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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9BA540 it is the complementary color #645ABF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9BA540. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9BA540 shade: #A0A53B, #B1B74E, #C2C961, #D3DB74 and #E4ED87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9BA540. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9BA540 shade: #9BA540, #8A932D, #79811A, #686F07 and #575D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9BA540 shade: #9BA540, #A59440, #A57840, #A55D40 and #A54240

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9BA540 shade: #9BA540, #80A540, #64A540, #49A540 and #40A552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9BA540 shade matches the following richer shades: #9BA540, #AAB72D, #B9CA1B and #C7DC08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9BA540 shade: #9BA540, #8C9252, #7D8065, #6E6D77 and #5F5A8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9BA540 shade: #A57740, #A59240, #9CA540, #81A540 and #66A540

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9BA540 shade: #636929, #7F8734, #9BA540, #B1BC52 and #BEC770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9BA540 shade: #9BA540, #40A55C and #8540A5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9BA540 shade: #9BA540, #409CA5 and #A5409C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9BA540 shade: #9BA540, #40A55C, #4840A5 and #A54088

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9BA540 shade: #9BA540, #40A57B, #4840A5 and #A5406A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

Complementary color

CMYK 48 / 53 / 0 / 25

HEX #645ABF

RGB 100 90 191

HSL 245.94, 0.44%, 0.55%

LAB 43.92, 30.52, -52

 

CMYK 3 / 0 / 64 / 35

HEX #A0A53B

RGB 160 165 59

HSL 62.83, 0.47%, 0.44%

LAB 65.51, -15.75, 52.4

 

CMYK 3 / 0 / 57 / 28

HEX #B1B74E

RGB 177 183 78

HSL 63.43, 0.42%, 0.51%

LAB 72.07, -16.38, 51.54

 

CMYK 3 / 0 / 52 / 21

HEX #C2C961

RGB 194 201 97

HSL 64.04, 0.49%, 0.58%

LAB 78.52, -16.89, 50.5

 

CMYK 4 / 0 / 47 / 14

HEX #D3DB74

RGB 211 219 116

HSL 64.66, 0.59%, 0.66%

LAB 84.88, -17.3, 49.37

 

CMYK 4 / 0 / 43 / 7

HEX #E4ED87

RGB 228 237 135

HSL 65.29, 0.74%, 0.73%

LAB 91.15, -17.63, 48.23

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 6 / 0 / 69 / 42

HEX #8A932D

RGB 138 147 45

HSL 65.29, 0.53%, 0.38%

LAB 58.47, -16.87, 50.38

 

CMYK 6 / 0 / 80 / 49

HEX #79811A

RGB 121 129 26

HSL 64.66, 0.66%, 0.3%

LAB 51.66, -15.99, 50.34

 

CMYK 6 / 0 / 94 / 56

HEX #686F07

RGB 104 111 7

HSL 64.04, 0.88%, 0.23%

LAB 44.7, -14.82, 48.86

 

CMYK 6 / 0 / 100 / 64

HEX #575D00

RGB 87 93 0

HSL 63.87, 1%, 0.18%

LAB 37.58, -13.26, 44.56

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 0 / 10 / 61 / 35

HEX #A59440

RGB 165 148 64

HSL 49.9, 0.44%, 0.45%

LAB 61.26, -4.22, 45.68

 

CMYK 0 / 27 / 61 / 35

HEX #A57840

RGB 165 120 64

HSL 33.27, 0.44%, 0.45%

LAB 53.82, 11.36, 37.18

 

CMYK 0 / 44 / 61 / 35

HEX #A55D40

RGB 165 93 64

HSL 17.23, 0.44%, 0.45%

LAB 47.23, 26.6, 29.27

 

CMYK 0 / 60 / 61 / 35

HEX #A54240

RGB 165 66 64

HSL 1.19, 0.44%, 0.45%

LAB 41.64, 40.76, 22.23

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 22 / 0 / 61 / 35

HEX #80A540

RGB 128 165 64

HSL 81.98, 0.44%, 0.45%

LAB 63.23, -28.68, 47.06

 

CMYK 39 / 0 / 61 / 35

HEX #64A540

RGB 100 165 64

HSL 98.61, 0.44%, 0.45%

LAB 61.65, -39.1, 44.84

 

CMYK 56 / 0 / 61 / 35

HEX #49A540

RGB 73 165 64

HSL 114.65, 0.44%, 0.45%

LAB 60.51, -47.38, 43.25

 

CMYK 61 / 0 / 50 / 35

HEX #40A552

RGB 64 165 82

HSL 130.69, 0.44%, 0.45%

LAB 60.44, -47.24, 34.31

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 7 / 0 / 75 / 28

HEX #AAB72D

RGB 170 183 45

HSL 65.65, 0.61%, 0.45%

LAB 71.28, -21.34, 63.65

 

CMYK 8 / 0 / 87 / 21

HEX #B9CA1B

RGB 185 202 27

HSL 65.83, 0.76%, 0.45%

LAB 77.66, -24.91, 74.3

 

CMYK 10 / 0 / 96 / 14

HEX #C7DC08

RGB 199 220 8

HSL 65.94, 0.93%, 0.45%

LAB 83.62, -27.98, 81.94

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 4 / 0 / 44 / 43

HEX #8C9252

RGB 140 146 82

HSL 65.63, 0.28%, 0.45%

LAB 58.74, -12.3, 33.09

 

CMYK 2 / 0 / 21 / 50

HEX #7D8065

RGB 125 128 101

HSL 66.67, 0.12%, 0.45%

LAB 52.66, -6.05, 14.32

 

CMYK 8 / 8 / 0 / 53

HEX #6E6D77

RGB 110 109 119

HSL 246, 0.04%, 0.45%

LAB 46.42, 2.5, -5.41

 

CMYK 31 / 35 / 0 / 46

HEX #5F5A8A

RGB 95 90 138

HSL 246.25, 0.21%, 0.45%

LAB 40.54, 13.66, -25.95

 

CMYK 0 / 28 / 61 / 35

HEX #A57740

RGB 165 119 64

HSL 32.67, 0.44%, 0.45%

LAB 53.56, 11.93, 36.87

 

CMYK 0 / 12 / 61 / 35

HEX #A59240

RGB 165 146 64

HSL 48.71, 0.44%, 0.45%

LAB 60.72, -3.13, 45.07

 

CMYK 5 / 0 / 61 / 35

HEX #9CA540

RGB 156 165 64

HSL 65.35, 0.44%, 0.45%

LAB 65.24, -17.11, 49.83

 

CMYK 22 / 0 / 61 / 35

HEX #81A540

RGB 129 165 64

HSL 81.39, 0.44%, 0.45%

LAB 63.3, -28.28, 47.15

 

CMYK 38 / 0 / 61 / 35

HEX #66A540

RGB 102 165 64

HSL 97.43, 0.44%, 0.45%

LAB 61.74, -38.41, 44.98

 

CMYK 6 / 0 / 61 / 59

HEX #636929

RGB 99 105 41

HSL 65.63, 0.44%, 0.29%

LAB 42.64, -12.09, 34.43

 

CMYK 6 / 0 / 61 / 47

HEX #7F8734

RGB 127 135 52

HSL 65.78, 0.44%, 0.37%

LAB 54.12, -14.92, 42.49

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 6 / 0 / 56 / 26

HEX #B1BC52

RGB 177 188 82

HSL 66.23, 0.44%, 0.53%

LAB 73.5, -18.59, 51.32

 

CMYK 5 / 0 / 44 / 22

HEX #BEC770

RGB 190 199 112

HSL 66.21, 0.44%, 0.61%

LAB 77.85, -16.05, 42.36

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 61 / 0 / 44 / 35

HEX #40A55C

RGB 64 165 92

HSL 136.63, 0.44%, 0.45%

LAB 60.58, -45.63, 29.3

 

CMYK 19 / 61 / 0 / 35

HEX #8540A5

RGB 133 64 165

HSL 280.99, 0.44%, 0.45%

LAB 40.2, 46.48, -42.46

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 61 / 5 / 0 / 35

HEX #409CA5

RGB 64 156 165

HSL 185.35, 0.44%, 0.45%

LAB 59.51, -24.2, -12.84

 

CMYK 0 / 61 / 5 / 35

HEX #A5409C

RGB 165 64 156

HSL 305.35, 0.44%, 0.45%

LAB 44.33, 53.12, -30.24

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 61 / 0 / 44 / 35

HEX #40A55C

RGB 64 165 92

HSL 136.63, 0.44%, 0.45%

LAB 60.58, -45.63, 29.3

 

CMYK 56 / 61 / 0 / 35

HEX #4840A5

RGB 72 64 165

HSL 244.75, 0.44%, 0.45%

LAB 33.48, 32.56, -53.62

 

CMYK 0 / 61 / 18 / 35

HEX #A54088

RGB 165 64 136

HSL 317.23, 0.44%, 0.45%

LAB 43.42, 49.9, -19.58

 

CMYK 6 / 0 / 61 / 35

HEX #9BA540

RGB 155 165 64

HSL 65.94, 0.44%, 0.45%

LAB 65.16, -17.54, 49.72

 

CMYK 61 / 0 / 25 / 35

HEX #40A57B

RGB 64 165 123

HSL 155.05, 0.44%, 0.45%

LAB 61.16, -39.49, 13.22

 

CMYK 56 / 61 / 0 / 35

HEX #4840A5

RGB 72 64 165

HSL 244.75, 0.44%, 0.45%

LAB 33.48, 32.56, -53.62

 

CMYK 0 / 61 / 36 / 35

HEX #A5406A

RGB 165 64 106

HSL 335.05, 0.44%, 0.45%

LAB 42.32, 45.79, -2.83

 

Description

Color code: HEX #9BA540 | qconv.com Color code: HEX #9BA540 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 165 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 165 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 61 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 61% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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