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 0 / 61 / 31 / 35

HEX #A54072

RGB 165 64 114

HSL 330.3, 0.44%, 0.45%

LAB 42.58, 46.79, -7.38

 

CMYK 31 / 0 / 61 / 35

HEX #72A540

RGB 114 165 64

HSL 90.3, 0.44%, 0.45%

LAB 62.39, -34.08, 45.88

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 19 / 61 / 0 / 35

HEX #8640A5

RGB 134 64 165

HSL 281.58, 0.44%, 0.45%

LAB 40.33, 46.73, -42.23

 

CMYK 0 / 31 / 61 / 35

HEX #A57240

RGB 165 114 64

HSL 29.7, 0.44%, 0.45%

LAB 52.29, 14.76, 35.38

 

CMYK 43 / 0 / 61 / 35

HEX #5EA540

RGB 94 165 64

HSL 102.18, 0.44%, 0.45%

LAB 61.36, -41.11, 44.44

 

CMYK 61 / 32 / 0 / 35

HEX #4071A5

RGB 64 113 165

HSL 210.89, 0.44%, 0.45%

LAB 46.47, -0.2, -32.9

 

CMYK 0 / 61 / 0 / 35

HEX #A540A5

RGB 165 64 165

HSL 300, 0.44%, 0.45%

LAB 44.78, 54.68, -34.9

 

CMYK 0 / 31 / 61 / 35

HEX #A57240

RGB 165 114 64

HSL 29.7, 0.44%, 0.45%

LAB 52.29, 14.76, 35.38

 

CMYK 61 / 0 / 61 / 35

HEX #40A540

RGB 64 165 64

HSL 120, 0.44%, 0.45%

LAB 60.22, -49.65, 42.85

 

Description

Color code: HEX #4071A5 | qconv.com Color code: HEX #4071A5 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 113 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 113 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 32 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 32% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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